Classe Audio SSP-50 Manual de usuario

Classé Audio, Inc.

SSP-50

Preamplifier/Surround Sound Processor

SSP-50

Owner’s Manual

Safety Information

(Insert safety page per UL or CSA standards or substitute the following:)

1) To prevent fire or shock hazard, do not expose this unit to water or moisture.

2) Do not place this unit close to any heat-producing device such as a radiator, stove, etc..

3) Connect this unit only to an AC source of the proper voltage. The shipping container and the rear panel

serial number tag will stipulate the proper voltage. Use of any other voltage will almost certainly damage the

unit and will void the warranty.

4) Do not open this unit for any reason as there are no user serviceable parts inside. An open unit, particularly

if it is still connected to an AC source, presents a potentially lethal shock hazard. Refer all questions to au-

thorized service personnel only.

5) If this unit will be out of use for an extend period of time (vacation, etc.), unplug the power cord from the AC

source.

CE Notice

All of us at Classé take extreme care to insure that your purchase will become a prized investment. We are proud to

inform you all Classé Audio components have been officially approved for the European Community (CE) mark under

CE Certificate Number C401CLA1.MGS granted on 18 July, 1996.

This means that your Classé product was subjected to the most rigorous manufacturing and safety tests in the world.

The CE mark certifies that your purchase meets or exceeds all European Community requirements for unit-to-unit

consistency and consumer safety.

This unit is manufactured under license from Dolby Laboratories Licensing Corporation. It is additionally licensed un-

der one or more of the following patents: U.S. number 3,959,950, Canadian numbers 1,004,603 and 1,037,877.

Additionally, this unit is manufactured under license from Digital Theater Systems, Inc. and Pacific Microsonics, Inc.

Dolby® Pro Logic®, and Dolby Digital® are registered trademarks of Dolby Laboratories Licensing Corporation.

DTS® is a registered trademark of Digital Theater Systems, Inc.

HDCD® and the HDCD logo are registered trademarks of Pacific Microsonics, Inc.

Table of Contents

Introduction Page 2

Safety Information Page 2

CENotice Page2

Thank You Page 5

Classé Design Philosophy Page 5

About This Manual Page 6

Section 1: Diagrams Page 7

1.1 Front Panel Pages 7, 8, 9

1.2 Rear Panel Pages10, 11, 12, 13

1.3 Remote Control Pages 14, 15, 16, 17, 18, 19

Section 2: Installer’s Overview Page 20

2.1 System Hookup: Rear Panel Connections Pages 20, 21, 22

2.1.1 To Power Amplifier(s)

2.1.2 Audio Source Components

2.1.3 Video Source Components

2.1.4 Remote Room Setup

2.1.5 Controlling AC Power

2.2 System Configuration Pages 23, 24, 25, 26

2.2.1 The Menu System

2.2.2 Configuration Procedures

Section 3: Getting Started Page 27

3.1 Unpacking the SSP-50 Page 27

3.2 Optimal Placement Page 27

Section 4: System Hookup Page 28

4.1 Introduction Page 28

4.2 To Power Amplifier(s) Pages 28, 29

4.3 Source Components Pages 30, 31, 32

4.3.1 Audio Considerations

4.3.2 Video Considerations

4.3.3 Patience Is A Virtue!

Section 5: Initial System Configuration Page 33

5.1 Introduction Pages 33, 34

5.1.1. What You’ll Need

5.1.2 The Menu Tree

5.2 Navigation: The First Steps Page 35

5.2.1 General Information

5.2.2 Activating the Menu System

5.3 Audio Configuration (Input Sources) Page 36, 37, 38, 39

5.3.1 Name (Custom ID)

5.3.2 Input Type

5.3.3 Input Level

5.4 Audio Configuration (Speaker Setup) Page 39, 40

5.4.1 Main (L/R) Speakers

5.4.2 Center Channel Speaker

5.4.3 Surround Speakers

5.4.4 Subwoofer

5.5 Audio Configuration (Delay) Page 41, 42, 43, 44

5.5.1 Measurement Units

5.5.2 Center Speaker

5.5.3 L-Surround Speaker

5.5.4 R-Surround Speaker

5.6 Audio Configuration (Calibrate) Page 44, 45, 46

5.6.1 Left Front Speaker

5.6.2 Right Front Speaker

5.6.3 Center Speaker

5.6.4 L-Surround Speaker

5.6.5 R-Surround Speaker

5.6.6 Auto Cycle

5.7 Video Configuration (Name) Page 46, 47

5.8 Video Configuration (Audio Link) Page 48, 49

5.9 Display Duration Page 49, 50

5.10 Memory (User Setup) Page 50, 51

5.10.1 Introduction

5.10.2 Choosing User Setup

5.10.3 “Write Protect”

