Peavey TL-FIVE Manual de usuario

Otros manuales para TL-FIVE

3

Otros manuales de Instrumento musical de Peavey

Peavey

Peavey Cirrus Manual de usuario

Peavey

Peavey ATS Ecoustic Manual de usuario

Peavey

Peavey Series 1 Manual de usuario

Peavey

Peavey Adrain Vandenburg Manual de usuario

Peavey

Peavey Nitro I Custom Manual de usuario

Peavey

Peavey Tracer Custom 89 Manual de usuario

Peavey

Peavey Fury Manual de usuario

Peavey

Peavey Nitro II Manual de usuario

Peavey

Peavey Limited Series Manual de usuario

Peavey

Peavey Tracer Deluxe '89 Manual de usuario

Peavey

Peavey Tracer Deluxe Manual de usuario

Peavey

Peavey T-20 Manual de usuario

Peavey

Peavey 141211105 Manual de usuario

Peavey

Peavey Impact Firenza AX Manual de usuario

Peavey

Peavey T-26 Manual de usuario

Peavey

Peavey Tube Fex None Manual de usuario

Peavey

Peavey B-Ninety Active Manual de usuario

Peavey

Peavey T-30 Manual de usuario

Peavey

Peavey Forum Plus Manual de usuario

Peavey

Peavey Forum AX Manual de usuario

Peavey

Peavey Odyssey 25th Anniversary Manual de usuario

Peavey

Peavey II Manual de usuario

Peavey

Peavey Electronics Manual de usuario

Peavey

Peavey Palaedium Manual de usuario

Manuales populares de Instrumento musical de otras marcas

Kawai

Kawai CN17 Manual de usuario

Yamaha

Yamaha PCY130 Manual de usuario

Korg

Korg SP-170S Manual de usuario

Roland

Roland ep-97 Manual de usuario

Roland

Roland LX-15 Manual de usuario

Johannus

Johannus Rembrandt 200 Manual de usuario

Yamaha

Yamaha Clavinova CVP-709 Manual de usuario

Yamaha

Yamaha YC-20 Manual de usuario

Yamaha

Yamaha Clavinova CVP-609 Manual de usuario

Casio

Casio celviano ap-700 Manual de usuario

Yamaha

Yamaha PSR-E473 Manual de usuario

Modulus

Modulus Quantum Series Manual de usuario

Gear4music

Gear4music SDP-4 Manual de usuario

HOMCOM

HOMCOM 390-006 Manual de usuario

Xotic Guitars

Xotic Guitars ProVintage Series Manual de usuario

Sadowsky

Sadowsky MetroLine Series Manual de usuario

Bosendorfer

Bosendorfer CEUS Manual de usuario

Gewa

Gewa UP 260 G Manual de usuario

J

TL-Five

FEATURES:

34'

scale:

24

frets

Unity'”

Neck

Thru

Body

Construction

Eastern

Flame

Maple

Body

and

Neck

Ebony

fingerboard

with

12"

radius

2-Super

Ferrite

(Hum-Cancelling)

Pickups

On-board

active

3-band

EQ

(9-volt

powered)

Low

impedance

output

Schaller

5-string

bridge

All

gold

finished

hardware

1.9"

neck

width

Premium

die-cast

machine

heads

Schaller

Security

locks

Genuine

Molher

of

Pearl

Oval

Inlays

Separate

Battery

Compartment

The

TL-Fivepreamp

is

designed

to

offer

the

bass

player

maximum

flexibility

and

tonal

variation,

its

discrete

circuitry

and

full

shielding

offers

wide

dynamic

range

and

ultra-low

noise

operation

(-70

cB).

OPERATING

GUIDE

CONTROL

OPERATION

1

.

Bypass

Switch.

The

Bypass

Switch

is

a

two-position

mini-toggle

located

on

the

face

of

the

instrument.

Its

purpose

is

to

allowthe

player

to

convienently

switch

to

the

passive

mode

in

the

event

of

battery

mal¬

function

or

failure.

