Eden E210 Manual de usuario

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3

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4012.060

Owners

Manual

E Series Combos

Bass

Guitar

Amplifier

EDEN

THE LEADER

IN

BASS AMPLIFICATION.

~

01/15/

2010

by U. S.

Mu

sic

Corp

. -

Bass

Guitar

Amplifier

E

Series

Combos

OP

E

RATION

MANUAL

Publi

shing Date

01-15-2010

F

OR

EWO

RD

Congratulations

on

the

purchase

of

your

new

Eden

E

Series

Combo

Amplifier

System.

All

of

us

at

Eden

are

totally

committed

to

providing

you

with

the

very

best

bass

guitar

systems

in

their

class.

Our

goals

are

to

offer

you

the

outstand

ing

performance

quality

ofa

top-notch,

professional

bass

amplification

system

at

a

reasonable

price

point,

and

to

make

Eden

amplifiers

the

most

musical

and

reliable

Bass

amplifiers

available.

This

manual

will

cover

domestic

and

international

versions

of

the

E

Series

Combo

Ampl

ifiers,

including

the E2 l0, E4l 0, E2 l2

and

E 115.

The

E

Series

is

powered

by

the

RS320

amplifier

which

delivers

200

watts

RMS

output

@ 8

Ohms

and

320

watts

@ 4

Ohms

, all

with

+

3dB

of

headroom.

This

amplifier

also

features

a

th

ermostatically

controlled

,

active

cool

i

ng

system

wi

th

built-in

thermal

safeties.

You

have

purchased

what

we

feel is

one

of

the finest

bass

amp

lifi

ers

in

it

s

class

.

The

pre-amplifier

section

,

with

its famili

ar

Eden

Enhance

control

and

powerful

semi-parametric

tone

control

system

is

coupled

to

a

gentle

auto-compress

i

on

circuit

, al

lowing

you

to

achieve

a

wide

array

of

sounds.

This

compact

amplifier

houses

modular

circuits

made

with

sup

erior

components

and

designed

for

years

of

trou

bl

e-free

service.

Th

e

Eden

products

g

roup

is

the

result

of

our

quest

for

ultimate

bass

t

one

and

maximum

re

l

iability.

Your ampli

fie

r

was

designed

, en

gineere

d

and

manufactured

equivalent

to

aircraft

vibration

standards

and

housed

in a

welded

steel

chassis

with

steel

top

to

ensure

maximum

re

li

ability

.

The

modular

design

al

l

ows

quick

repair

in

the

field

should

such

a

need

arise

.

The

Eden

line

of

amplifiers

is

the

result

of

our

research

and

d

evelopment

in

combining

high

performance

and

compact

size

.

Just

as a

skilled

craftsman

needs

good

quality

tools

that

won't

let

him

down

on

the

job

,

so

does

a

good

musician.

We

hope

yo

u

enjoy

the

tool

we'v

e

created

for

you

.

Have

fun;

play

low!

Please

read

this

manual

in its

entirety

before

operating

your

new

amplifier.

Failure

to

do

so

could

result

in

misuse

or

damage.

We've

taken

the

time

to

write

it,

which

was

a

lot

longer

than

the

time

it

will

take

for

you

to

read

it

.

Help

us

help

you

by

taking

a

few

moments

to

learn

how

to

properly

use

your

new

amp.

You'll

be

glad

you

did!

CAUTION!

Your

ears

are

your

most

imp

o

rtant

piece

of

equipment.

Unfortunately,

they

cannot

be

replaced

as

easily

as

your

other

gear.

Please

take

the

following

warning

seriously.

Thi

s

product,

when

used

in

combination

with

loudspeakers

and

/

or

additional

amplification

may

be

capable

of

producing

sound

levels

that

could

cause

permanent

hearing

loss.

DO

NOT

operate

at

high

volume

l

evels

or

at

a level

that

is

uncomfortable.

If

you

exper

i

ence

any

discomfort

or

ringing

in

the

ea

rs

or

suspect

hearing

loss,

you

s

hould

consult

an

audiologist.

