Kodak EKTAGRAPHIC 220 Manual de usuario

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1

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IMPORTANT

SAFETY

INSTRUCTIONS

When

using

your

photographic

equip¬

ment,

basic

safety

precautions

should

always

be

followed,

including

the

follow¬

ing:

1.

Read

and

understand

all

instructions

be¬

fore

using.

2.

Close

supervision

is

necessary

when

any

appliance

is

used

by

or

near

children.

Do

not

leave

appliance

unattended

while

in

use.

3.

Care

must

be

taken

as

burns

can

occur

from

touching

hot

parts.

4.

Do

not

operate

appliance

with

a

dam¬

aged

cord

or

if

the

appliance

has

been

dropped

or

damaged—-until

it

has

been

examined

by

a

qualified

serviceman.

5.

Position

the

cord

so

that

it

wiil

not

be

tripped

over,

pulled,

or

contact

hot

sur¬

faces.

6.

If

an

extension

cord

is

necessary,

a

cord

with

a

current

rating

at

least

equal

to

that

of

the

appliance

should

be

used.

Cords

rated

for

less

amperage

than

the

appli¬

ance

may

overheat.

7.

Always

unplug

appliance

from

electrical

outlet

before

cleaning

and

servicing

and

when

not

in

use.

Never

yank

cord

to

puii

plug

from

outlet.

Grasp

plug

and

pull

to

disconnect.

8.

Let

appliance

cool

completely

before

put¬

ting

away.

Loop

cord

loosely

around

appliance

when

storing.

9.

To

reduce

the

risk

of

electric

shock,

do

not

immerse

this

appliance

in

water

or

other

liquids.

10.

To

reduce

the

risk

of

electric

shock,

do

not

disassemble

this

appliance,

but

take

it

to

a

qualified

serviceman

when

service

or

repair

work

is

required.

Incorrect

reas¬

sembly

can

cause

electric

shock

when

the

appliance

is

used

subsequently.

11.

The

use

of

an

accessory

attachment

not

recommended

by

the

manufacturer

may

cause

a

risk

of

fire,

electric

shock,

or

injury

to

persons.

12.

Connect

this

appliance

to

a

grounded

out¬

let.

13.

Disconnect

this

unit

from

its

source

of

supply

before

replacing

the

projection

lamp.

SAVE

THESE

INSTRUCTIONS

INTRODUCTION

Congratulations

on

the

purchase

of

your

new

KODAK

EKTAGRAPHIC

AudioViewer/Projector.

Please

study

this

instruction

manual.

Knowing

how

your

Audio¬

Viewer/Projector

works

will

help

you

to

communicate

your

message

to

your

audience

more

effectively.

The

current

family

of

KODAK

EKTAGRAPHIC

AudioViewerI

Projectors

has

four

models:

the

Models

220,

270,

470,

and

570AF.

The

Model

220

is

a

minimum-investment

machine

for

playback

of

synchronized

soimd-slide

programs

for

almost

any

application

in

which

automatic

slide

projection

with

sound

for

an

individual

or

a

small

group

is

required.

The

Model

570AF

provides

additional

features

for

maximum

equip¬

ment

versatility,

such

as

autofocus

capability

and

a

variable

electronic

timer

for

silent

automatic

slide

advance.

The

Models

270

and

470

offer

a

range

of

features

in

between

these

two

models

to

satisfy

your

particular

needs.

IMPORTANT:

This

instruction

manual

explains

all

of

the

operational

features

of

our

top-of-the-line

AudioViewer/

Piojector—the

Model

570Ar.

It

therefore

describes

in

detail

features

that

your

AudioViewer/Projector

may

not

have.

To

become

familiar

with

the

features

provided

by

your

Audio-

Viewer/

Projector,

and

to

make

this

instruction

manual

as

useful

to

you

as

possible,

scan

the

list

of

features

under

“Standard

Features

of

the

Current

Line

of

KODAK

EKTAGRAPHIC

AudioViewer/

Projectors;”

then

study

the

“Feature

Comparison

Chart—

K

ODAK

EKTAGRAPHIC

AudioViewer/Projectors”

so

that

you

will

be

able

to

identify

the

instructions

that

apply

to

your

machine.

(For

your

convenience,

specific

AudioViewer/Projector

models

are

identified

in

the

instructions,

where

appropriate.)

For

Help

If

you

ever

need

technical

assistance

with

your

AudioViewer/

Projector,

please

contact

your

local

dealer

in

Kodak

audiovisual

products

or

call

Kodak

at

1-800-242-2424

from

9

a,m,

to

8

p.m.,

(eastern

time

zone)

Monday

through

Friday.

©Eastman

Kodak

Company,

1985

TAPE

PAUSE/RESTART

BUTTON

(Also

used

for

recording

program-

pause

signals.)

This

page

is

designed

to

be

left

open

so

that

you

can

simulta¬

neously

refer

to

controls

and

fea¬

tures

of

the

AudioViewer/Projec¬

tor

identified

on

this

page

and

discussed

on

following

pages.

CABINET-MOUNTED

HANDLE

(Usable

with

tray

installed)

TAPE

PAUSE/RESTART

LIGHT-

SLIDE-FORWARD

BUTTON

(Also

used

for

recording

slide-

advance

signals.)

TRAY-REMOVAL

SCREW

TRAY

LOCK

RING

(Be

sure

this

ring

is

firmly

locked

to

prevent

spilling

slides

if

the

tray

is

removed

and

inverted.)

SLIDE-FOCUS

KNOB

TAPE

STOP/EJECT

BUTTON-

AUTOFOCUS

ON/OFF

SWITCH

TAPE-PLAY

BUTTON

-

SLIDE-REVERSE

BUTTON

TAPE-FORWARD

BUTTON

—

SLIDE-SELECT

BUTTON

TAPE-REWIND

BUTTON

—

IMAGE-

MAGNIFYING

LEVER

TAPE-RECORDING

BUTTON

-

(To

record,

press

with

tape

PLAY

button.)