The

up

position

of

the

switch

is

passive

and

bypasses

the

internal

preamp.

This

allows

normal

(passive)

operation

of

the

TL-Five.

In

the

passive

mode,

the

Volume

and

Blend

controls

are

operational

and

the

High

Control

is

converted

to

a

standard

high

rolloff

tone

control.

NOTE:

If

the

Bypass

Switch

is

operated

when

signal

is

present,

an

audible

“pop"

may

occur.

This

is

due

to

the

rapid

change

in

signal

level

sent

to

the

input

of

the

bass

guitar

amplifier

The

down

position

is

active

and

engages

the

TL-Five

preamp

with

its

active

tone

controls.

2.

Blend

Control.

The

Blend

Control

is

offered

for

a

wider

variety

of

sounds

than

available

from

con¬

ventional

pickup

selector

switches.

I*

may

be

variec

from

the

neck

pickup

(full

clockwise

-

CW)

to

the

center

detent

(both

pickups)

to

the

bridge

pickup

(full

counterclockwise

-

CCW)

or

any

biend

in

between

Due

to

the

nature

of

this

control,

neither

pickup

is

turned

fully

off.

3.

Volume

Control.

Thiscontrol

isconvenlional

with

full

output

in

the

CW

position

and

no

output

in

the

CCW

position.

4.

High

Control.

The

High

Control

is

centered

at

2.5

kHz

and

has

*12

dB

boost

(CW)

and

-12

dB

cut

(CCW)

5.

Mid

Control.

A

Mid

Control

has

been

included

and

is

of

the

peak/notch

variety.

This

control

operates

from

100

Hz

to

2

kHz

with

notch

centers

at

300

Hz

(CCW)

and

1.5

kHz

(CW).

Some

interaction

with

the

Lowand

High

controls

will

be

noticed

at

either

extreme

of

the

Mid

Control’s

operation.

6.

Low

Control.

The

Low

Control

is

centered

at

50

Hz

and

offers

+8

dB

boost

(CW)

and

-8

dB

cut

(CCW).

1

2

3

4

5

6

CAUTION:

TO

PREVENT

ELECTRICAL

SHOCK

OP

FIRE

HAZARO,

DO

NOT

EXPOSE

THIS

APPLIANCE

TO

PAIN

OR

MOISTURE.

BEFORE

USING

THIS

APPLIANCE.

READ

BACK

COVER

FOR

FURTHER

WARNINGS.

7.

Preamp

Inpul

Control

This

is

a

screwdriver

adjusted

control

and

is

accessible

through

a

small

hole

in

the

control

cover

plate

on

the

back

of

the

TL-Five.

This

control

sets

the

amount

of

signal

gain

available

and

should

be

adjusted

so

the

TL-Five

will

not

overdrive

or

distort

the

input

of

your

bass

guitar

amplifier.

Clockwise

adjustments

increase

the

outputs

and

counterclockwise

adjustments

decrease

the

output.

Those

who

have

a

heavy

picking

style

or

who

play

heavy

••pop"

bass

may

needto

usethe

Low

Gain

or

42

Input

on

their

bass

amplifier.

8.

Battery.

The

TL-Five

preamplifier

is

powered

by

a

9

volt

transistor

radio

battery

(not

included)

which

has

accessible

separate

battery

compartment.

NOTE;

Peavey

heavy

duty

or

alkaline

batteries

are

recom¬

mended

for

reliability

and

longest

battery

life.

Low

battery

voltage

will

be

indicated

by

fuzzy

or

distorted

sound,

especially

with

higher

tone

and

volume

settings.

It

is

recommended

the

battery

be

changed

every

80

to

100

hrs.

of

use,

or

every

6

months,

to

help

ensure

a

battery

doesn't

leak

and

damage

the

instrument.

NOTE:

Peavey

Electronics

assumes

no

responsibility

for

damage

resulting

from

a

leaking

or

defective

battery.

