Shure PG48 Manual de usuario



English



Italiano



Français



Español



Deutsch



Português

 

ŏ6KXUH,QFRUSRUDWHG

$5HY

!!!performance

gear™

microphone

guide

6+85(,QFRUSRUDWHGKWWSZZZVKXUHFRP

8QLWHG6WDWHV&DQDGD/DWLQ$PHULFD&DULEEHDQ

:7RXK\$YHQXH1LOHV,/86$

3KRQH86)D[,QWO)D[

(XURSH0LGGOH(DVW$IULFD

6KXUH(XURSH*PE+3KRQH)D[

$VLD3DFLILF

6KXUH$VLD/LPLWHG3KRQH)D[

,WċV<RXU6RXQGŐ

3ULQWHGLQ86$

(QJOLVK



plug in.

play

out.

Welcome to the club

Your new PG microphone is part of a complete vocal, instrument and drum

microphonefamily.It’srealgearforseriousplay.Soyoucanamplifyyourmessage.

Capturetheimaginationofyouraudience.Andmakeaconnectionwithyoursound.

Just as artists, visionaries and social leaders across generations and around the

world have done with Shure products for more than 75 years.

Up and running fast

PGmicrophonesareengineeredtobeeasytooperate.ThePowerUpguideonthe

insidepackagecoverwillhaveyoureadytogoinnotime.Formoredetailedsetup

and usage suggestions, please see page 4 of this guide.

2YHUYLHZPage 2

8VDJHDQG6HWXSPage 4

)HHGEDFNPage 65

7HFKQLFDO6SHFLILFDWLRQVPage 68

0LFURSKRQH&DUHPage 70

$FFHVVRULHVPage 72

0LFURSKRQH*ORVVDU\Page 74

&HUWLILFDWLRQPage 77

)XOO7ZR<HDU:DUUDQW\Page 78



3*0LFURSKRQH2YHUYLHZ

9RFDO0LFURSKRQHV

(QJOLVK

&DUGLRLG '\QDPLF

3*

9RFDO0LFURSKRQH

A great microphone for spoken

word applications.

7DLORUHG

$SSOLFDWLRQV

Lead Vocals

Back up Vocals

&DUGLRLG '\QDPLF

3*

9RFDO0LFURSKRQH

A rugged microphone tuned to

accentuate the clarity of lead and

back up vocals.

!3DJH

7DLORUHG

$SSOLFDWLRQV

Guitar Ampliﬁer

Brass and Saxophone

&DUGLRLG '\QDPLF

3*

,QVWUXPHQW0LFURSKRQH

Aversatilemicrophoneforusewith

ampliﬁed or acoustic instruments.

!3DJH

7DLORUHG

$SSOLFDWLRQV

Acoustic Guitar

Cymbals

Piano

2WKHUDSSOLFDWLRQV

Strings

Woodwinds

Ensembles

&DUGLRLG &RQGHQVHU

3*

,QVWUXPHQW0LFURSKRQH

A sensitive, ﬂat response microphone ideal

for use with acoustic instruments.

%DWWHU\RUSKDQWRPSRZHUUHTXLUHG9GF

!3DJH

)ODW

,QVWUXPHQW0LFURSKRQHV

$SSOLFDWLRQV

Speech

Karaoke

!3DJH

$SSOLFDWLRQV

Kick Drum

Bass Ampliﬁer

&DUGLRLG '\QDPLF

3*

.LFN'UXP0LFURSKRQH

A high-performance microphone

speciﬁcally tuned to capture low-

end punch.

!3DJH



7DLORUHG

$SSOLFDWLRQV

Snare Drum

Rack/Floor Toms

Percussion

&DUGLRLG '\QDPLF

3*

6QDUH_7RP0LFURSKRQH

A compact drum microphone for

closemiking.Drummountincluded.

!3DJH

7DLORUHG



0LFURSKRQH7LSV

'UXP0LFURSKRQHV

The following suggestions will help you get the best sounding results

from your PG microphones:

)RUDFFXUDWHVRXQGUHSURGXFWLRQ

use one microphone per sound source.