Thank

you

for

yo

ur

purchase

of

an

Eden

bass

guitar

product.

This

unit

has

been

designed

and

constructed

to

give

you

years

of

trouble-free

service

.

Please

take

the

time

to

review

this

manua

l

and

to

send

in

your

warranty

registration

card.

FRONT PANEL FEATURES

Input

Jack

-

Designed

to

accept

a

standard

1/4-

inch

mono

phone

plug.

For

best

results

use

a.

high

quality

shielded

cable

to

connect

your

instrument

to

the

amplifier.

The

input

is

buffered

and

will

handle

standard

passive,

high

level

active,

and

piezo

input

si

gnals.

Mute

Indicator

-

light

s

when

the

Mute

function

is

engaged

,

which

can

only

by

done

via the

included

footswitch.

Gain C

ontrol

-

Regulates

the

first

gain

stage

of

the

preamplifier

and

controls

the

amount

of

signa

l

available

to

the

system

.

-

12dB

Pad -

Pulling

the

Gain

knob

engages

a -

12dB

pad.

This

feature

is

useful

for

basses

that

have

a

very

high

signa

l l

eve

l.

The

li

ght

is

on

when

the

pad

is

engaged

.

Set

Level/Compression

Indicator

-

This

light

helps

the

u

se

r

se

t

the

appropriate

amount

of

gain.

When

set

properly

, the

indicator

should

light

on

your

loudest

/

lowest

notes,

or

when

the

compressor

is

active.

We'll

go

over

this

in

more

detail

later

in

the

manual.

Edge C

ontro

l

-Allows

you

to

dial

in

a

little

vintage,

tube-style

distortion

as

you

like.

The

control

produces

a

warm

single

-

sided,

even

order

harmonic

distortion

that

sounds

just

like

the

old

tube

heads.

With the

control

turned

fully

counter-clockwise,

the

circuit

is

bypassed.

The

further

to

the

right

you

turn

the

control

the

more

distortion

you

will

get.

The

distortion

is fairly

subt

le

at

l

ow

input

levels

and

is

more

pronounced

at

high

gain

set

tings.

E

nhanc

e C

ontrol

-

called

the"

Magic

Knob"

by

some,

this

complex

control

simultaneously

Boosts

very

low

bass,

upper

middle,

and

high

frequencies

while

putting

a

dip

in

the

lower

middle

frequencies

.

It

is flat

when

set

to its

minimum

level

(fully

counterclockwise).

C

ompr

ess

or

Bypa

ss

-

Pulling

the

Enhance

contro

l all

ows

you to

bypass

the

front

end

Compressor

/Limiter.

The

Compressor

/

Limiter

in

your

unit

is a fixed

threshold

type. You

adjust

the

Compression

l

evel

by

turning

the

gain

control

up

or

down

until

you

get

the

amount

of

compression

you

want.

You

may

find

the

bypass

switch

useful

for

getting

that

maximum

punch

when

you

are

slapping

or

popping

hard

.

S

emi-Parametric

E

quali

zer -

Allows

you to

dial

in a

specific

frequency

to

enhance

or

cut.

This

feature

is

especially

useful

for

upr

i

ght

and

acoustic

bass

guitars

that

h

ave

a

resonant

frequency.

Because

we've

incl

uded

a

bypass

switch

,

you

can

also

use

it

to

create

a

second

tone

that

is

available

instantaneously.

(You're

welcome.)

The

frequency

is

adjustable

from

40Hz

to

IOKHz. The level

can

be

adjusted+

/-

15

dB

.

The

contro

l is FLAT when the level

control

is

at

12:00

pos

ition

(straight

up).

ON

/

OFF

I

ndicator

D.I. Sel

ec

tor

-Allows

the

user

to

choose

to

send

the

D.l.

either

pre-EQ

or

post-EQ.

Three Band Tone C

ontrol

s -

Divides

the

aud

io

spectrum

into thr

ee

bands:

Bass,

Mid,

and

Treble.

