Hitachi HA-5300 Manual de usuario

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_

HA-5300

STEREO

AMPLIFIER

INSTRUCTION

MANUAL

KEY

TO

ILLUSTRATIONS

(1)

SPEAKERS

switch

(7)

LOUDNESS

switch

@

SPEAKERS

B

LEVEL

control

Ground

terminal

(GND)

®

BASS

contro!

PHONO

1

CARTRIDGE

LOAD

selector

(4)

TREBLE

contro!

20)

PHONO

1

input

terminals

()

TAPE

switch

@)

PHONO

2

input

terminals

@

FUNCTION

switch

22

TUNER

input

terminals

(7)

Volume

control

(LEVEL

ATTENUATOR)

@3)

AUX

input

terminals

—

@

Pilot

lamp

@@)

TAPE

1

PLAY

terminals

_@

POWER

switch

@B)

TAPE

1

REC

terminals

PHONES

jack

6)

TAPE

2

PLAY

terminals

()

LOW

FILTER

switch

@)

TAPE

2

REC

terminals

2

TONE

switch

SPEAKERS

terminals

MODE

switch

VOLTAGE

SELECTOR

13

BALANCE

control

61)

PRE

OUT

terminals

GAIN

SELECT

switches

89

POWER

IN

terminals

4762751

AUX

©

100mV)

TUNER

©

100mV

Ov

omv

PHONO

2©@

amv

fe

REC

©

100mV

TAPE1

Lepay

O}

REC

©

TAPE2N00mV

Lot

ay

O

Gain

select

switch.

Tone

DEFEAT

(—5dB,

—10dB,

-200B

)

a

TT

|

TmEON

|

Low

filter

swi

switch

High

filter

Switch

Balance

control

Function

switch

Tone

switch

)

heda

r

7

(X<)

/

Tape

switch

switch

Eee

|

(64B

/

oct

)

Pua

switch

®

>

3

|

>>

+-8

Tone

amplifier

Filter

amplifier

Attenuator

Pre

out

Galt

eee

load

volume

Power

in

terminal

—

termimal

°

100P

control

O

O

+B,

+Be

O-

”

|

Power

amplifier

©

A

speaker

OQ

B

speaker

Protection

©

Headphone

circuit

Speaker

B

level

Speaker

switch

control

(

—15dB}

+B,

+B,

C25V

f-~—~-

Power

!

switch

Printed

in

Japan

(H)

INSTALLATION

Please

choose

a

place

that

satisfies

the

following

conditions

when

installing

the

HA-5300.

1.

A

place

free

from

direct

sunlight

and

heat

from

a

stove,

etc.

2.

Since

the

HA-5300

incorporates

a

large

output

power

amplifier,

choose

a

well

ventilated,

moisture-free

place.

3.

Install

ona

stable

and

vibration-free

surface.

FEATURES

1.

Dynaharmony

system

perfectly

matched

for

music

reproduction

The

amplifier

features

four

power

supplies

(56

V

high

voltage

and

+25

V

low

voltage

power

supplies).

High-

speed

switching

occurs

between

the

power

supplies

in

accordance

with

the

peak

level

of

the

music

signal.

This

makes

for

a

sufficient

margin

with

respect

to

the

dynamic

range

of

music

signals

and

also

for

an

extremely

high

level

of

efficiency.

2.

Current

mirror

circuit

in

the

Class

A

driver

circuit

The

Class

A

driver

circuit,

which

is

the

very

heart

of

the

main

amplifier,

features

a

current

mirror

circuit

for

push-

pull

drive

in

the

power

stage

and

for

a

low

distortion

factor.

3.

32-contact

attenuator

volume

control

for

an

accurately

adjusted

level

control

With

this

control,

there

is

very

little

deviation

between

the

left

and

right

channels

and

the

attenuation

can

be

controlled

accurately.

4.