Power

is

supplied

to

the

preamp

when

a

standard

(mono)

guitar

cable

is

plugged

into

the

instrument,

a

stereo

cable

will

not

work.

It

is

recommended

that

the

cable

first

be

plugged

into

the

TL-Five

then

into

the

bass

amplifier

input.

To

ensure

longest

battery

life,

be

sure

to

unplug

the

cable

from

the

TL-Five

when

not

in

use.

Adjustments:

Your

instrument

has

been

carefully

adjusted

for

accu¬

rate

intonation

and

playing

ease

at

the

Peavey

factory.

However,

your

playing

style

or

playing

requirements

may

necessitate

additional

adjustments

at

some

time

in

the

future.

These

adjustments

should

be

made

by

your

Peavey

dealer.

However,

with

a

little

careand

by

adhering

Closely

to

the

following

instructions,

you

may

attempt

these

adjustments

yourself.

CAUTION:

PLEASE

READ

AND

UNDERSTAND

THE

INSTRUC¬

TIONS

THOROUGHLY

BEFORE

ATTEMPTING

ANY

ADJUSTMENTS!

Adjusting

Torsion

Rod:

To

set

the

"straightness

-

’

or

"relief"

ol

the

neck,

a

Peavey

torsion

rod

wrench

No.

75031001

must

be

used

{available

from

a

Peavey

Accessory

Center).

1.

T

une

the

instrument

to

standard

(A-440)

pitch

2.

Check

tor

clearance

between

the

strings

(1

through

4)

and

the

first

fret.

IMPORTANT:

Use

an

accurate

ruler

or

similar

gauge

for

this

measurement.

3.

This

clearance

should

be

no

less

than

1/32*'

and

no

more

than

1

/

16

"

at

the

first

fret.

4

Check

for

clearance

between

the

strings

and

the

twelfth

fret.

5.

This

clearance

should

be

no

less

than

1/16"

and

no

more

than

1/4”

at

the

twelfth

fret.

6.

To

increase

clearance,

loosen

(counterclockwise)

torsion

rod

nut.

To

decrease

clearance,

tighten

(clockwise)

the

torsion

rod

nut.

(The

torsion

rod

nut

is

located

underneath

the

plastic

cover

plate

on

the

head

stock.)

CAUTION:

IT

IS

NOT

USUALLY

NECESSARY

TO

ROTATE

THE

TORSION

ROD

NUT

MORE

THAN

ONE

FULL

TURN

IN

EITHER

DIRECTION.

ONE-QUARTER

TO

ONE-

HALF

TURN

IS

NORMALLY

SUFFICIENT

TO

MAKE

MOST

ADJUSTMENTS.

EXCESSIVE

ROTATION

MAY

CAUSEDAMAGETOTHENECKANDTORSION

ROD

IF

EXCESSIVE

FORCE

IS

NECESSARY

TO

ROTATE

THE

TORSION

ROD

NUT,

YOU

SHOULD

CONSULT

YOUR

PEAVEY

DEALER

OR

THE

PEAVEY

FACTORY

BEFORE

ANY

FURTHER

ADJUSTMENT

IS

MADE.

7.

Repeat

steps

1

through

6

until

proper

clearance

has

been

reached.

NOTE:

STRING

HEIGHT

SHOULD

BE

ADJUSTED

TO

FIT

YOUR

OWN

PARTICULAR

PLAYING

STYLE.

IT

SHOULD

BE

NOTED

THAT

SETTING

THE

STRING

HEIGHT

TOO

LOW

WILL

RESULT

IN

EXCESSIVE

STRING

BUZZ

AND

RATTLE,

ESPECIALLY

WITH

A

“HEAVY"

PLAYINGTECHNIQUE

EXCESSIVELY

HIGH

ACTION

WILL

RESULT

IN

INTONATION

PROBLEMS

AND

DECREASED

PLAYABILITY.

String

Spacing

Adjustment:

The

fully-articulated

Schaller

bridge

allows

for

max¬

imum

flexibility

when

adjusting

spacing

between

strings.

