EarthQuaker Devices Levitation Manual de usuario

OPERATION MANUAL

<<< Power Requirements >>>

<<< Tech Specs >>>

• Current Draw: 72mA

• This device take a standard 9 volt DC power supply with a 2.1mm negative center barrel. We

always recommend pedal-specic, transformer-isolated wall-wart power supplies or multiple

isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power.

Switching-type power supplies, daisy chains and non-pedal specic power supplies do not lter

dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

• Input Impedance: 1M Ohm • Output Impedance: <1K Ohm

<<< Warranty >>>

This device has a limited lifetime warranty. If it breaks, we will x it. Should you encounter any

issues, please email info@earthquakerdevices.com.

www.earthquakerdevices.com

<<< Flexi-Switching >>>

This device features Flexi-Switch™ Technology! This relay-based, true bypass switching style

allows you to simultaneously use momentary and latching-style switching.

• For standard latching operation, tap the footswitch once to activate the effect and then tap

again to bypass.

• For momentary operation, hold the footswitch down for as long as you’d like to use the effect.

Once you release the switch, the effect will be bypassed.

Since the switching is relay-based, it requires power to pass signal.

<<< Controls >>>

Mix: This controls how much wet signal

is blended in with the dry. More reverb

clockwise, less counterclockwise.

Length (Toggle): Broad stroke control

for decay time. Shorter to left, longer to

the right.

Decay: Controls the length of the

reverb decay. Longer clockwise, shorter

counterclockwise.

Tone: This is an input bandwidth control

for the reverberated signal. All the way

counterclockwise reduces all low end

content to make a brighter reverb,

turning counterclockwise allows more

low end to pass through resulting in a

fuller reverberated tone.

Atmosphere: This is a harmonic

regeneration control, it feeds the upper

frequencies of the reverb trails back

through to create a more harmonic

(ringing) reverb. More atmosphere

clockwise, less counterclockwise.

Have you ever wanted your tone to soar like a majestic eagle in a vast canyon? Perhaps you are

a simpler mortal and just want your tone to echo like the cries of a sparrow in a small room...

Now you can do both like a champ plus a whole lot more! Welcome to your new Levitation™

reverberation machine! This Levitation device is a vintage-voiced reverb that aims to t

somewhere between dirty sixties chambers, classic spring and the big, ringing plate reverbs

of days gone by. Four knobs and one switch control quite a bit more than you’d expect. Want

a slap back small room sound? Set all of your controls to the minimum and use the mix to dial

in the sound of room devoid of any thing but a guitar and amp. Want to revel in innite spatial

oscillations? Flip the toggle to Long, turn up the Atmosphere (5) and Decay (3) then tune out.

Dial in a bright chiming slap back by turning the Tone (4) all the way counterclockwise and

reducing the Decay. Dime everything for a rattling, full-bandwidth assault. You are only limited

by your imagination! Each of these little Levitation machines are made one at a time, part-by-

part, wire-by-wire in the hamburger capital of the world, Akron, Ohio.

1 2 3

<<< Suggested Settings >>>

Empty Stage Reverb

Open warm, windy reverberation. Colors

dramatically when adding a touch of gain on

the amp. Beautiful chordal reections.

Psychedelic Surfer

Wipe out on your next gig with this splashy

trashy reverberation.

Open Air 1968

Add that extra atmosphere to your solos, or

sassy staccato riffs. Turn the black light on

and put the posters up...

Starchild

Spaced out tracers. Long locks of gypsy hair,

jewels, beads and bangles. Psychedelics and

pedicures.

<<< Suggested Placement >>>

After all dirt and modulation, before signal boosters, and into a clean amp. But, hey, these are

only suggestions, ya know? It’s yours now, so do as you wish.

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