Independent

3-stage

adding

gain

selector

for

extended

fine

setting

range

The

~5

dB,-10

dB

and

-20

dB

gain

selectors

each

feature

an

independent

adding

system

and

so

7

different

atten-

uation

variations

can

be

obtained

between

-5

dB

and

-35

dB,

permitting

use

over

a

wide

range.

Also,

the

combi-

nation

of

the

attenuator

volume

contro!

and

the

loudness

switch

makes

for

an

ideal

loudness

response,

and

it

serves

for

presetting,

too.

5.

3-stage

direct-coupled

equalizer

amplifier

composed

of

2

FETs

and

2

transistors

with

differential

amplifier

for

first

stage

The

3-stage

equalizer

amplifier

which

employs

a

differential

amplifier

for

the

first

stage

yields

a

low

distortion

and

a

high

signal-to-noise

ratio

and

features

plenty

to

spare

with

a

350

mVrms

(1

kHz,

0.3%}

maximum

allowable

input.

6.

Easy

listening

comparison

with

speaker

level

control

The

level

of

the

B

speaker

system

can

be

controlled

on

the

front

panel

which

means

that

it is

easy

to

bring

that

level

in

line

with

the

level

of

the

A

speaker

system

for

simple

listening

comparison.

7.

PHONO

input

capacitance

selector

switch

This

switch

can

be

used

to

select

the

PHONO

1

input

capacitance

to

any

of

three

stages.

This

means

that

the

peak

in

the

characteristics

at

the

resonance

point

of

the

cartridge’s

high-end

frequency

(near

20

Ne!

can

be

suppressed

and

that

you

can

listen

to

a

record

with

the

preferred

tone

quality.

8.

Low

filter

that

reduces

hum

and

rumble

in

the

ultra-low

frequencies

without

impairing

the

sound

quality

The

low

filter

employs

a

20

Hz

(12

dB/oct.)

subsonic

filter

which

helps

to

eliminate

undesirable

vibration

in

the

ultra-low

frequencies

without

impairing

the

sound

quality,

and

which

allows

the

speakers

to

function

always

at

their best.

9.

High

filter

that

effectively

cuts

out

noise

produced

from

scratches

on

records

and

high

frequency

noise

during

AM

and

FM

reception

The

high

filter

has

figures

of

8

kHz

(6

dB/oct.)

so

that

it

effectively

cuts

out

high

frequency

noise.

10.

Tone

defeat

switch

for

instant

flat

characteristics

This

switch

can

be

selected

in

a

flash

for

flat

characteristics

regardless

of

the

bass

and

treble

controls.

When

set

to

‘defeat’,

the

signals

do

not

pass

through

the

tone

control

circuit.

11.

Protective

circuitry

for

safety

The

amplifier

incorporates

electronic

protective

circuits

to

protect

both

the

speakers

and

the

power

transistors.

There

is

also

a

muting

circuit

which

helps

to

reduce

shock

noise

when

the

power

switch

is

turned

on

and

off.

ler

Power

(Mains)

Requirements

This

unit

can

be

used

with

a

power

(mains)

voltage

of

120

V,

220

V

or

240

V.

Before

shipment,

it

is

set

for

220

V

or

240

V

according

to

the

region

it

is

to

be

sent

to.

The

power

(mains)

voltage

of

the

unit

is

marked

on

the

rear

panel.

When

the

power

(mains)

voltage

is

different,

please

consult

your

dealer.

IMPORTANT

FOR

U.K.:

WARNING:

This

apparatus

must

be

earthed.

The

wires

in

this

mains

lead

are

coloured

in

accordance

with

the

following

code:

Green

and

Yellow:

EARTH

Blue:

NEUTRAL

Brown:

LIVE

As

the

colours

of

the

wires

in

the

mains

lead

of

this

apparatus

may

not

correspond

with

the

coloured

markings

identifying

the

terminals

in

your

plug

proceed

as

follows.

The

wire

which

is

coloured

GREEN

and

YELLOW

must

be

connected

to

the

terminal

in

the

plug

which

is

marked

by

the

letter

E

or

by

the

safety

earth

symbol

==

or

coloured

GREEN

or

GREEN

and

YELLOW.