To

adjust,

loosen

string,

then

rotate

saddle

roller

to

desired

position

Retune

string

Strings:

String

life

may

be

greatly

extended

by

frequent

cleaning

and

wiping

after

use

Dirt

and

perspiration

tend

to

build

up

on

the

underside

of

the

strings,

so

it

is

often

necessary

to

slide

a

rag

between

the

strings

and

the

fingerboard.

Dirt-laden

strings

cause

tuning

and

into¬

nation

problems

as

well

as

rust

and

corrosion

For

best

performance,

strings

should

be

changed

approximately

once

a

month,

or

every

twenty-four

hours

of

playing.

Some

players

may

find

that

they

prefer

to

change

strings

more

often.

NOTE:

YOUR

INSTRUMENT

IS

EQUIPPED

WITH

HIGH

QUALITY

PEAVEY

STRINGS.

THE

INTONATION

AND

ACTION

OF

YOUR

INSTRUMENT

HAS

BEEN

CAREFULLY

ADJUSTED

FOR

MAXIMUM

PLAY¬

ABILITY

WITH

THESE

STRINGS.

WHEN

STRING

REPLACEMENT

BECOMES

NECESSARY,

WE

Last

Fret

12th

Fret

1

TORSION

ROD

NUT

First

Fret

—

x

-V

1

STRONGLY

RECOMMEND

OUR

FIELD-PROVEN

HIGH

QUALITY

AND

LONG

LASTING

PEAVEY

STRINGS.

Case:

A

durable,

molded

case

provides

maximum

protection

and

road

durability.

The

case

features

large

storage

areas

at

latcniock

to

facilitate

locking

forair

shipment.

The

case

may

be

cleaned

with

a

damp

cloth

with

or

without

soap.

Care

should

be

taken

to

avoid

wetting

the

plush-lined

interior

Finish:

Your

instrument

has

a

polyester/urethane

finish

which

is

both

durable

and

weather

resistant,

but

nevertheless

needs

care.

Automotive

grade

waxes

will

protect,

clean,

and

shine

it.

Between

waxings,

the

instrument

should

be

wiped

with

a

dry.

soft

cloth.

Saddle

Height

Adjustment:

The

five

i

ndi

vid

ua

I

bridge

saddles

work

to

determ

i

ne

the

overall

string

height,

individual

string

saddles

can

be

adjusted

to

“follow"

the

curvature

(12"

radius)

of

the

neck

to

maximize

string/fret

distance.

Use

supplied

Alien

wrench

to

make

the

adjustment

for

each

string.

NOTE:

This

adjustment

requires

accurate

gauges

to

measure

proper

string/fret

distances

and

the

proper

radius

{curvature)

between

the

neck

and

strings.

If

you

are

unfamiliar

with

this

type

of

adjustment,

we

recommend

that

this

sotting

be

performed

by

qualified

personnel

at

your

authorized

Peavey

dealer

String

Intonation:

Accurate

string

intonation

settings

ensure

that

your

instrument

will

play

in

tune

at

any

point

on

the

neck.

Although

“perfect

intonation”

is

a

physical

impossibility

with

a

fretted

instrument,

the

correct

settings

with

the

bridge

and

saddle

combination

of

the

instrument

will

maximize

the

accuracy

of

individual

notes

up

and

down

the

neck

Intonation

is

set

by

comparing

the

pitch

of

an

open

string

to

the

pitch

of

the

samestring

when

it

isplayed

one

octave

higher

at

the

twelfth

fret.

The

actual

“vibrating

length”

of

that

string

is

varied

until

the

notes

are

both

at

the

right

pitch.

