Beyerdynamic MV 100 Manual de usuario

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\

beyerdynamlc))))

___t

BEYERDYNAMIC

GMBH

&

CO.

POSTFACH

1320

■

D-74003

HEILBRONN

Gebrauchsanweisung

Operating

Instructions

Mode

d'empioi

beyerdynamic

microphone

preamplifier

MV

100

The

most

critical

part

of

any

sound

recording

system

is

the

microphone

preampilfier.

The

advent

of

the

DAT,

DCC

and

BETACAM

formats

has

created

a

need

for

mic

preamplifiers

of

equaliy

high

standards.

The

MV

100

iS

a

dual

high

quality

versatile

channel

package

which

also

provides

phantom

supply

for

condsTser

microphones.

It

operates

with

two

V-batteries

or

with

NiCad

accumulators.

For

fixed

operation

a

the

MV

100

can

be

powered

writh

the

power

supply

LG

100.

Operation

1.

IDENTIFICATION

The

serial

number

appears

on

the

bottom

of

the

preamplifier.

Please

take

care

that

it

corresponds

to

the

data

on

your

guarantee

certificate

or

receipt.

2.

WARRANTY

The

warranty

is

valid

for

a

period

of

one

year

starting

from

the

date

of

purchase

and

covers

parts

and

labour,

shipping

costs

not

included.

Repair

work

covered

by

the

warranty

should

be

referr^

to

the

beyerdynamic

service-department;

under

certain

circumstances

repairs

under

guarantee

may

be

carried

out

by

authorized

beyerdynamic

agents.

•

Never

try

to

repair

your

MV

100

yourself,

it

could

render

the

warranty

null

and

void.

3.

POWER

SUPPLY

The

MV

100

can

be

powered

by

two

9

V

alkaline

batteries

(DURACELL

MN

1604

or

equivalent)

or

by

two

NiCad

rechargeable

accumulators

(SANYO

N-6

PT

CADNICA

or

equivalent).

Place

batteries

or

accumulators

in

the

two

compartments

at

the

back

(12}

of

the

MV

100.

•

Be

sure

to

follow

the

+

and

-

polarities,

•

Never

leave

batteries

or

accumulators

in

the

battery

compartment

when

the

MV

100

is

left

unused

for

several

days.

•

Use

only

top

quality

alkaline

batteries

or

accumulators.

4.

OPERATING

WITH

BATTERIES

OR

ACCUMULATORS

When

using

dynamic

microphones

or

line

level,

push

the

„POWER"

switch

(5)

from

the

center

„OFF‘'

position

to

the

left,

when

using

condenser

microphones

push

the

switch

to

the

position

„48

V“.

This

turns

on

the

48

V

phantom

supply.

The

„ON''

LED

(6)

must

light

up.

In

the

„40

V“

position

the

use

of

dynamic

microphones

is

possible.

The

phantom

supply,

however,

reduces

the

service

life

of

the

batteries

considerably.

5.

BATTERY

INDICATION

The

red

„LO'‘

LED

(4)

will

light

up

when

the

total

battery

voltage

drops

to

14

V.

(See

Power

Consumption)

6.

POWER

CONSUMPTION

The

consumption

of

the

MV

100

is

proportion^

to

the

type

of

batteiies/accumuiators

and

the

type

of

microphones

used,

The

table

below

Illustrates

expected

operating

times:

Power

Microphones

Batt.

LO

(14

V)

Reserve

(12

V)

Total

7.

EXTERNAL

POWER

The

MV

100

can

also

be

powered

from

an

external

DC

power

pack

via

the

„DC

IN"

(9)

jack.

The

optional

accessory

LG100

power

pack

operates

at

24

V

DC,

80

mA.

When

an

external

supply

is

connected,

the

internal

battery

is

automatically

disconnected.

Correct

polarity

of

the

DC

connector

must

be

observed.

Center

pin

=

+

Outside

collar

=

-

8.

PHANTOM

POWERING

The

48

V

position

on

the

front

panel

(see

4.)

allows

direct

connection

of

condenser

microphones,

and

the

MV

100

supplies

the

required

phantom

powering.

9.

GAIN

SELECTOR

The

gain

switch

(2)

has

three

positions.

The

steps

correspond

to

the

sensitivity

of

different

microphones.

The

signal

can

be

amplified

to

match

the

gain

levels

required

by

different

types

of

DAT

recorders.