The

wire

which

is

coloured

BLUE

must

be

connected

to

the

terminal

which

is

marked

with

the

letter

N

or

coloured

BLACK.

The

wire

which

is

coloured

BROWN

must

be

connected

to

the

terminal

which

is

marked

with

the

letter

L

or

coloured

RED.

CONNECTING

1.

Connection

of

Speakers

Two

sets

of

speaker

systems

(A

and

B)

can

be

connected

to

this

amplifier.

A

performance

of

music

can

be

en-

joyed

using

either

both

speaker

systems

or

only

one

of

them.

As

shown

in

the

figure

on

the

cover

page,

connect

the

terminals

marked

LEFT

to

the

L

ch

speaker

systems.

In

the

same

way,

connect

the

terminals

marked

RIGHT

to

the

R

ch

speaker

systems.

|

Notes:

|

(2)

When

4

ohm

speakers

are

connected

to

both

(1)

As

illustrated

in

the

figure

on

the

cover

page,

A

and

B,

and

the

SPEAKERS

switch

is

set

at

the

upper

terminals

are

for

@

speakers,

and

A

+B,

the

combined

impedance

of

the

speakers

the

lower

terminals

are

for

®

speakers.

The

is

only

2

ohms.

Avoid

using

this

arrangement.

red

terminals

are

the

positive

(+)

ones,

and

the

Be

sure

to

connect

speakers

of

more

than

black

terminals

are

the

negative

(-)

ones.

8

ohms

when

two

sets

of

speakers

are

to

be

Make

sure

to

correspond

the

polarities

of

the

operated

simultaneously.

terminals

in

this

amplifier

to

those

of

the

(3)

Turn

the

SPEAKERS

switch

©

OFF

when

terminals

in

each

speaker.

only

headphones

are

being

used.

2.

Connection

of

Turntable

Connect

the

output

cords

of

the

turntable

to

the

terminals

of

the

amplifier

as

described

below.

Each

connection

is

different

depending

on

the

kind

of

cartridges.

(1)

Moving

magnet

cartridges

(3)

Ceramic

or

crystal

cartridges

Connect

the

output

cords

of

the

turntable

to

Connect

to

the

AUX

input

terminals

@.

the

PHONO-1

@

or

PHONO-2

@)

input

ter-

Note:

minals.

Be

sure

to

connect

a

grounding

wire

from

the

turn-

(2)

Moving

coil

cartridges

table

to

the

GND

termina!

of

the

amplifier,

Connect

to

the

PHONO-1

@

or

PHONO-2

as

shown

in

the

figure

on

the

cover

page.

@

input

terminals

via

a

matching

transform-

Unless

the

connection

of

a

grounding

wire

is

done,

er

or

head

amplifier.

hum

noise

will

come

out

from

the

speakers.

3.

Connection

of

Tape

Decks

Since

two

sets

of

the

record

and

playback

terminals

(8

pin-jacks)

are

provided,

two

tape

deck

connections

are

available

at

the

same

time

and

dubbing

or

duplicate

recordings

from

one

tape

deck

to

the

other

can

be

done.

Connections

with

pin-jacks

(TAPE-1,

TAPE-2)

Connect

the

record

terminals

(LINE

IN)

of

the

the

tape

deck

to

the

TAPE-1

@

or

TAPE-2

@

tape

deck

to

the

TAPE-1

@)

or

TAPE-2

@

REC

PLAY

terminals

of

the

HA-5300.

terminals

and

the

output

terminals

(LINE

OUT)

of

See

the

figure

on

the

cover

page.

4.

Use

of

the

AUX

input

Jacks

These

jacks

@

are

a

set

of

spare

input

jacks.

They

can

be

connected

to

cartridge

tape

players,

television

sound

multiplex

tuners,

or

other

forms

of

signal

output.