The

Bass

and

Treble

controls

are

shelving

type

filters.

The

Mid

contro

l is a band pass

type

filter.

These

controls

give

you a broad

general

control

of

the

tone

shaping.

Ma

sterVolume -

Controls

the

main

stage

sound

level

and

the

H

ead

Phone

outputs

.

He

adphone

Jack

-

Accepts

a

standard

?inch

stereo

or

mono

headphone

plug.

It

can

also

be

used

as

a

Master

Output

send

to

slave

another

amplifier.

DC

Indicator

-

When

lit

,

shows

th

at

the

low

voltage

power

supp

lies

are

operating.

Main

s On/

Off

S

witch

-This

switch

turns

the

system

power

ON

or

OFF

.

The

switch

ill

uminates

to i

ndicate

the pr

esence

of

AC

power

present

in the

chass

i

s.

This

switch

is prior to

the

fuse.

The

light

in

the

switch

may

flicker

depending

on local

voltage

cond

i

tions

.

This

is

normal

and

nothing to be

concerned

about.

NO

TE:

The

Mains

Switch

will

illuminate

even

if

the fuse is

blown

.

However,

the

DC

Indicators

will

not

illuminate

if

the

fuse is

blown.

IM

POR

TA

NT

NO

TE:

When

attached,

the

included

lighted

footswitch

will

defeat

the

Front

Panel

controls

for

the

Mute

to

Tune

and

Enhance

Bypass

functions.

BACK

PANEL

FEATURES

A

mplifi

er

Pow

er

Rating:

RMS

output

(w

i

th

+3 dB

headroom):

200

Watts @ 8

Ohms

320

Watts @ 4

Ohms

C

oolin

g

Syste

m -Your

amp

li

fier

features

a

the

rm

ostat

ically

controlled

fan, whi

ch

will

switc

h

on

when

the

int

ernal

temperature

reaches

130

d

egrees

F.

ln

l

ow

volume

s

itu

ations

(into 8

Ohm

loads)

the

fan

may

not

come

on

at

all.

The

cooling

system al

so

features

a high

temperat

ur

e

therma

l

safety

sys

tem,

which

will

activate

a

circuit

if

the

opera

ting

temperature

goes

above

200

d

egrees

F.

Thi

s

circuit

will

automatically

turn

off

the

outpu

t

of

the

sys

t

em

in

the

event

of

overheating.

It

will

automatically

reset

itself

as

soon

as

the

unit

cools

down

to a

safe

operating

temperat

ur

e.

NOTE:

the

D.J. will

continue

to

operate

normall

y

even

when

the

amp

lifier is in

therma

l

safety

mode.

Only

the

stage

sound

will be lost.

IMPORT

ANT

NO

TE:

Excess

i

ve

h

eat

is a Very

Bad

Thing

and

can

r

esult

in

seve

re d

amage

to

you

r a

mplifier.

DO

NO

T b

ypass

or

di

sco

nn

ec

t any

part

of

you

r

thermal

safety

syste

m.

Doing

so

will

imm

ediately

void

your

warran

t

y!

Co

mbin

ation P

owe

r

Co

rd Jack

and

Fuse

Holder

-The

removable

power

cord

is

attached

here.

To

access

th

e fuse

holder,

pull

the

h

olde

r

out

of

the

top

of

the

power

r

eceptac

le. Your

unit

was

sh

ipp

ed

with

a

spare

fuse in

se

rt

ed

in the fuse

carr

ier.

USE

ONLY

TH

E

SAME

SI

ZE

AN

D

TYP

E FOR REP

LACMENT.

Us

ing a

fuse

with a

different

rating

than

spec

ified is a

VERY

BAD

THING

and

can

cause

damage

to

your

amp

lifier.

All

mod

els

co

me

with

a ho

ld

er

mark

ed

(FUSE)

and

are

facto

ry

configured

for 1

OO/l

20

/

230

/

240

only

and

mu

st be

adapted

by

a

se

rvic

e tech

for

any volta

ge

change.