SIGNAL-RECORDING

LIGHT

FRONT

PROJECTION

DOOR

POWER

SWITCH

(ON/OFF)

CASSETTE-

WELL

COVER

AUDIO-TREBLE

CONTROL

(TONE)

VOLUME

CONTROL

(VOLUME)

QUICK

LOCKING

ELEVATION

LATCH

AUDIO-RECORDING

LIGHT

ELEVATION

LEG

(RIGHT)

Serial

Number

The

serial

number

of

your

Audio-

Viewer/Projector

is

located

on

the

data

plate

on

the

bottom

of

your

machine.

Record

it

for

future

reference.

BUILT-IN

VIEWING

SCREEN

BUILT-IN,

BOTTOM-MOUNTED,

OMNIDIRECTIONAL

.

LOUDSPEAKER

OMNIDIRECTIONAL,

HAND-HELD

MICROPHONE

(Models

270,

470,

and

570AF)

ELEVATION

LEG

(LEFT)

THREE-POSITION

PROJECTION-LAMP

SWITCH

(HI/LO/EXTERNAL

HEADPHONE

PROJECTOR)

MICROPHONE

JACK

OUTLET

I

EXTERNAL-PROJECTOR

INTERCONNECT

OUTLET

REMOTE

TAPE-CONTROL

VARIABLE

ELECTRONIC

TIMER

(automatic

L

siide

advance:

2-24

\

seconds)

EXTERNAL-

LOUDSPEAKER

OUTLET

(SPK)

CONTROL

OUTLET

TABLE

OF

CONTENTS

FEATURE

COMPARISON

CHART—THE

KODAK

EKTAGRAPHIC

AUDIOVIEWER/

PROJECTOR,

MODELS

220,

270,

470,

AND

570AF.

1

STANDARD

FEATURES

OF

THE

CURRENT

LINE

OF

KODAK

EKTAGRAPHIC

AUDIOVIEWER/PROJECTORS

.

1

OPERATING

INSTRUCTIONS

.

1

Preparing

the

Audio

Viewer/Projector

for

Program

Playback

.

1

Using

the

Built-In

Viewing

Screen.

2

Focusing

the

Image

.

2

Using

the

Image-Magnifying

System.

2

Using

an

External

Front-Projection

Screen

.

3

Raising

and

Leveling

the

Image.

3

Using

the

Built-In

Cassette

Machine

.

3

OPERATING

CONTROLS

.

4

Slide

Controls.

4

Slide-focus

knob

.

4

Autofocus

on/off

switch.

4

Slide-forward

button

.

4

Slide-reverse

button.

4

Slide-select

button.

4

Projection-lamp

switch

.

4

Image-magnifying

lever.

4

Variable

electronic

timer.

4

Slide

Control

Outlets

and

Jacks.

4

External-projector

interconnect

outlet.

4

Using

a

Single

External

Slide

Projector

with

the

External-Projector

Interconnect

Outlet.

4

Using

a

KODAK

EKTAGRAPHIC

Programmable

Dissolve

Control

(and

two

slide

projectors)

with

the

External-Projector

Interconnect

Outlet

.

5

Cassette

Tape

Controls

and

Visual

Indicators.

5

Tape-recording

button.

5

Tape-forward

button

.

5

Tape-rewind

button.

5

Tape-play

button.

5

Tape

stop/eject

button.

5

Tape

pause/restart

button.

5

Tape

pause/restart

light

.

5

Signal-recording

light

.

5

Audio-recording

light

.

5

Cassette

Tape

Outlets,

Jacks,

and

Microphone

....

5

Remote-control

outlet

.

5

Headphone

outlet

.

6

Microphone

jack.

6

External-loudspeaker

outlet.

6

Omnidirectional

handheld

microphone.

6

OTHER

WAYS

TO

SHOW

SLIDES

.

6

SHUTDOWN.

6

PREPARING

NEW

SOUND-SLIDE

PROGRAMS

(Models

270,

470,

and

570AF)

.

7

Writing

the

Outline,

Writing

the

Script,

and

Planning

the

Visuals.

7

Indicating

slide-advance

pulses

in

the

script.

8

Placement

of

program-pause

signals

in

the

script.

8

Editing,

arranging

the

slides,

and

loading

the

tray.

8

How

to

avoid

image

cropping.

9

Practicing

the

program

(before

recording

it).

9

Recording

the

program

on

the

tape

.

9

Recording

the

audio.10

Evaluating

the

soundtrack

and

correcting

any

errors

.10

How

to

record

the

slide-advance

pulses

.10

How

to

record

the

program-pause

signals.11

Evaluating

the

slide-advance

pulses

(and

program-pause

signals);

correcting

any

errors

.11

Evaluating

the

finished

program.11

Recording

narration

and

background

music

simultaneously.11

PREVENTING

ACCIDENTAL

ERASURES

OF

YOUR

PROGRAM

TAPES.

12

IN

CASE

OF

DIFFICULTY

.

12

Slide

tray

jammed?.12

Projection

lamp

burned

out?

(How

to

change

the

projection

lamp).12

Tray

advance

unreliably?.13

OWNER’S

MAINTENANCE

.

13

Cleaning

the

built-in

tape

deck.13

Cleaning

the

built-in

viewing

screen.13

Adjusting

the

position

of

the

image

on

the

built-in

viewing

screen

.13

Vertical

image

alignment

.13

Horizontal

image

alignment

.13

Adjustment

of

lifter

height.14

Aligning

the

image-magnifying

system

.14

MAGNETIC

CASSETTE

TAPES

Cassette

tape

track

configuration

of

the

EKTAGRAPHIC

Audio

Viewer/Projector.14

Playing

continuously

repeating

sound-

slide

programs.15

Some

sources

of

endless-loop

compact

cassettes

designed

to

be

played

in

the

vertical

plane

...

15

USING

A

KODAK

EC

REMOTE

CONTROL

WITH

AN

EKTAGRAPHIC

AUDIOVIEWER/

PROJECTOR.

16

SPECIFICATIONS.

16

DIMENSIONAL

LINE

DRAWINGS

FOR

THE

KODAK

EKTAGRAPHIC

AUDIOVIEWER/PROJECTOR

.

17

WARRANTY.

Outside

Back

Cover

EASTMAN

KODAK

COMPANY

EQUIPMENT

SERVICE

CENTERS

.

