Stanton SA.3 Manual de usuario

SA-3

PROFESSIONAL DJ MIXER

STANTON MAGNETICS, INC

[email protected] • (954) 89-8833

www.StantonDJ.com

OWNER’S MANUAL

PLEASE READ CAREFULLY BEFORE USE

FAILURE TO FOLLOW THE INSTRUCTIONS PRINTED BELOW MAY VOID WARRANTY

• Follow all security advice printed on your mixer

• When removing the unit's AC plug from the power source, grasp and pull

the plug, NEVER the cord itself!

• Avoid placing your mixer near heat sources, such as power amplifiers.

• When in use, place your mixer on a stable surface, away from vibration.

Always use care when carrying your mixer. Impact, or heavy vibration may

compromise the unit's mechanical integrity. The manufacturer is not

responsible for damage resulting from an impact, or misuse.

• When in use, place your mixer away from sources of hum or noise, such as

transformers, or electric motors.

• To prevent overheating, always provide your mixer with adequate

ventilation air space.

• Avoid stepping on your mixer's AC cord. Repeated compression of the cord

may lead to electrical shorting.

• To avoid damage due to AC voltage peaks, always disconnect your mixer

from the power source during electrical storms. If possible connect mixer to

a surge protector.

• Your mixer contains no user-serviceable parts. The manufacturer is not

responsible for any damage or personal injury resulting from unauthorized

user-servicing or modifications. In addition, the warranty will be void if any

unauthorized service by the user is detected. Always return your mixer to

an authorized Stanton dealer for servicing.

Thank you for making Stanton your first choice in professional DJ mixers.

Our innovative family of mixers have been developed with input from the profes-

sional DJ community, Stanton offers a affordable combination of user-friendly

mixers with functional design, rugged construction, and professional quality fea-

tures which had been previously unavailable.

Stanton and your authorized Stanton dealer are dedicated to your complete sat-

isfaction by offering benchmark service and support throughout the long life of

your Stanton product.

We appreciate your patronage, and look forward to many years of making music

together.

WELCOME! WARRANTY

This unit has been designed and manufactured using quality components.

Therefore, it is warranted to be free from defects in materials (limited as speci-

fied below), and workmanship for a period of twelve (12) months from the origi-

nal purchase date. During this period, all service and parts necessary to repair a

defect will be free of charge. This limited warranty applies to mechanical parts

which are subject to wear and tear as specified:

• Faders specified durability: 15,000 cycles;

• Rotary potentiometer, specified durability: 10,000 cycles;

• Switches, specified durability: 10,000 cycles.

Consequently, the parts listed above are warranted to be free from defects in

materials and workmanship for a period of thirty days (30) days from the original

purchase date.

The included Penny & Giles crossfader carries a twelve (12) month warranty.

For the warranty to be valid, please complete the warranty registration card

attached or fill out the online registration at www.stantondj.com

Mail completed warranty cards to:

Stanton Magnetics, Inc, 3000 SW 42st • Hollywood, FL 33312

The SA-3 professional scratch

mixer has been designed specifi-

cally for scratch DJs. The SA-3 is a

clean, simple and easy to under-

stand mixer design with the fea-

tures that will help you as a scratch

artist.

• 2 channel scratch mixer.

• Curve adjustment and reverse switch for Crossfader and Linefaders.

• User replaceable / upgradeable faders.

• Each channel features gain control, 3 band eq, and pan.

• Headphone mute switch.

• Dual headphone outputs (1/4"/ .3mm and 1/8"/3.5mm).

• Balanced 1/4” and unbalanced RCA master outputs.

• Master mute switch.

• Rotatable 2 Position phono/line switch.

• Mic channel with gain control.

• Microphone mute switch.

• Protekt Panel.

• 2 line and 2 phono inputs.

• Master / Cue switch.

• Cue fader for cueing between programs.

