Shure KSM9 Manual de usuario

27B3192 (Rev. 1)

Printed in U.S.A.

KSM9

User Guide

Guide de l'Utilisateur

Bedienungsanleitung

Guía del Usuario

Guida dell'Utilizzatore

SHURE INCORPORATED

KSM9 HANDHELD CONDENSER MICROPHONE

Thank you for selecting the KSM9

Over 80 years of audio experience has contributed to making the KSM9

one of the finest microphones available.

If you have any questions not answered in this booklet, please contact Shure

Applications Engineering at 847-600-8440, Monday through Friday, from 8:00am to

4:30 pm, CST. In Europe, call 49-7131-72140. Our web address is www.shure.com.

™

KSM9

GENERAL DESCRIPTION

The Shure KSM9 is a dual-pattern (cardioid and supercardioid) handheld

condenser microphone. Designed expressly for live vocal performance

applications, the KSM9 removes the boundary between the studio and stage,

offering the finest and clearest performance on modern high-end touring

systems. The large dual diaphragm provides consistent polar response across

the entire frequency range, for higher gain-before-feedback and minimal

proximity effect for clear vocal reproduction.

FEATURES

• Dual 3/4” gold layered, low mass Mylar®diaphragms provide superior

frequency response.

• Dual polar patterns (cardioid and supercardioid) for maximum flexibility in a

wide variety of performance applications.

• Class A, discrete, transformerless preamplifier provides transparent,

extremely fast transient response with no crossover distortion and minimal

harmonic and intermodulation distortion.

• Advanced suspension shock mount system that isolates cartridge from

handling and stand noise.

• Premium electronic components, including gold-plated internal and external

connectors.

• Three-stage grille reduces “pop” and breath noise.

PERFORMANCE CHARACTERISTICS

• Smooth, pronounced high-end response

• Upper mid-range sounds accurate and articulate without sounding harsh

• Reduced proximity effect

• Focused low-end response

KSM9

MODEL VARIATIONS

APPLICATION AND PLACEMENT

The KSM9 provides superior sound in any application that demands reference

quality audio. The KSM9 is the ideal microphone for touring musicians,

regardless of venue.

The frequency response of the two patterns on the KSM9 sound nearly

identical, making it possible to choose a pattern most suitable for a given

application. The cardioid pick-up pattern provides excellent sound isolation

and gain before feed-back with minimal off-axis coloration. The narrower

supercardioid pick-up pattern provides maximum sound isolation and is ideal

for applications in which there are high levels of ambient noise, or where

multiple instruments or vocalists are close to each other.

General Rules for Microphone Use

1. Mute all microphone channels prior to plugging or unplugging XLR

cables, switching polar patterns, applying pads, high pass filters or

applying phantom power.

2. Aim the microphone toward the desired sound source and away from

unwanted sources.

3. Place the microphone as close as is practical to the desired sound

source.

4. Keep the distance between microphones at least three times the distance

from each source to its microphone.

5. Place microphones as far as possible from reflective surfaces.

6. Use the fewest number of microphones as is practical.

7. If necessary, add a windscreen when using the microphone outdoors.

8. Do not cover any part of the grille with your hand.

Wired Models Description

KSM9/SL Dual-Pattern (Cardioid/Supercardioid)

Handheld Vocal Microphone, Champagne

KSM9/CG Dual-Pattern (Cardioid/Supercardioid)

Handheld Vocal Microphone, Charcoal

Gray

USING THE KSM9

Proximity Effect

In general, unidirectional microphones progressively boost bass frequencies

up to 10 to 15 dB (at 100 Hz) as the microphone approaches 6 mm (1/4 in.)

from the sound source. This phenomenon, known as proximity effect, delivers

a warmer, more powerful sound. Unfortunately, it usually requires the vocalist

to maintain a consistent distance from the microphone in order to avoid

changing the low frequency response.

The dual-diaphragm design of the KSM9, however, provides vocalists with

more consistent low-end response when adjusting microphone distance

during performances. And the gradual, low-frequency roll-off of the KSM9

minimizes the distorted or “boomy” sound that typically results from very close

proximity.

Wind Noise

The KSM9 has an integral wind and pop filter which provides excellent

protection against most wind and breath noise. An optional foam windscreen

is available for use in conditions such as high winds or close proximity to a

“problem” vocalist.