Outside

Back

Cover

FEATURE

COMPARISON

CHART—THE

KODAK

EKTAGRAPHIC

AUDIOVIEWER/PROJECTOR,

MODELS

220,

270,

470,

AND

570AF

Features

Models

220

270

470

570AF

Plays

programs

that

conform

to

ANSI

Standard

PH7.4-1975

•

•

•

•

Erases,

records,

and

plays

back

au¬

dio

and

slide-advance

pulses

(visual

recording

light,

omnidirectional

mi¬

crophone,

microphone

jack,

and

re¬

mote

tape-control

jack

included).

•

•

•

Erases,

records,

and

plays

back

automatic

program-pause

signals

{tape

restart

button

and

tape-stop

visual

indicator

included).

•

•

Autofocus

capability

with

ON/OFF

switch

•

Variable

electronic

timer

provides

silent

automatic

slide

advance.

(Rates:

2-24

seconds)

•

STANDARD

FEATURES

OF

THE

CURRENT

LINE

OF

KODAK

EKTAGRAPHIC

AUDIOVIEWER/PROJECTORS

•

Will

play

programs

conforming

to

ANSI

Standard

PH7.4-1975.*

•

Image

viewing

on

built-in

viewing

screen

or

external

front-projection

screen.

(External

screen

not

provided.)

•

Image-magnifying

lever

to

enlarge

images

by

about

50

percent.

•

External-projector

interconnect

outlet

allows

control

of

external

slide

projec¬

tor

(or

dissolve

control

and

two

slide

projectors)

for

use

with

a

variety

of

projection

lenses.

•

Choice

of

manual

forward-and-reverse

projection

with

push

buttons

on

the

machine

or

with

optional

remote

control.

•

Manual

focus

knob

for

convenient

focus

adjustment.

•

Will

accept

any

KODAK

Slide

Tray

(except

Pocket

CAROUSEL

Slide

Trays).

NOTE:

Tray

not

included

with

AudioViewer/Projector.

•

Will

accept

KODAK

EC

Stack

Loader

(for

forward

operation

only).

•

Dark-screen

shutter

blocks

projection

light

beam

when

gate

is

empty.

•

Automatic

end-of-tape

stop

helps

prevent

damage

to

tape.

(Tape-control

buttons

return

to

their

released

position

when

tape

ends.)

•

HI/LO/EXT

(High,

Low,

External-Projector)

projection-lamp

switch

provides

high

brightness,

extended-life

brightness,

or

turns

the

lamp

off

when

an

external

slide

projector

(or

dissolve

control

and

two

slide

projectors)

is

being

advanced

by

the

built-in

tape

deck,

slide-forward

button,

or

variable-

electronic

timer

(Model

570AF

only)

of

the

AudioViewer/Projector.

•

Adjustable

legs

provide

quick

image

elevation.

•

Built-in

omnidirectional

loudspeaker.

•

Separate

outlets

for

an

external

loudspeaker

and

headphones.

•

Convenient

slide

tray

storage.

•

Foldaway

handle

(usable

with

tray

installed).

•

Coin-slotted

tray-removal

screw

for

removing

tray

when

slide

is

jammed

in

gate.

•

Thermal

fuses

to

prevent

overheating.

•

Permanently

attached

three-wire

grounded

power

cord.

•

Slide-change

time

of

1

second

(about

the

same

as

a

KODAK

EKTAGRAPHIC

in

Projector).

•

UL

listed.

•

CSA

Certified.

*A

copy

of

this

Standard

can

be

purchased

from

the

American

National

Standards

Institute,

Inc.,

1430

Broadway,

New

York,

NY

10018.

OPERATING

INSTRUCTIONS

To

play

back

a

sound-slide

pro¬

gram

with

your

KODAK

EKTAGRAPHIC

AudioViewer/

Projector,

follow

the

steps

listed

below:

You

will

need

a

program

recorded

in

conformance

with

ANSI

Standard

PH7.4

—1975.

(Any

program

recorded

with

an

EKTAGRAPHIC

Audio

Viewer/Projector

or

EKTAGRAPHIC

AudioViewer

can

be

used.)

Preparing

the

AudioViewer/

Projector

for

Program

Playback

1.

Place

the

AudioViewer/

Projector

on

a

sturdy

support.

(The

rubber

feet

are

nonmarring.)

2.

Turn

the

storage-door

latches

on

the

back

of

the

Audio-

Viewer/Projector

counter¬

clockwise

and

open

the

storage

door

from

the

top.

a.

Uncoil

the

permanently

at¬

tached

power

cord

and

run

it

through

the

slot

of

the

storage

door.

b.

Close

the

storage

door

and

re¬

lock

both

latches.

POWER

CORD

3.

P

lug

the

AudioViewer/Prqjec-

tor

into

a

grounded

120

V,

60

Hz

power

outlet.

1

SLIDE-NUMBER

“0”

GATE

INDEX

a.

Place

the

tray

of

slides

on

the

AudioViewer/Projector

with

slide

number

"’0”

at

the

gate

index.

(If

the

tray

does

not

seat

properly

on

the

Audio

Viewer/

Projector,

remove

the

tray

and

rotate

the

bottom

metal

plate

of

the

tray

until

the

metal

plate

locks

into

the

’*0”

position.)

b.

Replace

the

tray

on

the

Audio¬

Viewer/Projector,

4.

T

urn

on

the

AudioViewer/

Projector

by

moving

the

power

button

to

the

ON

position.

a.

The

projection

lamp

will

turn

on.

b.

The

motor

and

fan

will

also

start

but

the

built-in

viewing

screen

(or

built-in

front-projec¬

tion

lens)

will

remain

dark

be¬

cause

the

dark-screen

shutter

opens

to

allow

the

light

beam

to

project

only

when

a

slide

is

in

the

gate.

Using

the

Built-In

Viewing

Screen

5.

Set

the

projection-lamp

switch

(HI/

LO/EXT)

to

the

low

(LO)

position.

a.

Low

(LO)

is

normally

used

for

projecting

images

onto

the

built-in

viewing

screen,

b.

High

(HI)

is

normally

used

for

a

brighter

image

when

project¬

ing

onto

an

external

front

screen

(using

the

built-in

front-

projection

lens).