The

upper

of

the

two

terminals

is

the

L

(left)

channel,

and

the

lower

is

the

R

(right)

channel.

5.

Use

of

the

PRE

OUT

Jacks

and

the

POWER

IN

Jacks

Use

these

jacks

when

using

the

preamplifier,

or

power

amplifier,

separately.

Connecting

plug

Use

this

plug

to

connect

the

power

amplifier

to

turn

the

switch

on

your

power

amplifier

to

OFF

the

preamplifier.

It

is

usually

kept

connected.

when

you

intend

to

use

the

preamplifier

separately

However,

disconnect

it

when

using

the

preampli-

before

operating

the

power

switch

on

this

ampli-

fier

or

the

power

amplifier

separately.

Always

fier.

E-—3

HOW

TO

OPERATE

THE

AMPLIFIER

Preparation

to

Enjoy

this

Amplifier

in

the

Best

Condition

Pre-set

the

controls

as

follows:

1.

Set

the

Volume

control

@to

‘*co”’,

(Turn

this

knob

fully

counterclockwise.)

2.

Set

the

BALANCE

control

©

to

the

mid-

position

where

the

center

click

stop

point

exists.

3.

Set

the

BASS

®

and

TREBLE

@®

controls

to

the

mid-position

('‘0”

is

indicated).

4.

Set

the

LOUDNESS

switch

42

to

OFF

(Q).

5.

Set

the

TAPE

switch

@

to

SOURCE.

6.

Set

the

SPEAKERS

switch

©

to

A

or

B.

After

ensuring

you

have

performed

the

procedures

mentioned

above,

set

the

POWER

switch

@

to

ON.

This

will

avoid

accidental

and

careless

over-

loading

of

the

amplifier,

speakers,

etc.

Broadcast

Reception

1.

Set

the

FUNCTION

switch

©

to

TUNER.

2.

Operate

the

tuner

to

tune

the

broadcast.

3.

Adjust

the

Volume

control

®,

BASS

@®

and

TREBLE

@®

controls

for

the

listening

level

and

tone

quality

of

your

preference.

Record

Playing

1.

Set

the

FUNCTION

switch

©

to

PHONO-1

or

PHONO-2.

2.

Operate

the

turntable

to

play

the

record.

3.

Adjust

the

Volume

control

®,

BASS

®

and

TREBLE

@

controls

for

the

listening

level

and

tone

quality

of

your

preference.

Using

the

AUX

Input

Terminals

When

playing

equipment

to

which

the

AUX

input

terminals

@

are

connected,

operate

as

follows:

1.

Set

the

FUNCTION

switch

©

to

AUX.

2.

Operate

the

audio

equipment.

3.

Adjust

the

Volume

control

®,

BASS

®

and

TREBLE

@

controls

for

the

listening

tevel

and

tone

quality

of

your

preference.

Using

Tape

Decks

Playback

1.

According

to

the

TAPE-1

PLAY

terminals

@

or

.TAPE-2

PLAY

terminals

@

to

which

the

tape

deck

is

connected,

set

the

TAPE

switch

®

either

to

TAPE-1

or

TAPE-2.

2.

Operate

the

tape

deck

controls

to

give

playback.

3.

Adjust

the

Volume

contro!

®,

BASS

®

and

TREBLE

®

controls

for

the

listening

level

and

tone

quality

of

your

preference.

Note:

.

Turning

the

TAPE

switch

©

to

TAPE-1

or

TAPE-

2

enables

tape

playback,

not

depending

on

the

setting

of

the

FUNCTION

switch

©.

Recording

As

shown

in

the

figure,

the

amplifier’s

TAPE-1

REC

terminals

@

or

the

TAPE-2

REC

terminals

@

carry

a

certain,

fixed

level

output

from

the

source

selected

by

the

FUNCTION

switch

©

which,

once

the

tape

deck

is

connected

to

the

appropriate

jacks,

enables

the

selected

source

to

be

recorded.

The

operation

is

as

follows:

1.