5.11 Memory (Installation Setup) Page 51, 52

5.11.1 Choosing Installation Setup

5.11.2 Storing Installation Setup

5.11.3 Recalling Installation Setup

5.12 Memory (Factory Defaults) Page 52, 53

5.12.1 Choosing Factory Defaults

5.12.2 Recalling Factory Defaults

Section 6: Operating the SSP-50 Page 54

6.1 Introduction Page 54

6.2 Upper Information Display Page 54

6.2.1 Master Level Indicator

6.2.2 REF, OVER, and CLIP indicators

6.2.3 HDCD Indicator

6.3 Lower Information Display Page 54, 55

6.4 Mode Selection Page 55, 56

6.4.1 Introduction

6.4.2 DTS

6.4.3 Stereo Surround

6.4.4 Stereo

6.4.5 Mono Front

6.4.6 Mono Center

6.4.7 Dolby Digital

6.4.8 Dolby Pro Logic

6.5 Changing Individual Channel Levels Page 56

6.5.1 Introduction

6.5.2 On-the-Fly Techniques

6.6 Using User Memories Page 56, 57

6.6.1 Introduction

6.6.2 Storing a User Memory

6.6.3 Recalling a User Memory

6.7 Using PATH Page 57, 58

6.7.1 Main

6.7.2 Remote

6.7.3 Record

6.8 First Aid Page 57, 58

Thank You From Everyone At Classé

Thank you for purchasing the Classé Audio SSP-50 Preamplifier/Surround Sound Processor.

We take great pride in offering components that combine exceptional sonic performance and long-term reliability. To

do that, we have invested in extraordinary design and manufacturing facilities. We trust that you will enjoy your pur-

chase for many years to come.

Classé Design Philosophy

All of our components benefit from the same rigorous design philosophy. The goal is simple: All Classé products

must reproduce music with the harmonic and spatial integrity typical of fine instruments heard in a live, unamplified

performance.

Single Circuit Design

To this end, we make extensive use of carefully optimized versions of the same basic circuit precisely matched to

specific power requirements. This means that all Classé line level components and power amplifiers benefit from

years of refinement. However, our efforts do not stop here.

Listening: The Critical Design Element

Once we determine general circuit values for a particular application, we listen carefully while exchanging and mixing

different parts (transistors, capacitors, wiring, PC boards, etc.) and adjusting specific operating voltages within proper

engineering ranges.

Extended Real-World Lifespan

Every Classé component, even the most affordable, benefits from this painstaking approach. The result is an opti-

mum balance between the often-conflicting demands of exceptional performance and long-term reliability. Our most

expensive components gain from even tighter tolerance parts and highly segmented and exceptionally robust power

supplies with large reserve-current capabilities.

Our Pride in Manufacturing. Your Pride in Ownership.

We build all of our components to the highest possible standard. From glass-epoxy circuit boards to the massive 3/8”

thick faceplates, every Classé product is a tribute to both the art and science of sound reproduction. We hope that

you derive as much pleasure and satisfaction in using your Classé as we did in producing it.

About This Manual

The Classé SSP-50 is the most sophisticated product we have ever offered. Although its elegant

design invites daily use by even the technically challenged, real understanding of the SSP-50’s

many capabilities may take some study.

Consequently, we strongly urge you to read this Manual carefully before you connect and use the

SSP-1 in your home theater system. You’ll find answers to almost all of your questions in these

pages. That knowledge will greatly reduce your efforts as you configure your system to take best

advantage of the SSP-50’s enormous potential.

We’ve organized the Manual for both the experienced installer and the novice user.

The Installer’s Overview (Section 2) is written for those with technical experience. It provides an

inclusive picture of the SSP-50’s capabilities and suggests several effective system configuration

strategies.

The following Sections supply step-by-step instructions to help the less technical user configure

and use the SSP-50 effectively.

As in all such efforts, a little patience will go a long way to reducing the chances for frustration.

Remember, it took many talented people a long time to design the SSP-50 and you can’t be ex-

pected to learn everything about it in one evening!

So relax. And enjoy. You’re about to enter a wonderful world of high-performance surround

sound.

Section 1: Diagrams

Use the following diagrams as guides to the SSP-50. They show the locations of all controls, inputs, outputs, remote

keys -- in short, everything you need to know about your new preamplifier/surround sound processor. Read the notes

under each diagram carefully. You’ll find capsule explanations of all important features on the pages immediately fol-

lowing a diagram. Once you read these capsules, you’ll understand most of the SSP-50’s capabilities. (Of course,

we’d never say that you won’t need to read the rest of this Manual but who knows . . . !)

1.1 Front Panel

1) VIDEO < & >

These pushbuttons select an audio/video source by stepping from AV 1 through AV 6 (Video >) or from AV 6

back through AV 1 (< Video).

These buttons “wrap” to the next input. For example, if you are enjoying the AV 6 input, pressing “Video >“

will step to AV 1. Conversely, pressing “< Video“ while using AV 1 will select AV 6.