Using

high

with

the

built-in

viewing

screen

will

not

damage

the

AudioViewer/Projector,

the

built-in

screen,

nor

the

slides.

c.

The

function

of

the

external

position

of

the

lamp

switch

(EXT)

is

discussed

on

page

4,

under

the

heading,

"Projec¬

tion-lamp

switch

(HI/LO/

EXT),”

and

also

under

"Exter¬

nal-

projector

interconnect

outlet,”

6.

Press

the

slide-forward

button

to

advance

the

tray

to

a

slide.

An

image

will

appear

on

the

screen.

Focusing

the

Image

7.

F

ocus

the

image.

a.

Model

570AF:

Move

the

AUTOFOCUS

ON/OFF

SWITCH

to

the

ON

position.

If

possible,

focus

on

an

open-

frame

cardboard-mounted

slide,

rather

than

on

a

glass-

mounted

slide;

the

autofocus

mechanism

will

then

focus

automatically

on

each

slide

type,

even

when

intermixing

cardboard,

plastic,

and

metal

mounts

(with

the

exception

of

glass-mounted

black-and

white

slides).

b.

Models

220,

270,

and

470:

Manual

focusing

is

normally

needed

only

once

at

the

begin¬

ning

of

the

slide

program

if

all

slide

mounts

are

the

same

type.

If

cardboard

and

glass-mounted

slides

are

intermixed,

however,

refocusing

for

each

mount

type

may

be

necessary.

Using

the

Image-Magnifying

System

8.

T

o

magnify

the

image

for

close-up

study,

press

in

and

lower

the

image-magnifying

lever.

a.

The

center

portion

of

a

24

x

36

mm

transparency

is

magni¬

fied

about

50

percent

to

fill

the

built-in

viewing

screen.

b.

Refocus

the

image.

(The

image

magnifier

also

works

when

pro¬

jecting

onto

an

external

front-

projection

screen.)

IMAGE-MAGNIFYING

LEVER

IMAGE

IN

MAGNIFIED

MODE

2

Using

an

External

Front-Projection

Screen

NOTE;

For

optimum

image

brightness

and

quality,

the

sug¬

gested

distance

between

the

exter¬

nal

front-projection

screen

and

AudioViewer/Projector

is

3

to

12

feet

(0.91

metre

to

3.7

metres).

9.

T

o

project

onto

an

external

screen:

a.

Place

the

projection-lamp

switch

at

high

(HI)

and

move

the

front-projection

door

to

the

right.

This

will

expose

the

per¬

manently

installed

77

mm

//3.5

front-projection

lens.

b.

Refocus

the

image

on

the

exter¬

nal

screen.

Raising

and

Leveling

the

Image

10.

T

o

raise

and

level

the

image

a.

Press

and

hold

down

both

inde¬

pendently

adjustable

elevation

latches.

b.

Raise

and

adjust

the

front

of

the

Audio

Viewer/Projector

to

the

desired

angle.

Using

the

Built-in

Cassette

Machine

12.

Press

the

tape

stop/eject

button

(STOP/EJECT)

to

open

the

cassette

well.

IMPORTANT:

Unlike

most

cas¬

sette

machines,

the

AudioViewer/

Projector

requires

the

cassette

to

be

oriented

so

that

a.

The

full

reel

of

rewound

tape

on

the

supply

reel

is

located

on

the

bottom—not

at

the

top.

(The

empty

takeup

reel

is

located

on

top.)

b.

The

open-tape

side

of

the

cas¬

sette

faces

forward

(toward

you).

c.

Side

A

of

the

tape

faces

away

from

the

machine.

FRONT-PROJECTION

DOOR

c.

R

elease

the

latches.

11.

R

everse

the

tray

to

the

beginning

of

the

program.

Press

the

slide-reverse

button

un¬

til

slide-number

"0”

is

at

the

gate

index.

Suggested

front-projection

distance

is

3-12

feet.

13.

Insert

the

Cassette

into

the

Cassette

Well.

a.

Orient

the

cassette

as

de¬

scribed

above

and

gently

press

the

cassette

into

the

cassette

well;

then

close

the

cassette-

well

cover.

b.

Press

the

tape-play

button.

The

tape

will

start

playing.

c.

Adjust

volume

and

tone.

d.

Refocus

if

necessary.

3

OPERATING

CONTROLS

Slide

Controls

Slide-focus

knob:

Turn

this

knob

in

either

direction

to

focus

images.

With

the

Model

570AF,

place

the

autofocus

on/off

switch

at

the

ON

position

and

focus

the

first

image

only.

Subsequent

images

will

remain

in

focus,

even

when

using

mixed

types

of

mounts,

providing

the

autofocus

ON/

OFF

switch

is

kept

on.

Autofocus

on/off

switch:

This

switch

(Model

570AF

only)

must

be

set

at

ON

for

the

autofocus

mecha¬

nism

to

operate.

Slide-forward

button:

Press

and

re¬

lease

this

button

once

to

advance

the

tray

to

the

next

slide.

Hold

it

down

to

advance

the

tray

rapidly.

Pressing

this

button

while

the

Audio

Viewer/Projector

is

in

the

re¬

cording

mode

(Models

270,

470,

and

570AF)

advances

the

tray

and

records

a

1000

Hz

slide-advance

pulse

on

the

projector-control

track

of

the

tape.

(See

page

15

for

information

on

the

tape-track

configuration

of

the

Audio-

Viewer/Projector,

under

the

heading

"Magnetic

Cassette

Tapes.”

Slide-reverse

button:

Press

and

re¬

lease

this

button

once

to

reverse

the

tray

to

the

preceding

slide.

Hold

it

down

to

reverse

the

tray

rapidly.

NOTE:

The

slide-forward

and

slide-reverse

buttons

can

be

used

during

program

playback

to

resynchronize

the

images

with

the

audio

track,

if

necessary.

Power

switch:

Moving

this

switch

to

the

ON

position

provides

power

to

the

entire

AudioViewer/Projector.

Slide-select

button:

When

this

but¬

ton

is

held

down

(with

power

on),

the

tray

can

be

rotated

by

hand

in

either

direction

to

any

slide

for

projection

or

for

editing,

or

to

slide-number

"0”

for

tray

removal.