The

"vibrating

length'

of

the

string

is

altered

by

adjusting

the

individual

bridge

saddles

either

forward

or

backward

depending

on

whether

the

frettec

note

is

sharper

or

flatter

in

pitch

than

the

open

note

If

the

fretted

note

is

sharper

than

the

open

note,

the

vibrating

length

of

the

string

must

be

increased;

move

the

bridge

saddle

to

the

rear,

away

from

the

pickup

If

the

fretted

note

is

flat,

the

vibrating

length

must

be

shortened,

move

the

bridge

forward,

toward

the

pickup

to

shorten

the

length.

The

instrument

features

four

individual

bridge

saddles

to

allow

accurate

intonation/compensation

on

each

string.

NOTE

IT

IS

OFTEN

DIFFICULT

FOR

THE

UNTRAINED

EAR

TO

DETERMINE

WHEN

THE

OPEN

NOTE

AND

THE

FRETTED

NOTE

ARE

AT

PRECISELY

THE

SAME

PITCH

(EXACTLY

ONE

OCTAVE

APART).

SOME

PLAYERS

FIND

THAT

COMPARING

THE

TWELFTH

FRET

HARMONIC

OF

THE

STRING

(RATHER

THAN

THE

OPEN

NOTE)

TO

THE

FRETTED

NOTE

IS

MUCH

EASIER.

A

HARMONIC

IS

PLAYED

BY

PLUCKING

THE

STRING

WITH

THE

RIGHT

HAND

WHILE

TOUCHING

THE

STRING

WITH

THE

LEFT

INDEX

FINGER

(AS

LIGHTLY

AS

POSSIBLE)

DIRECTLY

ABOVE

THE

TWELFTH

FRET.

THE

LEFT

INDEX

FINGER

IS

DRAWN

AWAY

AS

QUICKLY

AS

POS¬

SIBLE

AFTER

THE

STRING

IS

PLUCKED,

PRO

DUCING

A

"CHIME’

EFFECT

THIS

CHIMED

NOTE

IS

THEN

COMPARED

TO

THE

FRETTED

NOTE.

FOR

EVEN

GREATER

EASE

AND

A

HIGH

DEGREE

OF

ACCURACY.

WE

RECOMMEND

ONE

OF

THE

MANY

TYPES

OF

ELECTRONIC

GUITAR

TUNERS

THAT

ARE

AVAILABLE

FROM

MOST

MUSIC

STORES.

THE

TUNERS

WHICH

USE

EITHER

A

METER

OR

A

MOVING

LED

DISPLAY

ARE

USUALLY

EASIER

TO

USE

THAN

THE

TYPE

WITH

A

NUMERICAL

FRE¬

QUENCY

READOUT.

Setting

Intonation:

NOTE:

ALL

GUITAR

ADJUSTMENTS

INTERACT

CLOSELY

WITH

STRING

INTONATION.

THESE

ADJUST¬

MENTS

MUST

BE

COMPLETED

BEFORE

ANY

ATTEMPT

IS

MADE

TO

SET

STRING

INTONATION

AT

THE

BRIDGE.

t.

Ensure

that

the

torsion

rod

and

bridge

height

adjust¬

ments

have

been

mace

and

are

accurate.

2.

Tune

the

instrument

to

standard

(A-440)

pitch.

3.

Hold

the

instrument

in

a

normal

playing

position.

Do

not

exert

any

undue

pressure

cn

the

neck

as

it

will

affect

intonation

settings.

4.

Piaythe

first

string

open

(G)

and

compare

it

to

the

pitch

of

the

same

string

when

it

is

played

at

the

twelfth

fret.

These

notes

should

be

the

same.

5.

Using

a

flat

head

screwdriver,

adjust

the

length

of

the

first

string

saddle

so

that

the

open

note

and

the

fretted

note

(or

harmonic)

are

the

same.

NOTE

IT

WILL

OFTEN

BE

NECESSARY

TO

RETUNE

THE

OPEN

STRING

TO

STANDARD

PITCH

AFTER

THE

BRIDGE

SADDLE

POSITION

IS

ALTERED.

6.

Repeat

steps

4

and

5

for

the

2nd.

3rd,

4th

and

5th

strings.

7.