7RDYRLGIHHGEDFNDQGXQZDQWHGURRPQRLVH aim the micro-

phone directly toward the sound source and away from reﬂective

sources and loudspeakers. IRUGHWDLOVVHHSDJH

)RUH[WUDEDVVUHVSRQVHDQGOHVVURRPQRLVH work close to the

microphone.

7RPLQLPL]HWKHSLFNXSRIXQZDQWHGKDQGOLQJQRLVH

avoid excessive handling with vocal microphones.

:KLOHFRQQHFWLQJRUGLVFRQQHFWLQJWKHPLFURSKRQH

keep the microphone switch in the “OFF” position.

+ROGYRFDOPLFURSKRQHVE\WKHLUKDQGOHV

and avoid covering the grille with your hand.

!



(QJOLVK



3*8VDJHDQG6HWXS

3*9RFDO0LFURSKRQH

Usage

6SRNHQ:RUG

.DUDRNH

/HDGDQG

%DFNXS

9RFDOV

Desired Response

1DWXUDOVRXQG

Minimal “p” popping

and “s” sounds.

5REXVWVRXQG

Maximum isolation

from other sources.

5REXVWVRXQG

Emphasized bass,

maximum isolation

from other sources.

Setup

cm _ in

away from the mouth, slightly

oﬀ to one side.

cm _in

away from the mouth,

directly in front of microphone.

cm _in

away from the mouth,

directly in front of microphone.

3*9RFDO0LFURSKRQH

(QJOLVK

Usage

*XLWDU

$PSOLILHU

%UDVVDQG

6D[RSKRQH

Desired Response

0RVWDWWDFN

Emphasized bass.

6KDUSDWWDFN

Higher frequency

sound.

0HGLXPDWWDFN

Balanced sound.

%ULJKW

Clear sound.

Setup

cm_in

away from speaker, centered directly in front of

speaker cone.

cm_in

away from speaker, at the edge of speaker cone.

cm_in

awayfromspeaker,directlyinfrontofspeakercone.

cm_in

away from the instrument and directly in

front of the bell.



3*,QVWUXPHQW0LFURSKRQH

(QJOLVK



3*8VDJHDQG6HWXS

3*,QVWUXPHQW0LFURSKRQH

Usage

$FRXVWLF*XLWDU

&\PEDOV

3LDQR

Desired Response

0RUHEDVV

Goodplacementwhen

leakage or feedback

is a problem.

%DVVKHDY\

Full sound.

:DUPPHOORZ

Less detail.

1DWXUDO

Wellbalanced,slightly

bright.

1DWXUDO

(hi-hat)

1DWXUDO

(overhead)

1DWXUDOEULJKW

1DWXUDOEDO

DQFHG

Setup

cm_in

from the sound hole.

cm_in

from the sound hole.

cm_in

from the bridge.

cm_in

above the side, over the bridge.

cm_in

aim microphone down toward cymbal, a few

inches over edge.

cm_in

above drummer’s head.

cm_in

just over open top, above treble strings. Good

placement when only one microphone

is used.

cm_in

just over open top, one microphone above

bassstrings,onemicrophoneabovetreblestrings

for stereo.

(QJOLVK

Usage

.LFN'UXP

%DVV*XLWDU

$PSOLILHU

Desired Response

6KDUSDWWDFN

Maximum bass

sound,highestsound

pressure level.

0HGLXPDWWDFN

Balanced sound.

6RIWDWWDFN

Balanced, resonant

sound.

6KDUSDWWDFN

Emphasized bass.

6KDUSDWWDFN

Higher frequency

sound.

0HGLXPDWWDFN

Full, balanced sound.

Setup

cm_in

away from beater head (inside drum), slightly

oﬀ–center from beater.

cm _in

away from beater head (inside drum), directly in

front of beater.

cm_in

awayfromoutsidehead,directlyinfrontofbeater

(double head kick drum only).

cm_in

from speaker, directly in front of the center of

speaker cone.

cm_in

from speaker, at edge of speaker cone.

cm_in

from speaker, directly in front of the center of

speaker cone.



3*.LFN'UXP0LFURSKRQH

(QJOLVK



3*8VDJHDQG6HWXS

3*6QDUH_7RP0LFURSKRQH

Usage

6QDUH

7RPV

3HUFXVVLRQ

Desired Response

0RVWDWWDFN

Crisp “snap.”