Projection-lamp

switch

(HI/

LO/EXT):

As

noted

previously.

High

(HI)

produces

a

brighter

image

and

is

normally

used

when

projecting

slides

onto

an

external

screen

with

the

built-in

front-projection

lens.

The

low

position

of

this

switch

(LO)

is

normally

used

when

viewing

im¬

ages

on

the

built-in

viewing

screen

(front-projection

door

closed).

The

external

position

(EXT)

turns

off

the

projection

lamp

in

the

Audio-

Viewer/Projector

and

routes

manual,

recorded,

or

timer-generated

(Model

570AF

only)

slide-advance

pulses

to

an

external

slide

projector

(or

dis¬

solve

control

and

two

slide

projectors)

linked

to

the

external-projector

inter¬

connect

outlet

with

an

accessory

KODAK

Audio

Viewer

EC

Intercon¬

nect

Cord.

Image-magnifying

lever:

When

this

lever

is

lowered

to

its

bottom

position,

the

center

portion

of

a

24

x

36

mm

transparency

is

magnified

by

about

50

percent

so

the

center

portion

of

the

image

fills

the

screen

and

small

de¬

tails

in

the

center

of

the

slide

can

be

seen

more

easily.

The

normal

(unmagnifying)

posi¬

tion

of

the

image-magnifying

lever

is

up.

Images

can

be

magnified

while

us¬

ing

the

built-in

viewing

screen

or

while

projecting

images

onto

an

ex¬

ternal

screen

using

the

built-in

front-

projection

lens.

(Refer

to

page

9,

un¬

der

the

heading

"How

to

Avoid

Image

Cropping”

for

important

information

on

transparency

formats

and

the

usable

picture

area.)

Variable

electronic

timer:

The

vari¬

able

electronic

timer

(Model

570AF

only)

provides

continuously

variable

automatic

slide

advance

pulses

from

approximately

2

seconds

at

the

fast

end

(1)

to

24

seconds

at

the

slow

end

(9).

The

slide

tray

on

the

Audio-

Viewer/

Projector

(or

on

an

external

slide

projector

or

dissolve

control

con¬

nected

to

the

external-projector

inter¬

connect

outlet)

will

cycle

automati¬

cally

at

any

chosen

interval

from

2

to

24

seconds.

When

using

the

variable

electronic

timer

to

advance

an

external

slide

projector

or

dissolve

control

(con¬

nected

to

the

external-projector

inter¬

connect

outlet

with

an

AudioViewer

EC

Interconnect

Cord),

set

the

Audio-

Viewer/Projector

projection

lamp

switch

at

the

external

(EXT)

position.

Move

the

variable

electronic

timer

control

to

off

to

resume

manual

or

taped

slide

advance.

Quick-locking

elevation

legs:

As

noted

previously,

you

can

adjust

the

Audio

Viewer/Projector

for

proper

im¬

age

height

and

leveling

by

pressing

down

on

both

independently-adjust-

able

latches

while

raising

or

lowering

the

Audio

Viewer/Projec

tor

to

the

de¬

sired

angle.

When

the

image

is

in

the

required

position,

release

both

latch¬

es.

The

elevation

legs

will

lock

in

position.

Slide

Control

Outlets

and

Jacks

External-projector

interconnect

outlet:

This

outlet

accepts

the

plug

of

a

KODAK

AudioViewer

EC

Intercon¬

nect

Cord

(an

accessory

item

de¬

scribed

on

page

18).

When

the

3-posi-

tion

lamp-control

switch

is

set

at

the

external

position

(EXT),

the

Audio-

Viewer

EC

Interconnect

Cord

pro¬

vides

a

path

for

manual,

recorded,

or

timer-generated

(Model

570AF

only)

slide-advance

pulses

from

the

Audio-

Viewer/Projector

to

an

external

slide

projector

(or

dissolve

control

and

two

slide

projectors).

To

use

the

external-projector

interconnect

outlet,

the

following

equipment

is

needed:

a

KODAK

EKTAGRAPHIC

AudioViewer/

Projector,

Model

220,

270,

470,

or

570AF;

a

KODAK

AudioViewer

EC

Interconnect

Cord;

a

slide

projector

(such

as

a

KODAK

EKTAGRAPHIC

III

E

Projector)

or

a

dissolve

control

and

two

slide

projectors

(such

as

a

KODAK

EKTAGRAPHIC

Program¬

mable

Dissolve

Control,

Model

2,

and

two

KODAK

EKTAGRAPHIC

III

E

Projectors.)

You

will

also

need

a

suit¬

able

sound-slide

program

(an

AV

cas¬

sette

tape

recorded

with

narration

and

1000

Hz

slide-advance

signals)

and

a

tray

of

slides.

Using

a

Single

External

Slide

Pro¬

jector

with

the

External-Projector

Interconnect

Outlet

NOTE:

Refer

to

the

"User’s

Op¬

erating

Instructions”

packed

with

your

slide

projector

for

de¬

tails

on

projector

operation.

1.

Connect

the

2-pin

plug

of

the

KODAK

AudioViewer

EC

Inter¬

connect

Cord

(accessory

item)

into

the

external

projector

(EXTER¬

NAL

PROJECTOR)

jack

on

the

side

panel

of

the

AudioViewer/

Projector.

2.

Then

insert

the

5-pin

plug

of

the

AudioViewer

EC

Interconnect

Cord

into

the

remote-control

recep¬

tacle

of

the

external

slide

projector.

3.

Set

the

projection-lamp

switch

of

the

Audio

Viewer/Projector

at

the

external

position

(EXT).

If

the

pro¬

jection-lamp

switch

is

set

at

HI

or

LO,

the

slide-advance

mechanism

of

the

Audio

Viewer/Projector

will

advance

instead

of

the

external

slide

projector.

4.

Turn

on

the

lamp

of

the

external

slide

projector

and

install

the

tray

4

on

the

external

slide

projector.

Align

and

focus

the

image.

Then

reset

the

tray

at

the

beginning

of

the

program.

5.

Play

the

program-cassette

tape

in

the

Audio

Viewer/Projector.