Repeat

steps

1

through

6

as

necessary

until

intonation

of

all

strings

is

accurately

adjusted.

Temperature

and

Humidity:

It

is

important

that

your

instrument

bo

protected

from

any

extremes

or

sudden

changes

in

either

temperature

or

humidity.

The

instrument

should

be

stored

in

its

case

whenever

it

is

not

in

use.

PEAVEY

GUITAR

ONE-YEAR

LIMITED

WARRANTY/REMEDY

PEAVEY

ELECTRONICS

CORPORATION

(“Peavey")

warrants

this

Guitar

:o

be

tree

from

defects

in

material

and

workmanship

for

a

period

of

one

year

•rom

date

of

purchase;

PROVIDED,

however,

that

this

limited

warranty

is

extendec

only

to

the

original

retail

purchaser

and

is

subject

to

tne

conditions,

exclusions

and

limitations

hereinafter

set

forth.

CONDITIONS,

EXCLUSIONS

AND

LIMITATIONS

OF

LIMITED

WARRANTY

This

limitod

warranty

shall

be

VOID

and

of

NO

EFFECT

if:

1.

The

first

purchase

of

tho

product

is

for

Ihe

purpose

of

resale;

or

2

The

original

retail

purchase

is

not

made

from

an

AUTHORIZED

PEAVEY

DEALER;

or

3.

The

product

has

been

damaged

by

accident

or

unreasonable

use.

neglect,

improper

service

or

maintenance,

or

other

causes

not

arising

out

ot

defects

n

material

or

workmanship.

This

Limitec

Warranty

shall

not

extend

to

or

cover

guilar

strings.

Replace¬

ment

of

guilar

strings

is

deemed

lobe

reesonableand

necessary

maintenance.

Purchaser's

exclusive

remedy

for

breech

of

this

limited

warranty

is

repair

of

tho

defect

or

replacement

of

tho

guitar,

at

the

option

cf

Peavoy.

Service

work

may

be

performed

by

any

Peavey

Authorized

Service

Center,

or

if

the

service

center

is

unable

to

provide

the

necessary

warranty

service,

you

svill

bedirected

to

Ihe

nea

rest

other

Peavey

Authorized

Service

Center

which

can

provide

such

service.

Or

.

you

may

return

the

guitar,

posiage

prepaid

and

insured,

along

with

a

description

ot

the

problem

proof

or

purchase,

and

a

complete

return

address

to.

PEAVEY

ELECTRONICS

CORPORATION

711

A

Stroot

Meridian.

MS

39302-2898

It

the

defect

is

remedial

under

this

limited

warranty,

and

the

other

terms

and

conditions

expressed

herein

have

been

complied

with,

Peavey

will

repair

or

replace

the

product

and

will

return

it

freight

collect,

to

the

purchaser.

Other

lhan

the

postage

and

insurance

requirement,

no

charge

will

be

madetor

such

repair

or

replacement.

The

liability

ot

Peavey

to

the

purchaser

for

any

cost

whatsoever,

and

regardless

of

the

form

ot

action,

whether

in

contract

or

in

ton,

including

negligence,

shall

be

limited

to

actual

damages

up

to

an

amount

equal

So

she

greater

cf

the

purchase

price

of

the

product

causing

the

damage

or

$500

00

UNDER

NO

CIRCUMSTANCES

WILL

PEAVEY

BE

LIABLE

FOR

ANY

LOST

PROFITS,

ANY

INCIDENTAL

DAMAGES

OR

ANY

CONSEQUENTIAL

DAMAGES

ARISING

OUT

OF

THE

USE

OF

OR

NABILITY

TO

USE

THE

GUITAR

EVEN

IF

PEAVEY

HAS

BEEN

ADVISED

OF

THE

POSSIBILITY

OF

SUCH

DAMAGES.