Set

the

FUNCTION

switch

©

for

the

source

to

be

recorded.

2.

Play

the

selected

program

source.

3.

Adjust

the

recording

level

by

means

of

the

controls

on

the

tape

deck,

and

commence

recording.

The

amplifier’s

Volume

control

®,

BASS

@®

and

TREBLE

®

controls

are

completely

inoperative

—

that

is,

they

have

no

effect

om

the

recorded

sound.

Tape

Monitoring

While

a

recording

is

being

made

with

a

three-

head

deck,

if

the

TAPE

switch

©

is

turned

to

TAPE-1

or

TAPE-2,

the

sound

being

recorded

can

be

monitored

through

the

speaker

systems.

In

this

case,

both

recording

and

playback

connec-

tions

must

be

made.

Duplicating

or

Tape

Editing

of

Recorded

Tapes

1.

Set

the

TAPE

switch

©

to

1

>

2

(or

2

D1).

2.

Set

the

TAPE

switch®

to

TAPE-2

(or

TAPE-1)

when

monitoring

the

recorded

condition.

(This

is

possible

only

when

using

a

3-head

tape

deck).

a

ati

Gee

Recording

an

FM

broadcast

or

records

on

one

tape

deck

while

playing

back

a

tape

on

the

other

1.

Connect

both

tape

decks

to

the

amplifier.

2.

Set

the

FUNCTION

switch

©

to

PHONO-1

PHONO-2,

TUNER

or

AUX

in

accordance

with

the

program

source

you

are

about

to

record.

3.

Set

the

TAPE

switch

©

to

the

TAPE

terminals

(TAPE-1

or

TAPE-2)

to

which

ine

playback

tape

deck

is

connected.

4.

Operate

the

playback

tape

deck

and

start

to

play

back

the

tape.

5,

Adjust

the

volume

to

the

desired

level

using

the

Volume

contro!

@.

6.

Operate

the

recording

tape

deck

and

start

recording.

Use

the

level

controls

on

the

tape

deck

to

adjust

the

recording

level.

Operation

Checkpoints

(for

using

tape

decks)

pos

TAPE

switch

©

Sound

from

speakers

Playback

Any

setting

Sound

reproduced

from

tape

deck

connected

to

TAPE-1.

Sound

reproduced

from

tape

deck

connected

to

TAPE-2.

Recording

Set

to

program

source

Sound

from

program

source

selected

by

FUNCTION

switch

©.

Monitoring

recording

Set

to

program

source

Tape

dubbing

|

Any

setting

(1

>2)

-

(2

>

1)

Set

to

program

source

Sound

being

recorded

on

tape

deck-1

can

be

monitored.

Sound

being

recorded

on

tape

deck-2

can

be

monitored.

Sound

recorded

on

tape

deck-1.

Sound

being

recorded

on

tape

deck-2.

Sound

recorded

on

tape

deck-2.

Sound

being

recorded

on

tape

deck-1.

Sound

recorded

on

(playback

)tape

deck-1.

Recording

FM

broadcast

or

records

on

one

tape

deck,

while

playing

back

tape

on

the

other

Sound

recorded

on

(playback)

tape

deck-2.

How

to

make

the

most

effective

use

of

the

GAIN

SELECT

switches

(@

and

LOUDNESS

switch

4?

If

the

LOUDNESS

switch

@

is

depressed

and

the

Volume

control

®

turned,

then

the

bass

and

treble

responses

vary,

as

is

shown

in

the

figure.

There-

fore,

if

you

set

your

maximum

listening

volume

with

the

GAIN

SELECT

switchesd@

so

that

the

Vol-

ume

control

@

can

be

set

to

its

maximum

position

(extreme

right

position),

you

can

then

proceed

to

vary

the

volume

with

the

Volume

control

@

while

my

cE

ee

maintaining

the

optimum

aural

compensation.