As

the

cassette

tape

plays,

the

external

slide

projector

will

advance

in

syn¬

chronization

with

the

1000

Hz

slide-advance

pulses

recorded

on

the

control

track

of

the

program

cassette

tape.

Using

a

KODAK

EKTAGRAPHIC

Programmable

Dissolve

Control

(and

two

Slide

Projectors)

with

the

External-Projector

Interconnect

Outlet

NOTE:

Refer

to

the

’’User’s

Operating

Instructions”

packed

with

your

Programmable

Dis¬

solve

Control

for

details

on

dis¬

solve

control

operation.

To

advance

two

slide

projectors

in

the

dissolve

mode,

connect

the

acces¬

sory

Audio

Viewer

EC

Interconnect

Cord

to

the

REMOTE

receptacle

located

on

the

back

panel

of

the

KODAK

EKTAGRAPHIC

Program¬

mable

Dissolve

Control,

Model

2.

The

Programmable

Dissolve

Control

will

advance

at

a

1-second

rate

each

time

it

receives

a

slide-advance

pulse

from

the

Audio

Viewer/Projector.

Be

sure

to

connect

and

operate

the

equipment

before

a

scheduled

show¬

ing.

A

thorough

rehearsal

is

good

audiovisual

practice.

Remote

tape-control

jack:

This

jack

(provided

on

Models

270,

470,

and

570AF),

accepts

the

smaller

of

the

two

microphone

plugs

supplied

on

the

Audio

Viewer/Projector.

This

jack

also

accepts

the

plug

of

a

KODAK

Audio

Viewer

Tape

Deck

Remote

Con¬

trol

(an

accessory

item

described

on

page

18).

Cassette-Tape

Controls

and

Visual

Indicators

Tape-recording

button:

To

put

the

Audio

Viewer/Projector

into

the

re¬

cording

mode

(using

Model

270,

470,

or

570AF),

simultaneously

press

this

button

(RECORD)

and

the

tape

play

button

(PLAY).

For

details

on

recording

a

sound-

slide

program,

refer

to

page

9,

’’Re¬

cording

the

Program

on

the

Tape.”

Tape-forward

button:

This

button

(FORWARD)

advances

the

tape

rapid¬

ly

onto

the

top

take-up

reel

of

the

cassette.

Tape-rewind

button:

Press

this

but¬

ton

(REWIND)

to

rewind

the

tape

rapidly

onto

the

bottom

supply

reel

of

the

cassette.

Tape-play

button:

Press

PLAY

to

play

the

tape.

The

normal

playing

speed

is

the

same

as

for

most

cassette

machines

intended

for

home

use—

1

7/8

inches

per

second.

When

this

button

is

pressed

simultaneously

with

the

record

button,

recording

models

of

the

Audio

Viewer/Projector

(Mod¬

els

270,

470,

and

570AF)

are

put

into

the

recording

mode.

Tape

stop/eject

button:

With

any

tape-control

button

depressed,

press¬

ing

this

button

once

stops

the

built-in

tape

machine.

Pressing

it

twice

un¬

latches

the

cassette-well

cover

so

the

cassette

can

be

inserted

or

removed.

(With

no

tape-control

buttons

de¬

pressed,

the

first

actuation

of

the

tape

stop/eject

button

unlatches

the

cas¬

sette-well

cover.)

Tape

pause/restart

button:

Press¬

ing

this

button

(PAUSE/RESTART)

in

the

recording

mode

(Models

470

and

570AF

only)

records

a

150

Hz

program-pause

(tape-stop)

signal

on

the

tape.

(The

tape

does

not

stop

as

the

signal

is

being

recorded,

howev¬

er.)

Tapes

stopped

in

the

playback

mode

by

recorded

program-pause

signals

(using

Models

470

and

570AF)

can

also

be

restarted

with

this

button.

This

button

can

also

be

used

during

tape

playback

to

stop

and

restart

the

tape

at

any

point

in

the

program.

Models

220

and

270

will

ignore

(run

by)

recorded

150

Hz

tape-stop

signals

because

these

Audio

Viewer/Projec¬

tors

are

not

provided

with

pause/res¬

tart

circuitry.

However,

you

can

stop

the

tape

manually.

To

stop

and

restart

the

tape

at

the

points

in

the

program

indicated

in

the

script,

simply

press

the

tape

stop/eject

button

to

stop

the

tape;

press

the

tape

play

button

(PLAY)

to

restart

the

tape

when

de¬

sired.

The

cassette

tape

deck

in

the

Model

270

can

also

be

stopped

and

restarted

with

a

KODAK

Audio

Viewer

Tape

Deck

Remote

Control.

See

page

18

for

a

description

of

this

accessory

item.)

Tape

pause/restart

light

(Models

470

and

570AF):

This

light

brightens

when:

•

The

tape

is

stopped

by

a

recorded

150

Hz

program-pause

signal,

dur¬

ing

program

playback.

•

The

tape

pause/restart

button

is

pressed

to

stop

the

tape

in

the

play¬

back

mode.

•

The

tape

deck

motor

switch

(located

on

the

handle

of

the

microphone

supplied

with

Models

270,

470,

and

570AF)

is

moved

to

the

OFF

posi¬

tion,

or

the

tape

deck

motor

switch

on

the

accessory

AudioViewer

Tape

Deck

Remote

Control

is

placed

at

the

OFF

position.

The

tape

pause/

restart

light

goes

off

when

the

tape

is

restarted.

Tone:

This

control

decreases

high-

frequency

(treble)

response

as

it

is

moved

down

from

the

top

position.

Adjust

it

for

best

sound.

It

is

inopera¬

tive

during

recording.

Volume

control:

Moving

this

con¬

trol

up

increases

sound

level

during

program

playback.

Moving

the

con¬

trol

down

decreases

volume.

This

control

does

not

affect

record¬

ing

level.

Signal-recording

light:

This

green

light

(on

Models

270,

470,

and

570AF)

stays

on

(brightens)

when

the

Audio-

Viewer/Projector

is

being

used

to

re¬

cord

1000

Hz

slide-advance

pulses

and

150

Hz

program-pause

signals.

(Re¬

cording

of

slide-advance

pulses

and

program-pause

signals

is

normally

ac¬

complished

when

the

AudioViewer/

Projector

is

in

the

recording

mode

with

the

microphone

disconnected.

