Visceral Psyche Films Leeming LUT Pro Manual de usuario

Camera Setup Guide: DJI Mavic Air 2

Based On: DJI Mavic Air 2 (firmware 01 00 0250)

Target Colour Space: Rec709 gamma 2 4

Target Exposure: ETTR

LUT Version: Pro II & Athena

LUT Release Date: 2020 06 24

Guide Version: 2020 06 24

www visceralpsyche com

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INTRODUCTION

Thank you for purchasing Leeming LUT Pro™, the most accurate and professional Look

Up Tables (LUTs) for your camera

The LUTs have been carefully developed to get the maximum dynamic range and colour

accuracy out of the supported profiles, giving you unparalleled Rec709 precision as well as

perfect camera matching with other supported cameras in the Leeming LUT Pro™ range

Use them in conjunction with ETTR shooting principles and you will get the highest

possible quality images out of the camera every time

I am confident you will find these the most accurate LUTs for your camera Anything less

and I wouldn't have put my name on them!

Enjoy :)

Paul Leeming

Director / Writer / Cinematographer / Actor

Visceral Psyche Films

www visceralpsyche com

LICENCE

You are granted a personal licence to use Leeming LUT Pro™ on two computers For use

with more computers, please contact Visceral Psyche Films for bulk discount pricing You

may not upload the LUTs anywhere, share them with other people or incorporate them into

other LUTs for derivative use (i e making creative LUTs using Leeming LUT Pro™ as the

underlying base), whether they be for sale or not Please respect the work that has gone

into the LUTs and support those supporting you

COMPATIBILITY

Leeming LUT Pro™ is compatible with any software or hardware device that supports a

33x33x33 cube LUT For a full list, please see the website

REQUIREMENTS

1 DJI Mavic Air 2 drone

2 Spectrally neutral white or grey card, for white balancing the camera (eg the white

balance side of an X-Rite Colorchecker Passport is designed for this)

3 Leeming LUT Pro™ for the DJI Mavic Air 2

NOTE: Items highlighted in yellow have an adverse effect on LUT accuracy if changed

away from the recommended values in this guide

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QUICK REFERENCE OF IMPORTANT CAMERA SETTINGS

The settings below are recommended for the LUTs to work properly, in conjunction with an

accurate white balance and using the ETTR zebras to show where the highlights of an

image are clipping

If you deviate from these settings, your colorimetry and luma curves won’t match precisely

to Rec709 and you may get other errors in your footage You can find the details of how to

set these in the next section

D-Cinelike

Overexposure Warning (Zebras) ON

Color D-Cinelike

Video Mode Normal (NOT HDR)

FULL CAMERA SETUP GUIDE

Based on the Mavic Air 2, using the DJI Fly phone app interface Your camera may not

have all the same features so adjust as necessary

1 Plug your phone or tablet into your remote controller and start the DJI Fly app, then

press the Connect Aircraft button

2 First tap on the camera icon above the red Record button on screen on the right

hand side, and select Video Mode, then exit

3 Tap on the three dots top right of screen to enter the Menus

4 Safety – set your max altitude and distance as well the Auto RTH (Return to Home)

Altitude You can also calibrate your gimbal and compass here, as well as unlocking

Geo Zones etc I recommend setting Signal Lost to Return To Home (make sure

your RTH Altitude considers local heights of objects to avoid the drone crashing into

them when on autopilot!) Set APAS to ON unless you are confident you won’t run

into obstacles! Set Auxiliary LED to Auto (the downward facing LED used for

landing)

5 Control – Choose your flight mode etc and Units as desired Set Allow Upward

Gimbal Rotation ON to give you more flexibility in shot tilting

6 Camera – Set Format as desired, Color to D-Cinelike and Coding Format as

desired (I recommend H265 unless your computer can’t handle it in post) Turn

Video Subtitles OFF

7 Turn Histogram ON if desired and Overexposure Warning ON

8 Set White Balance to Manual and adjust to the correct Kelvin value If you hold a

white balance card in front of the drone when switching from Auto to Manual, the

first custom value will be very close to neutral, so this is my recommended method

for consistency and avoiding any colour shift during flight You will need to tweak

the white balance in post BEFORE applying the LUT, so I recommend shooting a

few seconds of your white balance card before takeoff in the light you expect when

flying, for best accuracy in post

9 Set Storage to SD Card and Format it here if needed

10 You can use Cache When Recording with your selected size, to record a low quality

backup to your phone or tablet if desired

11 Transmission – Set as needed for your region to avoid interference

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12 About – Set your drone’s name if needed You can also check for firmware updates

in this screen, to ensure you have the latest versions

13 Exit the Menus

14 Tap on the camera icon above the Record button to bring up the Camera functions

15 Choose Video, then Normal mode, then choose your desired resolution and

framerate I recommend 4K at 24fps or 48fps for cinema work, but you can choose

1080p for higher framerates if desired In post you can then re-time your footage to

your project framerate for slomo effects Do NOT choose HDR as it locks the

exposure to Auto, limits you to 30p in 4K, and locks Color Mode to Normal instead

of D-Cinelike

16 Tap on the little Auto camera icon bottom right of the screen to switch it to M mode

(manual adjustment) Here you can set your ISO and shutter speed manually for

greater control over your exposure Use the zebras to avoid clipping

You are now ready to use Leeming LUT Pro™ with the maximum picture quality available

Be sure to visit the website to read up on how to use ETTR (Expose To The Right)

principles to get the most dynamic range out of your sensor, as well as the associated

Leeming LUT Pro™ LUT Installation Manual on how to apply the LUTs to your footage in

post-production:

www LeemingLUTPro com

HARDWARE / SOFTWARE QUIRKS AND BUGS

1 There are TWO different settings called Normal There is the Color Mode (which

should be set to D-Cinelike and NOT Normal), and the Video Mode, which

SHOULD BE set to Normal and NOT HDR Confused yet? Basically, set and forget

your Color Mode to D-Cinelike and DON’T ever choose the HDR mode in the Video

mode settings, as it is limiting in many ways and NOT what the LUT is expecting in

terms of colorimetry or luma

GUIDE CHANGELOG

2020 06 24 Initial release

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