=

Pra

|

|

toa

|

TT

Setting

the

level

of

the

GAIN

SELECT

switches

@

Boop

ee

Te

S

LLIN

|

TT

TP

TTT

(

1

)

Release

all

the

GAIN

SELECT

switches

46)

and

G

TT

TIN

TTT

OT:

7

the

LOUDNESS

switch

©.

©

[COIN

E

TE

s00n

TT

(2)

Set

the

Volume

contro!

®

to

your

maximum

pT

Ne

TTT

a

(3)

listening

volume.

Depress

the

GAIN

SELECT

switches

4

with

the

nearest

value

to

that

of

the

Volume

con-

trol’s

@.

(For

example,

say

the

Volume

con-

{A

1

kHz

attenuation

tallies

with

the

level

indicated

by

the

LEVEL

ATTENUATOR

volume

control

(%).)

LOUDNESS

CHARACTERISTICS

ee

a

P

TTT

OT

NA

LEVEL

ATTENUATOR

position

0

dB

2

a

ee

erred

Ee

toes

ae

i

ae

ttt

~10

Pt

PNT

TSS

re

Mn...

TTT

OT

TTT

TT)

TIN

MBRINEE

cnn

FPO

Nee

LL

df

Pt

TN

a

2

trol

@

is

set

to

-16

dB.

The

GAIN

SELECT

;

fea

TT

TAN

a

switches

8

feature

an

adding

system,

so

all

—a2f

+

Let

LL

a

you

have

to

do

is

depress

the

-10

dB

and

20

10K

20K

~5

dB

selectors

which

give

-~15

dB

when

added

together.)

(4)

Depress

the

LOUDNESS

switch

@.

cacti:

a

PHONO

1

CARTRIDGE

LOAD

selector

This

switch

can

be

used

to

vary

the

high

frequency

characteristics

by

selecting

the

capacitance

of

the

capacitors

(100,

200,

300

pF)

which

are

connected

to

the

PHONO

1

input.

Every

cartridge

has

a

resonance

frequency,

but

most

of

them

are

designed

so

that

the

resonance

point

lies

beyond

the

audio

frequency

range.

Nevertheless,

some

cartridges

have

a

resonance

point

near

20

kHz,

and

since

the

treble

characteristics

develop

a

peak,

this

peak

is

sometimes

unpleasant

to

listen

to.

In

such

cases,

this

sound

can

be

made

perfectly

acceptable

to

the

ear

by

selecting

the

capacity

to

200

pF

or

300

pF.

Select

the

most

suitable

position

for the

sound

you

find

the

most

pleasing.

If

you

want

the

PHONO

1

and

PHONO

2

to

be

subject

to

the

same

conditions

when

you

want

to

compare

cartridges,

set

the

PHONO

1

CARTRIDGE

LOAD

selector

(to

100

pF.

CAUTIONS

1.

On

the

connection

of

record

player

and

tape

deck

Be

sure

to

use

a

thick

shielded

cable

with

low

stray

capacitance

for

connection.

If

a

parallel

vinyl

cord

or

a

thin

shielded

cable

is

used,

inductive

hum

may

be

produced

and

the

high

frequency

characteristics

will

deteriorate

considerably.

Therefore,

it

is

recommended

that

you

use

as

thick

and

short cable

as

possible.

2.

Power

transistor

protection

When

the

speaker

systems

(4

ohms)

are

connected

to

both

the

A

and

B

speaker

terminals

and

the

speakers

switch

is

set

to

A+B,

and

when

these

speaker

terminals

are

not

connected

properly,

this

causes

a

short,

and

the

power

transistor

protection

circuit

is

actuated.

The

sound

is

then

no

longer

heard

through

the

speakers.

In

such

a

case,

set

the

power

switch

to

OFF,

check

whether

the

speakers

switch

is

set

to

A+B

or

whether

the

speaker

terminals

have

been

shorted,

and

wait

at

least

30

seconds

before

setting

the

power

switch

to

ON

again.

3.

Amplifier

heat

loss

Since

a

large

output

power

amplifier

is

used,

the

amplifier

radiates

heat.