If you press either the “< Video“ or “Video >“ button while listening to an audio-only input, the SSP-50 will

switch to the last-used video input .

2) AUDIO < & >

These pushbuttons work the same way as the Video < & > buttons described above. However, they select

an audio-only source. They “wrap” from Aud 1 to Aud 5 (< Audio) and from Aud 5 to Aud 1 (Audio >).

3) AUDIO and VIDEO SOURCE LED INDICATORS

These multi-colored LEDs show both the active input and its selected Path. The Input LED will glow red

when that input is directed to the Main outputs, green when sent to the Remote outputs, and orange when

sent to the Record outputs. (See Sections 2.2 and 6.7 for further details.)

1.1 Front Panel (Continued)

4) STANDBY (“On/Off”) BUTTON

Although this pushbutton seems to be a normal “On/Off” control, it is actually more sophisticated.

When the SSP-50 is plugged into a live AC outlet and the rear-panel power switch is in the “On” position, this

push-button activates all of the SSP-50’s audio and video circuitry and displays. The next push turns off all

circuits except for basic elements such as the central microprocessor and remote control sensors.

(Note: The Standby button will not turn the SSP-50 “off” if the on-screen menu is in use. To restore normal

“Standby” operation, simply press the remote control’s Menu button to cancel the on-screen display.)

5) STANDBY (“On/Off”) LED INDICATOR

This LED glows green when the SSP-50 is in Standby or “Off” mode. It does not glow at all when the SSP-50

is fully activated.

6) UPPER INFORMATION DISPLAY

The centrally placed numbers (0 to 60) in this window normally indicate the relative position of the Master

Level Control. In addition, an HDCD indicator will show the presence of an HDCD-encoded digital data

stream from the selected source. Other elements in the display will assist you as you set levels, guard

against overload conditions, etc.

7) LOWER INFORMATION DISPLAY

This lower window normally shows the selected mode (e.g. Stereo, Dolby Pro Logic®, etc.). Other informa-

tion (currently selected input, a “no signal” condition, etc.) also appears when appropriate.

8) MODE BUTTON

This button steps through the SSP-50’s operating modes in the following sequence: DTS®, Stereo Surround,

Stereo, Mono Front, Mono Center, Dolby Digital®, and Dolby Pro Logic®.

1.1 Front Panel (Continued)

9) MUTE BUTTON

This button mutes the SSP-50’s main outputs. A second push restores the previously selected operating lev-

els. The Remote and Record outputs are unaffected. The Mute button provides a convenient way to lower

the volume when answering the telephone.

10) MUTE LED INDICATOR

This LED glows green when the SSP-50 is in the mute mode.

11) MASTER LEVEL CONTROL

This large knob changes the relative levels of all active main room channels simultaneously. (It has no effect

on Remote area playback levels.) Each loudspeaker’s relative loudness stays in perfect balance with all

other speakers as programmed during setup. The Main Information Display shows the master level setting in

numbers from 0 (no output) to 60 (maximum output) in the center of the display.

1.2 Rear Panel. NOTE: For a better view of the back panel, see the last page of the manual.

1) ANALOG AUDIO INPUTS

a) Aud 1 (Line level, balanced: XLR x 2)

b) Aud 3 (Line level, single ended: RCA x 2)

c) Aud 4 (Line level, single ended: RCA x 2)

d) Aud 5 (Line level, single ended: RCA x 2)

e) AV 3 (Line level, single ended: RCA x 2)

f) AV 4 (Line level, single ended: RCA x 2)

g) AV 5 (Line level, single ended: RCA x 2)

h) AV 6 (Line level, single ended: RCA x 2)

These analog audio inputs accept a line level signal from any component equipped with the appropriate out-

put circuitry. With the exception of “a) Aud 1,” a balanced input requiring three pin XLR connectors (Pin 2 =

Hot), all analog audio inputs are single ended circuits with RCA-style terminations. The SSP-50 has no inter-

nal provisions for MM or MC phono amplification/RIAA equalization but accepts line level outputs from a wide

variety of external step-up devices if desired.

2) DIGITAL AUDIO INPUTS

a) Aud 1 (multi-format S/PDIF: RCA x 1)

b) Aud 2 (multi-format S/PDIF: RCA x 1)

c) AV 1 (multi-format S/PDIF: RCA x 1)

d) AV 2 (multi-format S/PDIF: RCA x 1)

e) AV 3 (multi-format S/PDIF: RCA x 1)

f) AV 4 (multi-format S/PDIF: RCA x 1)

g) AV 5 (multi-format S/PDIF: Toslink x 1)

Except for “g) AV 5,” these digital audio inputs accept standard S/PDIF digital signals via 75 ohm coaxial ca-

bles with RCA-style connectors. The AV 5 input uses a Toslink-style optical connector for digital source

components with this type of digital output. AV 5 is ideal for the optical digital output of many laserdisc play-

ers.

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