Fuse

Requir

eme

nt

s:

USA

@

120

Volts /

60

HZ

- 4

Am

ps, 5 x

20

mm

GMC

/T/

slow

blow

Europe

@

240

Volts/

50

Hz-

2Amps

, 5 x

20

mm

GMC/T/

slow

blow

IMPORTA

NT

NOTE:

Always

use

slow

bl

ow

or

time

delay

type

fuses. Do n

ot

use

fast

blow

fuses.

To

convert

yo

ur

ampl

ifi

er

from

US

to

E

urop

ea

n fusing, r

emove

the

Fuse

Hold

er

and

in

se

rt a 2

Amp

slow

blow

fuse

.

Flip

the

fuse

holder

over

and

rein

se

rt.

IMPORTA

NT

NOTE:

1n

order

to

operate

properly

in

parts

of

the

world

not

listed

above,

your

:amplifier

may

require

mi

nor

modifications.

These

modifications

should

be

made

by

a

QUALI

FIE

D

technician.

Contact

your

local

distributor

for

further

information

.

.Auxiliary

S

peak

er

Output

-

This

consist

I/

4-inch

jack

is

wired

in

se

ri

es

. It

allows

you

to

connect

an

additional

speaker

sys

tem

to

your

com

bo. Pl

ease

note

,

how

ever,

that

your

combo

is

designed

to

put

its

full

available

power

i

nto

the

int

ernal

speaker.

S

peaker

On/Off

Sw

itch

-

Th

is

sw

i

tch

turns

off

the

loudspeaker

ou

tpu

t

jacks

allowing

the

user

to

use

the

h

ead

phon

es

only

for

silent

pra

ctice.

Room

mates

and

neighbors

may

really

appreciate

this

feat

ure

,

especially

at

three

in

the

morning.

FX

Loop

(Send

and

Return)

-

These

sta

ndard

I/

4-inc

h

jack

s

allow

you

to

se

nd

and

receive

your

si

gnal

to

and

from

external

d

evices.

The

effects

loop

is

positioned

po

st

(behind)

the

compressor

and

before

the

Enhance

control

and

the

tone

section.

This

loop

is

at

line

level;

do

not

use

instrument

level

effects

in

this

l

oop

as

the

y

tend

to

be

overloaded

by

the

higher

signal

level

wh

ich

can

cause

dis

tortion.

Footswitch

Jack

-

Conne

ct

the

footswitc

h here.

The

footswitch

offers

two

fu n

ctio

ns

that

are

not

available

on

the

amplifier.

(See

be

low.)

D.I.

Level

-

Controls

the

l

eve

l

being

se

nt

from

the

XLR

b

alanced

output

jack.

We s

ugg

est

sett

ing

the

cont

rol

at

approx

im

ately

12

o'clock

initially.

If

the

signal

to

the

board

is

too

hot

, i

t's

better

to

engage

the

Input

Pad

on

your

ch

annel

of

the

board

than

to

turn

it

down

here

,

if

at

all

possib

l

e.

In

general

,

it

's

bett

er

(in

terms

of

signal

-

to

-

noi

se

ratio

and

dynamic

pr

esentation)

to

send

as

hot

a

signal

as

possible

to

the

board.

Howev

er,

you

can

adjust

the

s

ignal

level

,

if

n

ecessa

ry,

so

mak

e s

ure

your

so

undper

so

n

or

recording

engineer

is

aware

of

this

capability

.

G

round

Lift

Switch

-This

sw

i

tch

lifts

the

ground

within

the

bal

anced

output

system

to

allow

you

to

e

liminat

e

excess

ive

noise

/

ground

loops

when

connected

to

external

systems.

Recording

Out

(D.T.)

-Th

is

fu

lly balan

ced

XLR

outpu

t

allows

you

to

send

a

pre-

or

post-

EQ

signa

l to a

recording

or

so

und

rein

fo

rc

ement

mixing

co

n

so

le. We u

se

Pin

2

hot

configuration

.