10.

OVERLOAD

INDICATOR

The

two

..OVERLOAD"

LEDs

(1)

indicate

the

limit

of

6

dB

before

the

clipping

point.

The

overload

reference

is

proportional

to

the

DC

voltage.

Thus

the

lower

the

power

supply

voltage,

the

higher

the

possibility

of

the

„OVERLOAD‘'

LEDs

lighting

up.

Alkaline

Dynamic

48

V

440

min,

300

min.

200

min.

140

min.

640

min.

440

min.

NiCad

accumulators

Dynamic

48

V

180

min.

120

min.

15

min.

10

min.

195

min.

130

min.

11.

LOW

CUT

FILTER

The

„LF

CUT"

switch

(3)

allows

filtering

of

very

low

frequencies

(e.g.

close-talking

or

wind

noise

in

outside

recordings).

To

turn

on

this

filter,

move

the

„LFCUT"

switch

to

the

right

to

the

„ON"

position.

•

Use

this

filter

only

if

necessary!

12.

INPUT

CONNECTIONS

The

two

input

connectors

(8)

„L£FT

IN"

and

„RIGHT

IN"

are

XLR

type

and

are

located

on

the

right

side

of

the

MV

100.

Inputs

are

balanced

electronically.

To

connect

with

an

unbalanced

device,

connect

Pin

1

(ground)

and

pin

3.

13.

UNBALANCED

LINE

OUT

The

stereo

output

„LINE

OUT"

(7)

is

intended

for

the

connection

of

a

DAT

recorder

or

similar

devices

with

3.5

mm

stereo

mini-jack.

The

output

impedance

of

„L1NE

OUT*

is

50£is.

Therefore,

headphones

for

monitoring

purposes

can

be

connected.

14.

UNBALANCED

OUTPUTS

The

outputs

„LEFT

OUT"

(10)

and

„RIGHT

OUT'

(11}-are

found

on

the

left

of

the

MV

100.

They

are

RCA

(phono)

connectors

and

are

connected

with

the

corresponding

standard

cables.

15.

RECOMMENDATIONS

The

characteristics

of

the

MV

100

enable

its

user

to

connect

it

to

any

professional

microphone.

The

quality

of

the

sound

obtained

thus

greatly

depends

on

the

choice

of

microphones

and

on

how

they

are

positioned.

It

is

then

of

the

utmost

importance

to

clearly

define

the

type

of

situation

to

be

recorded

when

choosing

the

microphones

and

to

determine

their

correct

positioning

for

optimal

results,

•

Adjustment

of

the

„GAIN'‘

and

the

choice

of

gain

positions

also

depend

on

the

type

of

microphone

used,

as

well

as

the

nature

of

the

source

of

sound.

Several

test

sessions

are

thus

highly

recommended

in

order

to

determine

the

best

way

to

proceed

with

the

recording.

•

One

of

the

simplest

methods

is

to

use

high

ievei

(i.e.

fortissimo

in

classical

music),

adjust

the

„GAIN“

switch

until

„OVERLOAD"

LEDs

turn

on

at

the

highest

sound

levels

and

to

push

the

button

backwards

one

position.

The

fine

adjustment

is

made

with

the

input

control

on

the

DAT

recorder.

•

Avoid

extreme

adjustments

such

as;

Gain

of

the

DAT

recorder

10%

and

a

pre-

attenuation

of

60

dS

or

a

pre-attenuation

of

20

d8

and

gain

control

switched

to

maximum.

The

control

of

the

DAT

recorder

should

be

in

the

center.

This

method

enables

optimal

calibration

for

signal

to

noise

ratio,

and

at

the

same

time

protects

against

overloading

the

system.

•

When

using

DAT

recorders,

noise

is

so

low

that

we

recommend

to

set

the

gain

10

dB

iower.

Ground

noise

is

not

audibie

and

there

is

an

additional

overloading

security

of

10

dB

if

an

unexp&ted

higher

ievei

occurs

which

couid

iead

to

audibie

distortions

otherwise.