Re¬

fer

to

page

10,

”How

to

Record

the

Slide-Advance

Pulses,”

and

”How

to

Record

the

Program-Pause

Signals.”

Any

previous

slide-advance

pulses

or

program-pause

signals

recorded

on

the

control

tracks

of

the

program

cassette

tape

will

be

erased

if

the

tape

is

running

while

the

signal-recording

light

is

on.

Audio-recording

light:

This

red

light

(on

Models

270,

470,

and

570AF)

’’flickers”

when

sound

is

being

record¬

ed

with

the

microphone.

Sound

already

recorded

on

the

tape

will

be

erased

if

the

tape

is

running

while

the

audio-recording

light

is

on.

(For

details

on

recording

audio,

refer

to

’’Recording

the

Program

on

the

Tape”

on

page

9.)

Cassette

Tape

Outlets,

Jacks,

and

Microphone

Remote-control

outlet:

This

outlet

on

Models

220

and

270

accepts

the

5

plug

of

a

KODAK

AudioViewer/Pro-

jector

Remote

Control

210/260.

The

remote-control

outlet

on

Model

470

and

Model

570AF

accepts

the

plug

of

the

KODAK

Audio

Viewer/Projec¬

tor

Remote

Control

410/460.

(The

functions

of

these

accessory

items

are

described

on

page

18.)

Headphone

outlet

(EAR):

Head¬

phones

with

a

1/4-inch

plug

(or

adapt¬

er)

can

be

used.

(Audio

is

reproduced

monaurally.)

Medium-

to

high-imped¬

ance

headphones

(150-2000

ohms)

are

recommended.

The

internal

loud¬

speaker

and

the

external

loudspeaker

jack

are

bypassed

when

the

head¬

phone

outlet

is

used.

When

using

headphones,

adjust

tone

and

volume

level

as

desired.

Microphone

jack:

This

jack

(on

Models

270,

470,

and

570AF)

accepts

the

plug

of

the

handheld

microphone

supplied

with

the

Audio

Viewer/

Projector.

The

small

remote

tape-control

jack

(located

next

to

the

microphone

jack

on

Models

270,

470,

and

570AF)

also

accepts

the

plug

of

a

KODAK

Audio-

Viewer

Tape

Deck

Remote

Control

(an

accessory

item

described

on

page

18)

for

manual

remote

control

of

tape

stop/

start

during

recording

and

playback.

External-loudspeaker

outlet

(SPK):

An

external

loudspeaker

hav¬

ing

a

nominal

impedance

of

8

to

16

ohms

can

be

connected

to

this

outlet

with

a

1/4-inch

phone

plug.

An

external

loudspeaker

should

be

considered

when

the

audience

is

large

enough

to

require

the

connection

of

an

external

slide

projector

(or

dis¬

solve

control

and

two

slide

projectors)

to

the

external-projector

interconnect

outlet

for

projection

on

an

external

screen.

The

internal

omnidirectional

loud¬

speaker

is

automatically

disconnected

when

an

external

loudspeaker

is

con¬

nected

to

the

external-loudspeaker

outlet.

CAUTION:

Do

not

connect

headphones

to

the

external-

loudspeaker

outlet!

Omnidirectional

handheld

micro¬

phone:

This

microphone

(provided

with

Models

270,

470,

and

570AF)

is

used

for

recording

narration

and

sound

effects.

(For

more

details

about

recording

audio,

refer

to

*'Recording

the

Program

on

the

Tape,”

on

page

9.)

The

tape

deck

motor

switch

located

on

the

handle

of

the

microphone

al¬

lows

stopping

and

restarting

the

tape

during

recording

and

playback.

OTHER

WAYS

TO

SHOW

SLIDES

1.

Editing

Without

a

Lock

Ring

on

the

Tray:

Remove

the

lock

ring

from

the

tray.

Place

the

tray

on

the

Audio

Viewer/Projector

and

press

the

slide-forward

button

or

slide-

reverse

button

to

raise

the

slide

for

easy

removal.

Replace

the

lock

ring

before

removing

the

tray.

2.

Projecting

Without

a

Tray:

Sim¬

ply

insert

a

slide

into

the

gate

(with

the

image

correctly-reading

from

left

to

right

and

then

turned

upside

down).

To

remove

the

slide,

press

the

slide-select

button

(SELECT).

3.

Random

Display:

Holding

the

slide-select

button

down

(with

power

on)

allows

the

tray

to

be

manually

rotated

to

any

slide

for

viewing.

4.

With

a

KODAK

EC

Stack

Loader:

Up

to

40

2

x

2-inch

(50

x

50

mm)

cardboard

or

thin-plastic

mounted

slides

can

be

shown

with¬

out

a

tray.

TAPE

DECK

MOTOR

SWITCH

SHUTDOWN

1.

At

the

end

of

the

program,

press

the

stop/eject

button

to

stop

the

tape;

press

the

rewind

button

to

rewind

it.

When

the

rewind

button

snaps

back

out

after

rewinding,

press

the

stop/eject

button

to

open

the

cassette

well.

2.

Remove

the

cassette,

close

the

cas¬

sette

well

door,

and

place

the

cas¬

sette

in

its

protective

plastic

case.

3.

Close

the

front-projection

door;

move

the

image-magnifying

lever

to

the

normal

(up)

position

and

set

the

projection-lamp

switch

to

low.

4.

With

power

on,

hold

down

the

slide-select

button

and

manually

rotate

the

tray

so

that

slide

num¬

ber

”0”

is

at

the

gate

index.

Re¬

lease

the

slide-select

button

and

remove

the

tray.

5.

Turn

the

AudioViewer/Projector

off.

If

it

is

to

be

moved,

press

the

elevation

latches

and

lower

the

machine

to

retract

the

elevation

legs.

Then

unplug

the

power

cord.

6.

Open

the

rear-storage

door

and

coil

the

power

cord

into

it.

7.

To

store

the

tray

in

the

Audio¬

Viewer/Projector,

orient

the

bot¬

tom

metal

plate

of

the

tray

away

from

the

machine

and

insert

the

tray

into

the

storage

compartment.