Ad

justing

th

e

Master

Volume

contro

l

will

not

affect

this

send.

This

output

is

designed

to

us

e

with

phan

tom

powered

systems.

However,

it

never

hurts

to

turn

off

the

phantom

power

at

the

board,

if

possible

.

Tuner

Out

-

Sends

a

signal

to

your

tuner.

When

used

in

conjunction

with

th

e

Mute

function

,

this

allows

silent

tuning.

Vocalists

and

lead

guitarists

love

this

feature.

It

can

also

be

u

se

d

to

prov

i

de

pre-tone

signa

l to oth

er

devices

such

as a

direct

box

or

conso

l

e.The

si

gnal

is

enough

to

pro

vide ade

quate

sig

na

l

to

virtually

eve

ry

tuner

on

the

mark

et.

Mono Pre-EQ E

ff

ec

ts

Se

nd/Re

tur

n -

These

s

tandard

1/4-

inch

jacks

allow

you

to

sen

d and

receive

your

si

gna

l

to

and

from

exte

rnal

d

evices.

This

effects

loop is

posi

tion

ed

post

(be

hind)

the

compressor

and

before

the E

nhan

ce

co

ntrol

and

the

tone

sectio

n.

This

loop

is

at

line l

evel;

do

not

u

se

instrument

l

eve

l

effects

in

this

loop

as

they

tend to be

overloaded

by

the

higher

sig

nal

l

eve

l

which

can

cause

distortion.

F

OOT

S

WIT

CH F

EA

TUR

ES

As

previously

st

at

ed,

th

e

footswitch

activates

t

wo

fea

ture

s

not

available

via

the

amp

lifier itself_

We

th

ink

they

both

qua

lify

as

Really

Neat

Things.

Mut

e

to

Tun

e -

Step

on

this

sw

itch

to

mute

eve

rythin

g exc

ept

the

Tuner

Out. N

ow

you

can

tune

without

bothering

your

singer.

Or

the

audience

. N

eat

,

huh

?

Enhan

ce

By

pa

ss

-

Bypassing

the

Enhance

all

ows

you

to

create

two

different

tones

-

one

with

,

an

d

one

without

Enhance.

Then

,

use

this

switc

h

to

flip

between

the

two.

Even

Nea

ter

,

don't

you

think?

AB

OUTT

H

ES

PEAKERS

Ede

n is

the

only

b

ass

amplifier

manufactur

er

to

design,

engineer

and

build

its

own

drivers.

D

es

igning

and

building

our

own

spea

ker

s

and

high

-fre

quency

drivers

allows

us to

create

far

grea

ter

synergy

betw

ee

n

our

drivers

and

cabinets

than

any

other

manufacturer

can

achieve.

We

can

create

seve

ral sp

ea

ker and/

or

cabinet

prototypes

and

then

test

them

together

to

find

the

best

po

ssible

combina

tion.

No

ot

h

er

manufacturer

has

this

ca

pa

bilit

y,

whic

h is why no

other

man

u

fact

u

re

r

can

eq

u

al

Eden's

sound

an

d reliability.

We

manufac

t

ur

e a

broad

array

of

encl

osu

r

es

to

ensure

the

eve

ry b

ass

i

st

on

th

e pl

anet

can

find

the

p

erfect

cabinets

to

match

his

or

her

playing

style

an

d p

ersona

l

tona

l

requirements.

The

E

combo

line

includes

the

fo llo

wing

models:

E

115

E210

E4

10

E2

12

OP

ERA

TI

NG

I

NST

RUC

TI

ONS

M

ec

ha

ni

c

al

a

nd

Th

e

rm

al I

ss

ues -

Durin

g

operation,

yo

ur

amp

lifier

s

hould

always

be

placed

away

from

so

urce

s

of

moi

st

ur

e

or

h

eat

.

Ca

re s

hould

be

taken

not

to

obstruct

the

ventilation

hol

es

on

the

bottom

and

s

id

es

of

the

unit.