Although

ventilation

holes

are

provided

in

the

upper

part

of

the

case

and

the

bottom

plate

to

improve

heat

transmission,

when

it

is

placed

in

direct

sun-

light

or

when

anything

is

placed

directly

on

the

amplifier,

the

ventilation

may

be

deteriorated

resulting

in

mal-

function.

If

the

internal

temperature

rises,

the

transistors

may

be

damaged.

Take

care

not

to

block

the

ventilation

holes.

SPECIFICATIONS

Power

amplifier

Circuitry

Dynamic

power

Output

RMS

power

(both

channels

driven)

Power

bandwidth

‘

Total

harmonic

distortion

(1

kHz,

8

ohms

load)

Intermodulation

distortion

(60

Hz:

7

kHz

=4:1)

Damping

factor

Output

terminal

Speaker

level

control

Input

sensitivity

(impedance)

Preamplifier

Circultry

Input

sensitivity

(Impedance)

Phono

overload

level

Output

terminal

(level

/impedance)

Frequency

characteristics

Tone

contro]

Filter

Loudness

control

(volume

—30

dB)

Signal-to-noise

ratio

(IHF,

A

network)

Gain

selector

Power

supply,

others

Semi-conductors

Power

supply

Power

consumption

Dimensions

Weight

2-stage

differential

all-stage

direct-coupled

4-power

supply

high-

efficiency

pure

complementay

OCL

system

(Dynaharmony

system)

260

W

(IHF

8

ohms)

60

watts

per

channel,

min.

RMS,

at

8

ohms

from

20

Hz

to

20

kHz,

with

no

more

than

0.3%

total

harmonic

distortion.

75W/cht+75W/ch

(8

ohms,

1

kHz,

T.H.D.

0.3%)

85

W

/ch

+85

W/ch

(4

ohms,

1

kHz,

T.H.D.

0.3%)

10

Hz

-

50

kHz

0.05%

(at

rated

output)

0.05%

(at

1/2

rated

output)

More

than

40

Speaker

terminal

:

A,B

(4

-

16

ohms),

A+B

(8

-

16

ohms)

Headphone

terminal:

More

than

4

ohms

B

level

is

variable

-15

dB

1.0

V

(55

k

ohms)

Equalizer

amp.:

Differential

1-stage,

3-stage

directly

coupled

Control

amp.:

NF

type

PHONO

1,2

:

2

mV

(50

k

ohms)

TUNER,

AUX

:

100

mV

(50

k

ohms)

TAPE

1,2

:

100

mV

(50

k

ohms)

PHONO

1,2

:

350

mV

(at

1

kHz,

T.H.D.

0.3%)

TAPE

1,2

REC

OUT

:

100

mV

/

1k

ohms

PHONO

:

30

—

15,000

Hz

(RIAA

+0.2

dB)

TUNER,

AUX

:

10

Hz

—

50

kHz

(+9

dB)

BASS

:

+8

dB

(100

Hz)

TREBLE

:

+8

dB

(10

kHz)

LOW

:

20

Hz

(12

dB/oct.)

HIGH

:

8

kHz

(6

dB/oct.)

+8

dB

(100Hz)

+4.5dB

(10

kHz)

PHONO

1,2

:

75

dB

TUNER,

AUX,

TAPE

1,2

:

90

dB

~5,-10,-20

dB

(addition

type)

6

FETs,

44

Transistors,

43

Diodes

~120

V

/220V/240V

50/60

Hz

500

W

(at

rated

output)

435

(W)

x

166.5

(H)

x

391

(D)

mm

(Measuring

from

front

knob

to

rear.)

12.3

kg

(27

.1

Ibs.)

HA-5300

This

set

is

available

also

with

front

panels

in

different

colors.

@)

HITACHI

Cet

appareil

est

également

disponible

avec

un

panneau

frontal

de

couleur

différente.

