Kodak Browaie 3 Manual de usuario

MAKE ENLARGEMENTS

From Your Best Brownie Negatives

Brownie

T:\l'/i-l

Lnlarglng L/ameras

ARE AS EASY TO OPERATE

AS ARE TTIE BROWNIES

.A,ND' THEY MAKE SPLEN-

DID ENLARCIEMENTS TOO

BrownieEnlarging

C"*"t" No. 3

Makes 6ft x 8l Eniargements

Irom 3r/4x 4r7{ Negatives

and 5 x8ft Enlargements from

Zl x a/ Negatives.

PRICE $3,00.

PICTURE TAKING

WITH THE

BROWNIE

CAMERAS

Nos.

3 and2-A

Price

10 Cents

. -

EASTMAN KODAK CO.

ROCHESTER, N. Y.

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@ltlFtlrFs,

KODAI(

;

Irade Mark, 1E88

EasrMAN Kooar Co.

ROCHESTER. N. Y.

Me.xopactuRERs oF

Kodaks

Browaie Cameras

Kodak Film Tanks

Kodak Dry }{ountiug 'l'issue

' Velox Paper

Eastman Solio Paper

Eastntan Ferro-Prussiate PaPer

. llastman Velvet Bromide PaPer

IJastman Royal Bromide Paper

Eastman Standard Bromide I'aPer

Eastman Enameled Bromide PaPer

Eastman Matte-Enameled Bromide Paper

Eastman Platino Bromide Paper

Eastman Non-Cuding Film

Tested Chemicals

'I'ripods and

Otber Specialtles

Traile Mad.s Reg. U. S. Patent O6ca

/l4ay, tgre.

PICTURETAKING

\)I/ITH THE

BROWNIE CAMERAS

Nos.

3and

2-A

Price Ten Cents

EASTMAN KODAK CO.,

ROCHESTER,

N. y.

ORDERFILM

BY NUMBER

All Kodak Films may be distinguished by

the numbers on the ends of the cartons.

124

is the number for film for No. 3 Brownie.

116

is the number for film for the 2-A Brownie.

The number appears on both carton and

cartridge. NOTICE

The Duplex paper (black on one side, red

on the other) now used in Kodak cartridges

is superior to black paper in that it has no

deleterious effect upon the keeping qualities

of the film and absolutely does away with

number markings.

In watching for numbers through the red

window, one should now look for black num-

bers on red paper, instead of, as formerly,

white numbers on black paper.

Wherever the term "duplex paper', is used

in this manual, reference is made of course,

to this black and red paper.

BEFORE LOADING.

Before taking any pictures with either the No. Bor

2-A Brownie Camera read the following instruction.g

carefully, and make yourself perfecily familiar *,ith

the instrument, taking especial care to learn how to

operate the shutter. Work it for both time anct .r.

stantaneous exposures several times before threadi4g

up the flim.

The flrst and most important thing for the amateu.r

to bear in mind is that the light which serves ro im-

press the photographic image upon the sensitive f.lm

in.a small fraction of a second when it comes throush

the lens, ean destroy the film as quickly as it makes

the picture. A_fter the fi.lm has been d.eveloped and all

deoeloper thoroughly uashed out, ib may be quickly

transferred in subdued white light to the fixing bath

without injury. Throughout all the operations of

loading and unloading, be extremely c"""fol to keep

the duplex paper wound tighily around. the fllm to

prevent the admission of light.

EASTMAN KODAK COMPANY.

Roc\ester, N. y.

CONTENTS.

Prnr I-Loading'

P.lnr Il-Making the ExPosure.

Prnr Ill-Removing the Film.

Penr lY-Developing rvith the Kodak

P.lnr V-Dark trloomDeveloPment.

P.l,nn Vl-Printing on Yelox Paper'

P.rnr Vll-Mounting.

Penr YIII-X'ormula.

To Load.

Take a position at a table as far as pos-

sible from any.n-indow; place the camera

o_nthe table before you and. pull up on

the winding key as in F.ig. I.

PART 1.

Loading the Nos. 3 or Z-A Brownie

The fllm for either the No. B or p- A

Brownie Camera is pu.t up in light tight

cartridges, and the camera can, there_

fore, be loaded in daylight.

This operation should, hotvever, be per-

formed in a suMued light, not in the

glare of bright sunlight.

X.ra.

Cameras.

The Film

Ffrrn Tank

-\(

l. Norl'push inward. on spTing catches i-ust in front

ef?i"ifi"S-k*i, ""4 to tne left of the hand.Ie, as shoqr:l

in n''is.II and III. This will permit of the withdrawal of tho roll holde

as shown in tr'ig. IY.

FtG. IY.

8. Examine this

roll holder carefully

and, it will be seen

that in each for-

tvard. corner, ( just

behind. the shutter

eompartment) there

is a recess that will

just hold. a spool of

frIm.

fn the recess on

the right sid"e will

be seen an empty

spool, which is to be

used as the reel.

4. Plaee f.lm spool

ln recess opposite

the winding end,

Fig. Y, and. spring

out the spool pins,

as shown in Fig. VI.

Src. II and III

Fre. VI.

This will permit the spool to drop fully into the re-

eess; then push the spool pins baek into plaee so film

spool will revolve upon pins.