In the

eve

nt

of

thermal

s

hutdo

wn,

you

s

hould

elim

in

ate

the

ca

u

se

of

the

thermal

pr

oblem

(poor

ven

til

ation,

speaker

lo

ads l

ower

than

2 o

hm

s)

immediately.

The

s

uppli

ed

rack

ears

can

be u

se

d to

install

your

amplifier

in

a

conventional

equipment

rack

for

protection

durin

g

transportation.

El

ect

ri

cal

Co

nn

ect

ion -

The

E

amplifier

requires

at

l

eas

t

IO

Amps

of

correct

ly

wired

alternat

ing

current

for

proper

operation.

Providing

less

than

10

Amps

of

power

may

result

in

poor

amp

l

ifier

performance,

so

it's

probably

not

a

good

idea to

plug

al

l

of

your

band's

gear

into

a

sing

le

wall

outlet.

,

Co

nn

ect

ion

s -

All

instrument

-

level

input

connections

(everything

but

the

speakers)

should

be

made

with

high

quality

shielded

cables.

The

use

of

speaker

cables

for

input

connections

wi

ll

resul

t

in

excess

noise.

Speaker

connections

sho

uld

be

made

with

high

quality

I6

gauge

or

heavier

unshielded

speaker

cables.

We

recommend

10

or

12

gauge

cables.

The

use

of

shielde

d

line

or

instrument

cables

for

speake

r

connect

i

ons

can

damage

your

amplifier.

The

speaker

cable

should

be

as

short

as

possibl

e.

INITI

AL

SE

T UP

As

bassists

,

each

of

us

has

in

our

head a

concept

of

our

perfect

sound.

Eden

amplifiers

are

designed

to

help

you

eas

ily

achieve

the

sound

you

hear

inside

you.

Ho

wever,

it's a

multi

-

step

process

as

explained

below.

ln

order

to

ensure

the

ultimate

in

tone

, it's

important

to follow

the

procedure

outlined

below

_

Don't

skip

steps;

don't

jump

around

. Yes, this may

take

a

minute

or

two

,

but

the

work

is

well

worth

it.

Once

they've

done

it

a

few

times,

most

users

can

do it

time

and

again

in

about

a minute_

lMPORTANT

NO

TE: B

efore

you

plug

in

your

unit

for

the

first

time

, pl

ease

do

the

following

things.

Fir

st,

turn

the

power

swi

tch

to

the

OFF

position

.

Check

the

back

of

your

unit

for

the

correct

voltage

notation

for

your

county

of

operation.

Once

yo

u've

ensured

correct

vol

tage

,

set

the

Ma

ster

Volume

control

to

minimum

(fu

lly

counter

-

clockwise).

Set

the

tone

controls

to

the

center

position

( 12:00

or

0).

Turn

the

Enhance

and

Edge

controls

to

the

minimum

po

sition.

Set

the I

nput

Gain

control

to the

minimum

(fully

counter

-

clockwise).

Set

the

Compressor

to

the

OFF

position

(push

the

switch

IN).

This

wil

l

set

your

amplifier

flat

and

with

the

Compresso

r di

sengaged.

Next

,

plug

in

the

power

cord

to

the

AC

inlet

on

the

back

of

the

unit. Use

only

a

safe

grou

nd

ed

receptacle

for

proper

operation

at

the

correc

fl

voltage

for

your

co

untry.

Double

check

to m

ake

certain

your

amplifier

is

set

for

the

correct

voltage

in

your

country.

Double

check

that

all

connections

and

switc

h

es

are

correct

for

your

c

ho

sen

mode

of

operation.

T

urn

On

-

Once

you've

comp

l

ete

d the

steps

above

,

you

can

plug

in

your

ba

ss

and

turn

on

the

unit

(plug

it

in

first,

ok?)

and

Jet's

get

sta

rted. We r

eco

mmend

turning

your

system

on

with

the

Master

Volume

control

set

to

it

s

minimum

position.