Theforegoing

limitation

oi

remedy

will

not

apply

to

Ihepaymentofcostand

damage

award3

for

personal

injury

or

damage

to

real

property

or

tangible

personal

proparly

caused

by

negligence

on

the

part

of

Peavey

THIS

LIMITED

WARRANTY

IS

IN

LIEU

OF

ANY

AND

ALL

WARRANTIES.

EXPRESSED

OR

IMPLIED,

INCLUDING.

BUT

NOT

LIMITED

TO.

IMPLIED

WARRANTIES

OF

MERCHANTABILITY

AND

FITNESS

FOR

A

PARTICULAR

USE.

PROVIDED,

HOWEVER.

THAT

IF

THE

OTHER

TERMS

AND

CON¬

DITIONS

NECESSARY

TO

THE

EXISTENCE

OF

THE

EXPRESS

LIMITED

WARRANTY.

AS

HEREINABOVE

STATED,

HAVE

BEEN

COMPLIED

WITH

IMPLIED

WARRANTIES

ARE

NOT

DISCLAIMED

DURING

THE

ONE-YEAR

PERIOD

FROM

DATE

OF

PURCHASE

OF

THIS

GUITAR.

SOME

STATES

DO

NOT

ALLOW

LIMITATION

ON

HOW

LONG

AN

IMPLIED

WARRANTY

LASTS,

OR

THE

EXCLUSION

OR

LIMITATION

OF

INCIDENTAL

OR

CONSEQUENTIAL

DAMAGES.

SO

THE

ABOVE

LIMITA¬

TIONS

OR

EXCLUSIONS

MAY

NOT

APPLY

TO

YOU.

THIS

WARRANTY

GIVES

YOU

SPECIFIC

LEGAL

RIGHTS,

AND

YOU

MAY

ALSO

HAVE

OTHER

RIGHTS

WHICH

MAY

VARY

FROM

STATE

TO

STATE.

THISLIMITED

WARRANTY

IS

THE

ONLY

EXPRESS

WARRANTY

ON

THIS

GUITAR.

AND

NO

OTHER

STATEMENT.

REPRESENTATION.

WARRANTY

OR

AGREEMENT

BY

ANY

PERSON

SHALL

BE

VALID

AS

TO

OR

BINDING

UPON

PEAVEY

THE

WARRANTY

REGISTRATION

CARD

AND

A

LEGIBLE

COPY

OF

THE

PROOF

OF

PURCHASE

SUPPLIED

TO

YOU

BY

THE

AUTHORIZED

PEAVEY

DEALER

IN

CONNECTION

WITH

YOUP

PURCHASE

FROM

HIM

OF

THIS

GUITAR

SHOULD

BE

ACCURATELY

COMPLETED.

MAILED

TO

AND

RECEIVED

BY

PEAVEY

WTHIN

FOURTEEN

14»

DAYS

FROM

THE

DATE

OF

YOUR

PURCHASE

Should

notification

become

necessary

lor

any

condition

that

would

recuire

correction,

the

-egistration

card

will

help

insure

that

you

are

contacted

and

properly

notified.

If

you

move

from

the

address

shown

on

the

WARRANTY

REGISTRATION

CARD,

you

should

notity

Peavey

of

the

change

oi

address

so

as

to

facilitate

your

receipt

of

any

bulleiins

or

otner

forms

of

notification

which

may

become

necessary

in

connection

with

enycondition

that

may

rccuirc

dissemination

of

information

or

correction.

Tho

WARRANTY

REGISTRATION

CARD

and

subsequent

noticesof

change

ol

address

should

be

mailed

to-

PEAVEY

ELECTRONICS

CORPORATION

P.O.

Bex

2893

Meridian,

MS

39302-2898

In

-.he

even;

any

modification

or

disclaimer

of

express

or

implied

warranties

or

ary

limitation

of

remedies,

contained

herein

conflicts

with

applicable

law.

Ther

such

modification,

disclaimer

or

limitation,

as

the

case

may

bo,

shall

bo

deemed

to

bo

modified

to

tne

extent

necessary

to

comply

with

such

law

The

limited

warranty

is

giver

by

Peavey

Electronics

Corporation

with

respect

to

equipment

purchased

in

Ihe

United

States

of

America.