Dieses

Gerdt

ist

ebenfalls

mit

einer

Frontseite

in

anderer

Farbe

erhdltlich.

Denna

enhet

finns

tillganglig

med

frontpaneler

i

flera

olika

farger.

AM/FM

STEREO

TUNER

UKW/AM

STEREO-TUNER

TUNER

STEREO

AM/FM

AM/FM

STEREOMOTTAGARE

anes

ae

FEY

os

i@©

anal

ee

ee

|

PRE

-

POWER

:

4

c

PRE

OUT

POWER

IN

J

S

:

ohm

L

&,

8

--

Hau

t

de

a

16

ofrms

lf

you

want

to

change-over

the

set

voltage

from

220V

or

240V

to

120V,

the

primary

fuse

must

also

be

changed.

Please

contact

the

dealer

from

whom

you

purchased’

this

unit

or

your

nearest

HITACHI

service

station.

Beim

Umschalten

der

Spannungseinstellung

von

220V

oder

240V

auf

120V

mu

auch

die

Hauptsicherung

ausgewechselt

werden.

Uberlassen

Sie

diese

Arbeit

bitte

dem

Fach-

handler,

von

dem

Sie

das

Geraét

erworben

haben,

oder

Ihrer

nachsten

HITACHI-

Kundendienststelle.

Si

l'on

veut

changer

la

tension

de

220V

ou

240V

a

120V,

il

faut

également

changer

le

fusible

primaire.

Prendre

contact

‘ec

le

distributeur

qui

a

vendu

|’

appareil

ou

avec

la

station

service

HITACHI

la

plus

—

dche.

Skall

enhetens

natspanning

bytas

fran

220V

eller

240V

till

120V

maste

huvudsdkringen

ocksa

bytas.

Radfraga

stereohanceln

dar

enheten

kdptes

eller

narmaste

HITACHI

serviceavdelning.

A+B

—

Hav

5

4B

ons

VOLTAGE

SELECTOR

i

ae

(deme

>

oo

a

2200.

240V~

;

INPUT

:

TAPE

TAPES

CARTRIDGE

LOAD

PHONG

1

PHONG

TIPNER

AUX

PLAY

REC

PLAY

REC

“

pF

100

—

200

~

Earth

wire

Erdung

Fil

de

prise

de

terre

Jordkabel

BANDSPELARE

STEREO

AM

PL

IF

ODEL

No.

HA

—

WatTTs

Hitachi,

Ltd.

Tok

a.

(4401451)

*

FI

ill

|

TURNTABLE

TAPE

DECK

SPEAKER

SYSTEM

PLATTENSPIELER

TONBANDGERAT

LAUTSPRECHERGRUPPE

TOURNE-DISQUE

MAGNE

TOPHONE

HAUT-PARLEURS

SKIVSPELARE

HOGTALARE

Sta

oa

Spgs

a

a

Ree

Pear

Ne

SE

See

ree

ary

ow

cr

aa

aren

mm

rae

arm

peayme

cm

pagename

Se

A

a

H

—————————$

$$

Ss

er.

_

|)

TT

A-5300

HITACH!

SALES

EUROPA

GmbH

2

Hamburg

54,

Kleine

Bahn

Strasse

8,

West

Germany

Tel.:

850

60

71-75

HITACHI

SALES

(U.K.)

Ltd.

Hitachi

House,

Station

Road,

Hayes,

Middlesex

UB3

4DR,

England

Tel.:

01-848-8787

:

HITACHI!

SALES

SCANDINAVIA

AB

Rissneleden

8,

Sundbyberg,

Box

7138,

S-172-07

Sundbyberg

7,

Sweden

Tel.:

08-98

52

80

HITACHI

SALES

A.G.

5600

Lenzburg,

Switzerland

Tel.:

064-513621

HITACHI-FRANCE

(Radio-T

élévision

Electro-Ménager)

S.A.

9,

Boulevard

Ney,

75018,

Paris

Tel.:

23-25-00

iy

©

HITACHI