This

will

prevent

any

un

expected

signal

from

being

sent

to

your

speakers.

Se

tting

Your

Level

-

Remembe

r, begin with

the

Input

Gai

n, E

nhanc

e,

Comp

r

essor

and

Master

Volume

comp

l

etely

OFF

-fully

counter-c

l

ockwise.

All EQ

should

be

set

flat,

that

is,

at

1

2:00

-

straight

up.

While

playing

your

lowest

note

(or

loudest),

slowly

turn

the

Input

Gain

up until the

Set

Level

light

begins

to

blink

with

regularity.

If

you

go

past

2

or

3

o'clock

,

you

may

engage

the

Gain

Switch

to

better

match

the

gain

of

your

in

strument

to

the

amp]ifier.

If

you

have

disengaged

the

Compressor

as

we

SL

1

ggested,

the

Set

Level

light

will

barely

blink

on

your

loudest

notes

when

you

reach

clipping

in

the

Input

stage

. We

recommend

you

decrease

gain

one

or

two

clicks

to

ensure

there

is no

clipping

in

the

system

.

Once

you

have

properly

set

your

Input

Gain,

turn

the

Master

Volume up

to

a

comfortable

listening

l

evel

and

proceed

with

th

e

rest

of

the

setup

process.

Se

tting

the Co

mpr

essor

-

If

you

want

to

use

compression

,

engage

it

now

by

turning

the-

Compressor

Defeat

switch

OFF

.

The

compres

s

or

light

will

now

blink

when

your

gain

goe

s.

above

the

compression

threshold.

This

will

general

ly

show

up

more

on

th

e l

ower

notes

,

or

when

you

employ

Slapping

.

(A

properly

compressed

Slap

sound

is

very

cool,

indeed.)

If

you

want

more

compression

,

increase

the

Input

Gain

a

little

at

a

time

, until

you

achieve

the

amount

of

compression

you

desire.

SETT

I

NG

YOUR

EQ

The

frequencies

that

you'll

need

to

boost

or

cut

are

dependent

upon

your

instrument,

play

ing

style

,

speaker

cabinets,

and

venue.

Extreme

settings

of

boost

or

cut

are

unlikely

to

be

necessary

or

helpful.

We

are

frequently

asked

to

provide

suggested

settings

for

various

styles

of

play. We

have

discovered

though

,

that

most

of

our

endorsers

tend

to

set

their

EQ

generally

flat

, usi

ng

vary

in

g

amounts

of

the

Enhance

Control

to

achieve

their

sound.

In fact, a

number

of

our

recording

artists

tell

us

that

their

standard

recording

set

-

up

is

to

have

the

Enhance

set

at

approximately

9

or

10

O'clock

and

the tone

controls

set

flat. We

encourage

you

to

experiment

with

different

settings

to

obtain

the

sound

you

desire.

Enhance -

Once

you've

set

your

gain

,

you

can

move

on

to

setting

your

EQ,

beginning

with

the

Enhance

contro

l,

or

Magic

Knob

,

as

some

call

it.

The

Enhance

circu

i

try

adds

very

low

bass

,

upper

mids

and

highs

while

scooping

out

a

bit

oflow

middle.

The

more

Enhance

effect

you

dial

in,

the

greater

the

boost

(and

cut).

As

with

all

of

our

EQ

contro

l

s,

a

little

goes

a l

ong

way

.

Slowly

bring

the

Enhance

control

up

while

playing.

If

you

turn

it

up

close

to

12

:00

on

the

dial

and

still

don't

have

your

sound

,

stop

there.

Return

the

Enhance

to

OFF

or

leave

it

at

no

more

than

12:00

and

work

with

the

EQ

section.

Using the EQ

Co

ntrols -

Before

you

begin

to

twiddle

knobs

,

let's

talk

about

a

few

things.

Excessive

boosting

of

one

or

more

EQ

frequencies

may

cause

an

overload

in

the

EQ

section.

If

this

happens

,

the

EQ

Clip

li

ght

will

engage.