(It

will

not

go

in

backwards.)

8.

Close

the

storage

door

and

relock

both

latches.

9.

Finally,

protect

the

built-in

screen

from

damage

with

a

suitable

cover.

6

PREPARING

NEW

SOUND-SLIDE

PROGRAMS

(Models

270,

470,

and

570AF)

Writing

the

Outline,

Writing

the

Script,

and

Planning

the

Visuals

The

following

information

applies

only

to

recording

models

of

the

AudioViewerI

Projector:

Models

270,

470,

and

570AF,

Preparing

a

new

sound-slide

pro¬

gram

with

the

KODAK

EKTAGRAPHIC

AudioViewer/

Projector

is

challenging—and

fun!

If

you’ve

never

done

much

writing

be¬

fore,

the

prospect

of

turning

out

an

entire

script

may

make

you

nervous.

If

so,

relax.

Writing

is

easier

if

you

tackle

he

job

in

stages

and

allow

enough

time.

We

suggest

novice

producers

write

the

narration

first,

before

they

consid¬

er

the

visuals

to

illustrate

it.

Gathering

and

Organizing

Your

Ideas

Hold

a

brainstorming

session

and

write

down

as

many

ideas

for

your

script

as

you

can

think

of.

Use

a

3

X

5-inch

card

for

each

idea.

Review

all

of

the

cards

and

determine

five

or

six

major

subject

headings

that

cover

all

your

ideas.

Writing

the

Outline

Next,

organize

the

cards

under

the

major

headings

and

discard

redun¬

dant

cards.

Add

new

ones

as

you

think

of

new

ideas.

Now

put

the

cards

in

order.

This

will

give

you

a

good

start

on

the

first

draft

of

the

outline.

Nximber

the

cards

so

they

can

be

easily

rearranged

in

correct

order

if

they

are

dropped.

Writing

the

outline

should

be

easy

if

you

follow

the

order

of

the

cards.

Leave

five

or

six

blank

lines

between

each

major

heading

(to

be

filled

in

later

with

more

detailed

information).

When

you’re

satisfied

with

the

out¬

line,

you

may

want

to

give

your

super¬

visor,

co-workers,

or

sponsors

a

copy

to

make

sure

that

they

agree

with

the

creative

approach

and

the

content

that

you

plan

to

cover.

On-the-Job-Safety

Visual

Narration

1.

Watch

It!

MUSIC

FADES

UNDER

AS

NARRATION

CHARCOAL

FIRE

BEGINS

2.

Person

with

charcoal

grill.

It

was

a

hot

Sunday

afternoon

and

we

decided

to

barbecue

some

steaks.

3.

Two

people

talking.

My

son

was

in

a

rush

to

go

out

on

a

date

and

asked

me

to

start

the

fire.

4.

CU

—

H

ands/etectric

1

plugged

in

the

electric

fire

starter

and

fire

starter.

slipped

it

under

the

charcoal.

5.

CU—Charcoal/starter.

Usually

we

wait

15

to

20

minutes

for

the

fire

to

start.

6.

Two

people

dressed

My

neighbor

came

over

and

we

started

in

shorts.

talking—it

was

a

hot

day;

perfect

for

bermuda

shorts

and

no

shoes

or

socks.

7.

CU—Son

at

door.

Then

my

son

came

to

the

door,

asked

how

the

fire

was

coming,

and

said

that

he

was

in

a

hurry

and

had

to

get

going.

I

told

him

to

shower

and

the

fire

would

be

ready.

8.

LS—Father

at

charcoal.

But

when

I

looked,

the

charcoal

didn’t

seem

to

be

lit.

9.

CU—Father

picking

up.

...

so

I

decided

to

hurry

things

up

a

bit.

I

got

the

gasoline

can

out

and

...

I

have

to

admit

this

was

a

real

dumb

thing

to

do.

10.

CU—Pouring

gas

on.

I’ve

preached

to

my

kids

.

.

.

never

put

gasoline

on

a

fire—but

of

course,

I

wasn’t

thinking,

just

hurrying,

and

holy

mackerel

.

.

.

11.

MS

—

G

as

explosion

in

grill.

Phoom!

The

whole

thing

exploded.

There

was

fire

under

the

charcoal

after

all.

It

shook

me

up

so

badly

that

I

just

threw

the

gas

can

and

.

.

.

12.

LS

—

B

urning

gas

can

...

hit

a

nearby

evergreen,

setting

it

on

and

bushes.

fire.

Then

the

flames

headed

toward

my

garage.

13.

LS

—

M

an

extinguishing

fire.

My

neighbor

came

over

and

beat

the

flames

with

some

burlap

while

I

ran

for

the

hose.

14.

LS

—

F

oot

kicking

gas

can.

The

can

was

kicked

into

the

driveway

where

It

started.

Writing

the

Script

Now

add

as

much

relevant

detail

as

you

can

in

the

space

under

each

head¬

ing

and

then

turn

the

points

you’ve

listed

into

sentences.

If

you

have

trou¬

ble

finding

the

right

words,

ask

your¬

self,

what

am

I

really

trying

to

say?

When

you

can

answer

that

question

in

a

simple

sentence,

write

it

down.

When

you’ve

finished

the

first

draft,

put

it

away

for

a

few

days.

When

you

pick

it

up

again,

you

may

be

surprised

by

how

little

effort

is

needed

to

complete

it.

Remember

that

the

audience

watch¬

ing

your

slide

show

will

not

be

able

to

see

your

paragraphs

and

punctuation.

You

have

to

write

for

their

ears.

Use

short,

easily-understood

sentences.

Avoid

unusual

words,

technical

terms,

and

jargon.

Remember:

clarity

comes

from

little

words.

When

you’re

satisfied

with

your

script,

record

a

''test

tape”

of

the

script

with

the

Audio

Viewer/Projec¬

tor

and

play

it

back

to

hear

how

it

sounds.

This

serves

as

a

double

check.

If

you

can

read

the

narration

aloud

with

no

difficulty,

you

or

the

narrator

you

choose

should

be

able

to

read

it

easily

too.

If

the

people

you

ask

to

listen

to

the

tape

understand

it,

chances

are

your

audience

will

understand

the

final

production

tape

as

well.

7