TWO POSITION SWITCH

FIGURE 1

Cardioid. Is most sensitive to sounds directly in front of the microphone

and is least sensitive to those in back. Cardioid is the most commonly used

pattern in live sound applications. Its slightly wider pick-up pattern is more for-

giving at picking up off-axis sound. See Figure 3.

Supercardioid. The narrower pattern provides greater rejection of off-

axis sound and maximum gain before feedback. The supercardioid pattern is

ideal for use in loud environments or applications in which sound sources are

very close to each other. See Figure 5.

Phantom Power

The KSM9 requires phantom power and performs optimally with a 48 Vdc sup-

ply (IEC-268-15/DIN 45 596). However, it will operate with slightly decreased

headroom and sensitivity with power supplies as low as 11 Vdc.

Impedance

A minimum load impedance of 800 ohms should be used for maximum signal

handling and minimum distortion. The impedance may be as low as 150 ohms,

but a reduction in output level and output clipping level will result.

SPECIFICATIONS

*100 Hz to 20 kHz;THD < 1%.

**S/N ratio is difference between 94 dB SPL and equivalent SPL of self-noise A-weighted.

Cartridge Type Condenser (Electret Biased)

Frequency Response 50 to 20,000 Hz

(See Figures 2, 4)

Output Impedance 150 Ω(actual)

Phantom Power

48 Vdc ± 4 Vdc (IEC-268-15/DIN 45 596), positive pins

2 and 3

Current Drain 5.2 mA typical at 48 Vdc

Common Mode Rejection >60 dB, 50 Hz to 20 kHz

Polarity Positive pressure on front diaphragm produces

positive voltage on output pin 2 relative to pin 3

Directional Polar Patterns Cardioid

(See Figure 3) Supercardioid

(See Figure 5)

Sensitivity

(typical; at 1000 Hz;

1 Pa = 94 dB SPL) -51 dBV/Pa

Self-noise

(typical, equivalent SPL;

A-weighted, IEC 651) 22 dB

Maximum SPL @ 1000 Hz

2500 Ω load

1000 Ωload 152 dB

152 dB

Output Clipping Level*

2500 Ωload

1000 Ωload 6.7 dBV

6.0 dBV

Dynamic Range

2500 Ω load

1000 Ωload 130 dB

130 dB

Signal to Noise ratio** 72 dB

Dimensions and Weight

49 mm (1 15/16 in.) maximum body diameter, 191 mm

(7.5 in.) long; 300 grams (10.6 oz). See Figure 6.

CARDIOID RESPONSE GRAPHS

FIGURE 2. TYPICAL CARDIOID FREQUENCY RESPONSE

FIGURE 3. TYPICAL CARDIOID POLAR PATTERN

SUPERCARDIOID RESPONSE GRAPHS

FIGURE 4. TYPICAL SUPERCARDIOID FREQUENCY RESPONSE

FIGURE 5. TYPICAL SUPERCARDIOID POLAR PATTERN

150°

120°

150°

120°

180°

30°

60°

90°

30°

60°

90°

–10 dB

–20 dB

–15 dB

–5 dB

150°

120°

150°

120°

180°

30°

60°

90°

30°

60°

90°

–10 dB

–20 dB

–15 dB

–5 dB

500 Hz

1000 Hz

250 Hz

6400 Hz

10000 Hz

2500 Hz

150°

120°

150°

120°

180°

30°

60°

90°

30°

60°

90°

–10 dB

–20 dB

–15 dB

–5 dB

150°

120°

150°

120°

180°

30°

60°

90°

30°

60°

90°

–10 dB

–20 dB

–15 dB

–5 dB

500 Hz

1000 Hz

250 Hz

6400 Hz

10000 Hz

2500 Hz

150°

120°

150°

120°

180°

30°

60°

90°

30°

60°

90°

–10 dB

–20 dB

–15 dB

–5 dB

150°

120°

150°

120°

180°

30°

60°

90°

30°

60°

90°

–10 dB

–20 dB

–15 dB

–5 dB

500 Hz

1000 Hz

250 Hz

6400 Hz

10000 Hz

2500 Hz

DIMENSIONS

FIGURE 6

CERTIFICATION

Eligible to bear CE Marking; Conforms to European EMC directive 89/336/

EEC. Meets applicable tests and performance criteria found in European Pro-

fessional Audio Products EMC Standard EN 55103 (1996); Part 1 (emissions)

and part 2 (immunity). The KSM9 is intended for use in environments E1 (res-

idential) and E2 (Light Industrial) as defined in European standard EN 55103.