0HGLXPDWWDFN

Full, balanced sound.

0RVWDWWDFN

Natural sound.

Insertthethreaded

end of the drum

mount knob into

the PG56.

Rotatetheknobon

the drum mount

clockwise until it

is tight. Do not

overtighten with

tools.

Clampthebottomof

thedrummountover

the outside edge of

the drum rim.

Pull up to lock into

desired postion.

Insert the XLR

connectorintothe

end of the PG56.

Setup

WRcm_WRin

above rim of top drum head. Aim mic at drum

head.

WRcm_WRin

one PG56 on each tom, or between each pair of

toms, above drum heads. Aim each mic at top

drum heads.

WRcm_WRin

above rim of top head of drum. Aim mic at drum

head.

3*'UXP0RXQW,QVWUXFWLRQV

124

(QJOLVK

)HHGEDFN

*What is feedback?

During the normal operation of any sound system, sound produced by the loudspeakers can be

pickedupbythemicrophones,re-enterthesystemandbecomeampliﬁed.Atcertainpointsthiscan

cause the system to create a noisy, sustained “howl” known as feedback.

)HHGEDFN

)HHGEDFN

(IIHW/DUVHQ 5HDOLPHQWDFLÊQ

5ÚFNNRSSOXQJ

+RZWRDYRLGIHHG

EDFN

1. Position the front of the

microphone as close as

possible to the sound

sourceyou’retryingtomic.

2. Keep the microphone as

far away as possible from

loudspeakers.



Otros manuales para PG48

Este manual sirve para los siguientes modelos

Otros manuales de Micrófono de Shure

Shure

Shure M73G Manual de usuario

Shure

Shure Easyflex EZG Series Manual de usuario

Shure

Shure MV5 Manual de usuario

Shure

Shure PE588 Manual de usuario

Shure

Shure SM35 Manual de usuario

Shure

Shure SM27 Manual de usuario

Shure

Shure Microflex Advance MXA910 Manual de usuario

Shure

Shure KSM9HS Manual de usuario

Shure

Shure BETA 58A Manual de usuario

Shure

Shure Microflex MX391 Series Manual de usuario

Shure

Shure 55SH Series II Manual de usuario

Shure

Shure Easyflex EZG/12 Manual de usuario

Shure

Shure Microflex MX395 Manual de usuario

Shure

Shure PE585 UNISPHERE Manual de usuario

Shure

Shure UNIDYNE 580SA Manual de usuario

Shure

Shure 589C Manual de usuario

Shure

Shure BETA 98AMP Manual de usuario

Shure

Shure 526T Series II Super Punch Manual de usuario

Shure

Shure PG42-USB Manual de usuario

Shure

Shure Microflex MX392 Manual de usuario

Shure

Shure 568SA-LC Manual de usuario

Shure

Shure SM89 Manual de usuario

Shure

Shure UNISPHERE 565SD Manual de usuario

Shure

Shure 522 Manual de usuario

Manuales populares de Micrófono de otras marcas

IK Multimedia

IK Multimedia iRig Stream MIC PRO Manual de usuario

DAPAudio

DAPAudio RM-101 Manual de usuario

AKG

AKG CHM 21 Manual de usuario

Sennheiser

Sennheiser evolution wireless series EM 100 Manual de usuario

Sony

Sony C-48 Manual de usuario

GIGAMEDIA

GIGAMEDIA GGM PAMICUHFG Manual de usuario

auna PRO

auna PRO MIC-900 Manual de usuario

AKG

AKG D 3800 Manual de usuario

MAIIN SOUND

MAIIN SOUND IIN style Manual de usuario

Earthworks

Earthworks TC25 Manual de usuario

Sennheiser

Sennheiser evolution D1 Manual de usuario

Alesis

Alesis MicLink Wireless Manual de usuario

DSPPA

DSPPA D6234 Manual de usuario

Monacor

Monacor IMG STAGELINE ECM-300B Manual de usuario

Ansr Audio

Ansr Audio Scan16 Manual de usuario

JLab

JLab GO TALK Manual de usuario

Renkforce

Renkforce TY-109 Manual de usuario

Trust

Trust 31008 Manual de usuario