This

is a Very

Bad

Thing

and

needs

to be

corrected

immediately.

If

EQ

clipping

occ

urs,

you

can

either

dec

r

ease

the

boost

or

decrease

the

Input

Gain

.

Remember,

too

,

that

our

EQ

controls

are

active

,

and

are

meant

to

turn

both

ways

-

not

just

UP!

Thi

s

means

that

you

can

enhance

a

certain

frequency

spectrum

either

by

boosting

that

frequency

or

by

cutting

th

e

adjacent

frequencies.

This

latter

method

has

the

advantage

of

maximizing

potentia

l

headroom.

lfpossible;step

wel

l forward

of

your rig

to

get a better idea

of

how

you

will so

und

in the

room

;

You may be

surprised

at

how

different

you

sound

once

you

step

away

from

the

speakers.

NOTE:

Many

players

rely

on

the

Enhance

Control

(and

perhaps

a

little

Midrange

Massage)

to

get

their

sound.

This

method

leaves

the

Bass

and

Treble

controls

available

to

dial

in

to

a

particularly

diffic

ult

room

.

Just

something

to

keep

in

mind

,

ok?

Setti

ng

Bass

Mid

, and Treble -

OK

,

now

it's

time

to

set

the

EQ,

beginning

with

the

Bass

an

d

Treble

controls.

These

controls

cover

a fairly

broad

frequency

spectrum

and

a little

goes

a Jong

way.

Adjust

these

controls

up

or

down

as

needed.

We

suggest

playing

a few

notes

in

various

areas

of

the

neck

so

you

can

hear

what

your

adjustments

have

done

across

the

fretboard.

Usi

ng

the

Se

mi-Parametric

EQ

Control

s -

Adjusting

the

Sem

i

-Pa

ram

etr

ic

control

set

allows

you

to

focus

in

on

particu

l

ar

frequencies

to

achieve

your

desired

tone.

We

suggest

you

spend

some

time

experimenting

wi

th

these

controls

to

learn

more

about

how

they

can

affect

your

sou

nd. H

ere's

an

easy

way

to do that:

Begin

with

the

frequency

contro

l

fully

counterclockwise.

Turn

the

Level

control

to

approx

imat

ely

9:00.

Now,

whi

le

playing,

rotate

the

frequency

control

to

the

right

a

little

at

a

time.

You

sho

uld be

able

to

easily

hear

the

frequencies

this

first

set

of

controls

affects.

Now,

cut

the

Level

control

to

approximately

3:00

and

do

the

sa

me

thing

.

Here

are

a

couple

of

tips

to

help

you

d

ial

in

your

desired

tone:

For

a

great

fretl

ess

tone,

dial

in a little

ext

ra

at

approximately

550Hz

.

For

extra

grind

for

Rock

and

other

aggress

i

ve

music

,

add

a

little

at

l-

l

.2KHz

or

2-

2.2

KHz

.

Remember

,

though

,

that

a

little

goes

a l

ong

way.

Don't

over

boost.

NOTE:

Rememb

er

that

the

tone

you

get

when

playing

alone

may

not

cut

through

as

well

as

you'd

lik

e

when

playing

with

others.

You

may

need

to

adjust

the

tone

controls

to

achieve

the

same

(apparent)

tone

,

especially

in

the

mids

and

high

end.

E

dg

e

Co

ntrol -

If

you

want

to

add

a

touch

of

old-school

style

grit

to

your

sou

nd,

th

is is the

contro

l

for

you.

This

is

not

a

full-shred

type

of

distortion

, however.

Rather

,

it

is

mean

to

add

a

little,

well,

edge

to

your

sound.

This

control

interacts

with

the

Input

Gain

; the

effect

wi

ll

be

:more

noticeable

at

higher

gain

settings.

At

lower

gain

l

evels

,

the

effect

will be

very

s

ubtl

e.

We

recommend

you

spend

some

ti

me

experimenting

with

this

Really

Neat

Feature.