SA-3 FEATURES

Line inputs: 2 (RCA) x 2 channels, -10 dBV /10 kOhm

Phono inputs: 2 (RCA) x 2 channels, -50 dBV / 47 kOhm

Master output: 2 (TRS Balanced/RCA unbalanced),

+4 dBu balanced / -10 dBV unbalanced

Headphone output: 1 (1/4 inch), 1 (1/8 inch), greater than 32 Ohm load

Frequency Response: 20 Hz - 20 kHz, +/- 1.5 dB

Tone Control : Hi +9/-18 dB

Mid +9/-25 dB

Low +9/-25 dB

S/N Ratio: Better than 94 dB (ref: max input level)

Noise: -80 dBV (Line input to any output)

T.H.D Less than 0.04% (1 kHz)

Dimension(LxWxD): 12.4" x 9.25" x 4.33"in; (315 x 235 x 110mm)

Weight: . lbs 3 kgs

TECHNICAL SPECIFICATIONS

The following user replaceable parts are available from your local

Stanton dealer.

CFSA3 Crossfader

LFSA3 Linefader

CF-PG110 Penny & Giles crossfader

CF-F1 Focus Fader V1

CF-F2 Focus Fader V2

PLSA3 Phono / Line switch

3PLSA3 Phono / Line switch (w/Flash)

PPSA3 PROTEKT™ panel

PS-18US US Power Supply (110v)

PS-18EU European Power Supply (220v)

PS-18UK UK only Power Supply (240v)

REPLACEMENT PARTS

PAN

-26 +9

LOW min max

CUE

LEVEL

-26 +9

MID

MUTE

min max

MIC

LEVEL

-26 +9

min max

GAIN

CUEMASTER

CH2CH1

PAN

CUE SELECT

CUE PAN

-26 +9

LOW

-26 +9

MID

MUTE

min max

MASTER

LEVEL

-26 +9

min max

GAIN

SCRATCH ARTIST INSTRUMENT

www.stantondj.com

CHANNEL 1 CHANNEL 2

REVERSE

FADE FADE

CUT

MID

CUT

MID

16 17

22 21

DESCRIPTION OF FUNCTIONS ROTATING THE TRANSFORM SWITCHES

The input selector (transform) switches on the Stanton SA-3

mixer can be rotated to 8 different positions. Follow the steps

below to rotate the transform switch to the position you like.

1. Make sure the mixer is powered off. Remove the faceplate of

the mixer.

2. Remove the two outer screws

from the transform switch as indi-

cated in diagram. Do not remove

the two inner screws. Removing

the two inner screws will detach

the switch from the plate.

3. Rotate the switch to the posi-

tion you like. Replace the two

outer screws to secure the switch

in place.

Replacing the transf rm switch

1. Follow steps 1 and 2 above.

Remove switch from mixer and

detach connector from switch.

2. Attach connector for transform

switch to replacement switch and replace two outer screws to

secure the switch in place.

REPLACING THE CROSSFADER

The SA-3 is compatible with the CFSA-3, Focus Faders V1/V2

and with the Penny and Giles crossfaders. The SA-3 has two

different circuits which need to be switched when changing

between the faders. To switch the crossfader circuit, follow the

instructions below:

1. Follow steps 1 & 2 from the fader cleaning instructions.

2. Remove the fader assembly and discon-

nect the cable coming from the mixer.

3. The crossfader select switch is located

inside the mixer, on the left side of the

fader slot. In order to use the CFSA-3, FF1

and Penny & Giles faders, make sure the

switch is pressed DOWN. To use the CFF2,

make sure the switch is in the UP position.

TOP PANEL

1. Micr ph ne level - Controls the attenuation level of the

microphone input. Use the microphone level adjustment to find

the right gain for your microphone, then use the microphone

mute button (3) to mute the input when not in use.

2. Micr ph ne Mute LED - Indicates when microphone mute

button (3) has been engaged.

3. Micr ph ne Mute - Mutes the microphone input.

REMOVING FACEPLATE

CLEANING FADERS

4. Input Gains - Controls the input sensitivity level for each

channel. Use the input gain in conjunction with the LED meters

(19) to properly set the levels of your input.

5. Input Equalizers - Individual controls for high frequency,

mid-range, and low frequency equalization with 9db of boost and

25dB of kill. Note: Any changes made to EQ settings will change

the overall o tp t level of that inp t.

6. Input Pan - Controls left / right output balance of each chan-

nel.