The wind.ing end may always be distinguished by

the small hole in the side of the roll holder.

Important.

Be sure and get the top of spool at top of rolL holder

(each spool is marked on the end.) when inserting,

otherwise your fllm N'ill eome on the wrong sid.eof

duplex paper lt'hen reeled off and. total failure will

result.

You can readily tell the top side of roll hold.er, as it

eontains the opening in the wind.ing end. through

which the key is inserted in the reel.

5. Now remove the gummed slip that holds d.own

the end. of d.uplex paper and pass d.uplex pa,per across

opening in the back of the roll hold.er (X'ig. VII), and.

thread. the duplex paper through the slot in the reel as

shown in n'ig. YIII, bei,ng ertremely careful,to haae the

Flc. YIf.

FTO,

VItrI.

p$per clrctusnstraight and true, and.give the spool two

or three forward. turns (to the left from the key end ).

The spool may be readily turned by revolving the

flanges of the spool ntth the two thumbs.

Caution.

If you turn off too much of the duplex paper, before

the eamera is closed, the film will be uncovered. and.

ruined.

6" The camera is norl- to be closed. reversing the op-

eration shown in tr*igs" I to IV and pages 5, 6 and 7.

fn reinserting the roll hold.er in the outside box, re-

member that the slotted end. of winding reel which

shows through round hole in side of roll hold.er, must

be inserteti so as to come opposite winding key in

otrtside box.

Frc. IX

7, Press in on, atrd at the sarne time" ru.rxl t-ft* 'qr''::':

ing key until it fits into position, the lr-eb 6i l';'m';: ': 1

of l<ey fi"tting into slot in spool end (Fig. XL

This is a reversal of operation shou-ll :* F:s :

page 5.

8. Turn the key slowly to the left and rn-a:oeb

- i'4

littt* red.wind.ow at the baek of the camera. tr:el -fr

to 18turns have been given, a hand p,rint:r"i :."$s,6,ln

the No. 1 exposure will appear' then tur.'r sl-w-y :- -:-

the fi"gure l appears before the windos'.

Frc. X.

The fiim is norv in position for taking the

pict'ure.

Load Your Brownie with Kodak Fitrm

Look for this trade mark on the box

LOOK FOR

..KODAK''

ON THE SPOOL END.

PART II.

Making the Exposures.

Sncttorv l.-Instantaneous Exposures.

tt Shap Shots."

The shutter of No. 3 or 2-A Brownie Camera is

always set and. is operated by pushing the lever alter-

nately to right or left rvith the thumb.

If the lever stand.s at the right hand. sid.e of slot

simply push it to the left and. vice versa.

If the spring should. be pushed. the wrong way, the

shutter would. simply remain unmoved, and no "click"

would. be heard, thus indicating that it should. be

pushed. in the opposite direction.

To tako instantaneous pietures the object should. be

in the broad. open sunlight, but the camera should

not. The sun should. be behind. the back or over the

should.er of the operator.

Use the Largest Stop.

Snap shots should only be made when 'uhelargest

stop is before the lens. If a smaller stop be used., the

light will be so much reduced. that it will not suffi'

eiently impress the image on the fi.lm and failure will

result. trn making snap shots both of the slid.es shown

in Fig. II, page 16,

should be pushed down to the limi$

of motion.

X're. II.

Slid.e A controls the time and instantaneous expos-

ures. X'or snap shots this slide must be d-own.

, Slid.e B controls the stops, of which there are three.

'When it is elear down the largest stop is in place. This

is the one to use for all snap shots, except where the

suntight is unusually strong, and. there are no heavy

shad.ows, such as views on the water or in tropieal or

semi-tropical climates, when the mid'd.Ie stop may be

used.. The smallest stop must never be used. for snap

shots. (See Fig. II, Page 16.

)

Aim the camera at the objeet to be photographed'

and. Iocate the lmage in the flnder. There are two

6.nders, one for vertical and the other for horizontal

€xposures.

For a vertical exposure the camera should be held as

ahorn'n in X'ig I, page 12.

For a horizontal exposure the camera should. be held.

.gr,s

shown in X'ig II, Page 13.

Any object that does not show in the flnder will not

.strorv in the picture.

Fra. III.

Effect produeed by tilting camer&.

All being in readiness.

Hold the Camera Steady and Level

a^ssho'w'nin X'ig. I or II and press the shutter lever to,

one side l. ith the thumb of right hand.

Turn a New Film into Position

Turn the key slolvly to the left until the next number

appears before the rvindow.

Norn :-The warning index hand. appears only before,

No.1.

Repeat the foregoing operation for each picture.

If the operator attempts to photograph a tall build'

ing, while standing near it, by pointing the camera.

upward (thinking thereby to center it) the result wiltr.

be similar to Fig III.

sEcTloN 2

Time Exposure Indoors.

Pr,-Ecr tsr Clurnl rN Postrrox

Fte. I. Diagram showing positions for eamela.

IJse some flrm support, like a chair or table. Set'tn

such positior: that the fi.nd.er will embrace the view

desired.

The diagram tX'ig. I) shows the propef positions

for the c&mer&. It should not be pointed direotly

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