EMC conformance is based on the use of shielded interconnecting cable.

FURNISHED ACCESSORIES

Aluminum Carrying Case for KSM9 . . . . . . . . . . . . . . . . . . . . . . . . . . . .A9SC

Stand Adapter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A25E

OPTIONAL ACCESSORIES

Foam Windscreen. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A85WS

REPLACEMENT PARTS

KSM9 Grille, Champagne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RPM260

KSM9 Grille, Charcoal. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RPM262

Cartridge for KSM9 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RPM160

KSM9 Switch Circuit Board Assembly . . . . . . . . . . . . . . . . . . . . . . . RPM462

KSM9 Preamp Circuit Board Assembly . . . . . . . . . . . . . . . . . . . . . . RPM460

SERVICE

For additional microphone service or parts information, please contact the

Shure Service Department at 1-800-516-2525. Outside the United States,

please contact your Authorized Shure Service Center.

KSM9

7.5 in.

191 mm

1.918 in.

49 mm

N 108

SHURE Incorporated http://www.shure.com

United States, Canada, Latin America, Caribbean:

5800 W. Touhy Avenue, Niles, IL 60714-4608, U.S.A.

Phone: 847-600-2000 U.S. Fax: 847-600-1212 Intl Fax: 847-600-6446

Europe, Middle East, Africa:

Shure Europe GmbH, Phone: 49-7131-72140 Fax: 49-7131-721414

Asia, Pacific:

Shure Asia Limited, Phone: 852-2893-4290 Fax: 852-2893-4055

Otros manuales para KSM9

Este manual sirve para los siguientes modelos

Tabla de contenidos

Otros manuales de Micrófono de Shure

Shure

Shure SV100 Manual de usuario

Shure

Shure 550T Manual de usuario

Shure

Shure BG 4.1 Manual de usuario

Shure

Shure SM7d1B Manual de usuario

Shure

Shure C Series Manual de usuario

Shure

Shure Advance MXA310 Manual de usuario

Shure

Shure 4078 Manual de usuario

Shure

Shure VP83 Manual de usuario

Shure

Shure PGA 98H Manual de usuario

Shure

Shure LEGENDARY PERFORMANCE MV88 Manual de usuario

Shure

Shure BETA 87A Manual de usuario

Shure

Shure ShurePlus MOTIV MV88 Manual de usuario

Shure

Shure Drum Bundle PGADRUMKIT4 Manual de usuario

Shure

Shure ROSWELLITE KSM313 Manual de usuario

Shure

Shure KSM42 Manual de usuario

Shure

Shure MX183BP Manual de usuario

Shure

Shure Conference Phone Manual de usuario

Shure

Shure BETA 98/S Manual de usuario

Shure

Shure Microflex MX400 Series Manual de usuario

Shure

Shure 206 Manual de usuario

Shure

Shure 14A Manual de usuario

Shure

Shure Beta 53 Manual de usuario

Shure

Shure Beta 58 Manual de usuario

Shure

Shure Microflex MX400D Series Manual de usuario

Manuales populares de Micrófono de otras marcas

IK Multimedia

IK Multimedia iRig Stream MIC PRO Manual de usuario

DAPAudio

DAPAudio RM-101 Manual de usuario

AKG

AKG CHM 21 Manual de usuario

Sennheiser

Sennheiser evolution wireless series EM 100 Manual de usuario

Sony

Sony C-48 Manual de usuario

GIGAMEDIA

GIGAMEDIA GGM PAMICUHFG Manual de usuario

auna PRO

auna PRO MIC-900 Manual de usuario

AKG

AKG D 3800 Manual de usuario

MAIIN SOUND

MAIIN SOUND IIN style Manual de usuario

Earthworks

Earthworks TC25 Manual de usuario

Sennheiser

Sennheiser evolution D1 Manual de usuario

Alesis

Alesis MicLink Wireless Manual de usuario

DSPPA

DSPPA D6234 Manual de usuario

Monacor

Monacor IMG STAGELINE ECM-300B Manual de usuario

Ansr Audio

Ansr Audio Scan16 Manual de usuario

JLab

JLab GO TALK Manual de usuario

Renkforce

Renkforce TY-109 Manual de usuario

Trust

Trust 31008 Manual de usuario