SPECIFICATIONS

SUMMARY

OF

CHARACTERISTICS

Frequency

response

Crosstalk

THD

Noise

60

dB

gain

20

Hz

to

22

kHz,

+A

0.5

dB

60

dB

<

0.03%

at

10

dBu

>-128

dBu,

20

Hz

to

20

kHz,

150

£2

source

INPUTS

Type

Impedance

Gain

Lo

cut

filter

Overload

indicator

Mic

power

OUTPUTS

Unbalanced

electronically

balanced,

XLR

connectors

5

klls,

20

Hz

to

20

kHz

20

dB,

40

dB,

60

dB

18dB/oct,

-6dBat120

Hz

6

dB

before

clipping

level

phantom

48

V

3.5

mm

mini-jack

stereo

or

cinch

connector,

nominal

level:

0

dBu,

max.

+15

dBu

POWER

AND

DIMENSIONS

Batteries

Battery

Life

Indicator

Dimensions

Gewicht

2

X

9

V

alkalines

(DURACELL

MN

1604

or

equivalent),

or

NiCad

rechargeable

(SANYO

N-6

PT

CAD

NIC

A

or

equivalent)

24

V

DC,

80

mA

6

to

10

hours

with

alkaline

batteries,

1.5

to

hours

with

NiCad

low

batteries

at

14

V

expected

usage:

minimum

two

hours

with

alkaline

batteries

and

minimum

10

minutes

with

NiCad

146

X

85

X

40

mm

435

g

with

batteries

Preamplificateur

microphone

beyerdynamic

MV

100

La

qualite

de

tout

enregistremeni,

depend

principalement

des

caracteristiques

du

preampli

micro

utilise.

Les

formats

d'enregistrement

DAT*

DCC

et

BETACAM

exigent

une

nouvelle

gdn^ration

de

preamplis

micro,

Le

MV

100

de

beyerdynamic

repond

en

tout

points

a

ces

nouvelles

exigences.

Ce

preampli

micro

portable

de

tres

haut

de

gamme

dispose

de

deux

canaux

avec

possibiJite

d'alimentation

Phantom

pour

les

micros

condensateur.

Le

MV

100

est

alimente

par

2

piles

9

V

ou

2

accus

NiCad.

Lors

d'une

utilisation

stationnalre

il

peut

etre

branche

sur

ralimentation

LG

100

(option

).

Mode

d’emploi

1.

Identificatiori

Le

numero

de

serie

apparait

sur

la

plaque

dldentlfication

placee

sous

Tappareii.

V^nfiez

que

ce

numero

soft

identique

sur

votre

carte

de

garantie

ou

sur

votre

factured'achats.

2.

Garantie

La

garantie

accordee

par

beyerdynamic

est

d

'un

an

a

compter

d©

fa

date

d'achat.

Elie

couvre

pik;es

et

main

d'oeuvre

tandis

que

les

frais

d^envoi

restent

^

la

charge

du

client.

Les

reparation

sous

garantie

ne

doK/ent

^tre

realises

que

par

le

service

apreS“Vente

de

beyerdynamic*

•

Toute

intervention

dans

I’appareit

par

vous-meme

ou

par

un

service

apres-

vente

independent

met

fin

k

toute

obligation

de

garantie

de

la

part

de

beyerdynamic,

3.

Alimentation

L’alimentation

du

MV

100

se

faj't

soit

avec

2

piles

alcafines

9

V

(Type

Duracell

MN

1604

ou

similaire

>

soit

avec

deux

accus

nickel-cadium

recharge^les

(Type

Sanyo

N-6

PT

NiCad

ou

similaire).

Les

piles

ou

accus

doivent

etre

places

dans

les

deux

tiroirs

(12)

situes

sur

le

dos

de

Tappareil.

•

Veillez

a

respecter

fa

polarite

+

et

~

•

Ne

laissez

jamais

les

piles

ou

les

accus

dans

i’appareil

si

vous

ne

vous

en

servez

pas

pendant

plusieurs

jours.

•

N'utilisez

que

des

plies

alcaiines

ou

des

accus

de

premiere

qualite.

4.

Mise

sous

tension

avec

piles

ou

accus

Si

vous

travaiJIez

avec

des

microphones

dynamiques,

mettez

le

commutateur

POWER

(5

)

sur

DYN.

La

LED

verte

ON

indique

fa

mise

en

service.

Pour

les

microphones

a

condensateur

ayant

besoin

d’une

alimentation

Phantom,

ce

commutateur

doit

etre

mis

sur

48

V*

Dans

cette

position

on

peut

^alement

travaiiler

avec

des

microphones

dynamiques

mais

la

duree

de

vie

des

piles

ou

des

accus

sera

sensibiement

reduite.

Reprasentanten

/

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