7. Cue Level - Controls the output level of the headphone amp.

8. Master / Cue Switch - Selects signal to be sent to head-

phone output. In “CUE” position, the cue pan fader (9) is used

to select which input channel is to be monitored. In “MASTER”

position the master output is sent directly to the headphones.

9. Cue pan fader - Fades the headphone output from input 1 to

input 2 when Master / Cue switch is in “Cue” mode.

10. Master Level - Controls the overall output level of the mas-

ter output.

11. Master Mute Indicat r - LED indicates when Master Mute

switch (12) has been engaged.

12. Master Mute - Mutes the master output of the mixer. Use

the master mute in situations where you need to mute and

unmute the mixer with out having to re-adjust your Master Level

(10) control.

13. Reverse Indicat r - Bi-color (red & green) LED indicates

when faders direction has been reversed (green = normal, red =

reversed).

14. Reverse Butt n - Reverses the direction of the fade on the

corresponding fader.

15. Line fader Curve C ntr l - Selects taper of upfader curve

between a fast cut, medium curve, and long fade.

16. Input Select - Toggle switch selects the input source

between the phono and line inputs located on the back of your

mixer.

MIXER FUNCTIONS

CH2CH1

CUE PAN

CHANNEL 1 CHANNEL 2

REVERSE

HP MUTE

REVERSE

FADE FADE

CUT

MID

CUT

MID

1. Unplug the power

supply from the back

of the mixer. Verify

that the mixer is pow-

ered off.

2. Remove the 4

screws on the face-

plate. Place the 4

screws somewhere

safe where they will

not be lost.

3. Remove the 3 fader

knobs from the line

faders and crossfader.

4. The faceplate can

now be removed from

the top of the mixer.

1. Make sure the mixer

is powered off. Remove

the faceplate of the

mixer by following the

directions above.

2. Remove the fader from the mixer

by unscrewing the two outer screws

on the fader plate. Do not remove

the two inside screws on the fader

plate, this will remove the fader

from the fader plate.

3. Once fader has been removed

from mixer spray a small amount of

contact cleaner into the fader and

move the fader back and forth to

disperse the cleaner.

(BACKPANEL VIEW)

17. P wer Indicat r - Blue LED indicates when power has been

switched on.

18. Line Fader - The linefader controls the level of each chan-

nel to the master outputs.

19. Level Meter - LED meter indicates level of each channel.

The left LED meter is for channel 1. The right LED meter is for

channel 2. Use the Input Gain (4) to adjust the signal to 0dB

(yellow LED). The red LED on the meter indicates when the sig-

nal is close to clipping and distorting the output of the mixer.

20. Headph ne Mute - Mutes the headphone output. This fea-

ture is very useful for quick cueing during mixing and scratch-

ing.

21. Headph ne Mute Indicat r - Indicates when Headphone

Mute (20) has been engaged.

22. Cr ssfader Reverse Indicat r - Indicates when crossfader

reverse has been engaged.

23. Cr ssfader - The crossfader fades between channel 1 and

channel 2. The taper (curve) of the crossfader is determined by

the crossfader curve control (23). The direction of the curve is

determined by the crossfader reverse control (24).

MIXER FUNCTIONS FRONT PANEL

25. Cr ssfader Curve - Controls the taper (fade) shape of the

crossfader (23). The crossfader curve control continually adjusts

the curve from a sharp cut to a long fade.

26. Headph ne Outputs - 1/4” and 1/8” connector jacks for

headphones.

BACK PANEL

P wer - Power switch to turn the mixer “ON” or “OFF”

AC IN: This is the input connection for the included power

supply.

Master - Connects to an amplifier, EQ, crossover, or other

outboard signal processing. Connect balance connections

to the TRS 1/4” connectors. Connect un-balanced connec-

tions to the RCA connectors.

Line - Line inputs are used to connect line level sources

such as CD players, Mini Discs, DATs, samplers, ect.

Gr und - Connects to turntable ground cable to eliminate

electrical hum. Ground cables are usually supplied with

turntables.

Ph n - Connects to left and right RCA cables from

turntable.

Mic - 1/4” TRS connector for use with microphones.

25 26

FRONT PANEL

24. Cr ssfader Reverse - The crossfader reverse changes the

direction of the fade on the crossfader (23).

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