DANGER

ALL

AMPLIFICATION

ACCESSORIES.

MICROPHONES,

MIXERS

ETC.,

MUST

BE

PROPERLY

GROUNDED

AND

SHOULD

BE

UTILIZED

WITH

A

3-WIHE

MAINSSYSTEM

IN

ORDER

TO

AVOID

ELECTRICAL

SHOCK.

DANGER

DO

NOT

COME

INTO

CONTACT

WITH

OTHER

ELECTRICAL

APPARATUS

WHEN

PLAYING

(OR

TOUCHING)

YOUR

INSTRUMENT.

THE

METAL

PARTS

OF

THIS

IN¬

STRUMENT

ARE

GROUNDED

ACCORDING

TO

PROPER

AN0

ACCEPTED

INDUSTRY

PRACTICE.

BUT

IT

IS

POSSIBLE

TO

ENCOUNTER

AN

ELECTRICAL

SHOCK

WHEN

COMING

INTO

CONTACT

WITH

ANOTHER

ELECTRICAL

APPARATUS

IF

IT

HAS

IMPROPER

GROUNDING

FACILITIES

WARNING

DO

NOT

USE

IMPROPER

OR

POORLY

DESIGNED

GUITAR

STRAPS

OR

OTHER

MEANS

OF

SUPPORT.

POSSIBLE

INJURY

COULD

RESULT

IF

IMPROPER.

INFERIOR.

ILL

FITTING

OR

WORN

OUT

STRAPS

ARE

USED.

THE

INSTRUMENT

COULD

POSSIBLY

FALL.

CAUSING

BODILY

INJURYOR

DAMAGE

TO

THE

INSTRUMENT

OR

ASSOCIATED

EQUIPMENT

IF

THE

HOLDING

DEVICES

FAIL

FOR

ANY

REASON.

DANGER

GUITAR

STRINGS

ARE

MADE

FROM

VERY

STRONG

STEEL

ALLOYS.

THEY

ARE

DESIGNED

TO

BE

USED

UNDER

TENSION

AND,

UNDER

CERTAIN

CONDITIONS,

THEY

MAY

BREAK

AND

SPRING

AWAY

FROM

THE

GUITAR.

DO

NOT

TUNE

OR

PLAY

THIS

INSTRUMENT

WITH

YOUR

FACE

IN

CLOSE

PROXIMITY

TO

THE

STRINGS.

AS

SERIOUS

INJURY

COULD

RESULT

IF

A

STRING

SHOULD

EREAK

WARNING

BASS

GUITAR

STRINCS

ARE

UNDER

CONSIDERABLE

TENSION

WHEN

THEY

ARE

TUNED

TO

CONCERT

(A-440)

PITCH.

EXERCISE

EXTREME

CARE

WHEN

TUNING

(ESPECIALLY

ABOVE

CONCERT

PITCH)

OR

WHEN

EMPLOYING

STRING

BENDING

OR

‘POPPING

PLAYING

TECHNIQUES.

THE

POSSIBILITY

CF

STRING

BREAKAGE

AND

PERSONAL

INJUHY

EXISTS

UNDER

THESE

CONDITIONS.

NOTE

THE

PATCH

CORD

BETWEEN

THE

GUITAR

AND

THE

AMPLIFIER

IS

AN

EXTREMELY

IMPORTANT

LINK

TOR

OPTIMUM

PERFORMANCE.

AHIGH

QUALITY

WELL

SHIELDED

CORD

SHOULD

RE

USED

IN

THIS

APPLICATION

Features

and

specifications

subject

to

change

without

notice.

Peavey

Electronics

Corporation

/

711

A

Street

/

Meridian,

MS

39302-2898

/

U.S.A.

/

(601)

483-5365

Telex

504115

/

Fax:

484-4278

©1988

Prinied

in

the

U.S.A.

*#80300932

11/88