DSE RK Series Manual de usuario
MANUAL CONFIGURATION
RK SERIES - IP CAMERAS H264
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Configuration Options
RK Series IP Cameras
Operative manual
for the installer and for the user
Using the graphical user interface of Internet Explorer.
MANUAL CONFIGURATION
RK SERIES - IP CAMERAS H264
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Introduction
The RK Series cameras boast a number of configurable operating options. E 'can customize these settings by cameras with Internet
Explorer.
In this manual are explained one by one all the configuration options.
MANUAL CONFIGURATION
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Login with IE browser
In the camera installation manual explains how to access the cameras with your PC using the Internet Explorer browser
If you have never done before access with the browser on your camera should resume the installation manual and follow the instructions
to connect successfully.
In this guide we start from the login window to enter the username and password for access.
The RK Series of cameras factory login details are:
USERNAME: admin PASSWORD:
admin
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It 'important to choose the Italian language to obtain the interface that is used in this manual It 'important to choose the Italian language to obtain the interface that is used in this manual It 'important to choose the Italian language to obtain the interface that is used in this manual
The access to the camera control mask.
Around the display window shows the buttons leading to the various configuration sections.
CAUTION - E 'can connect several clients simultaneously up to a maximum of 15 per camera client.
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in live viewing controls
At start of the browser page automatically opens LIVE Vision camera. If this does not happen you need to resume the installation manual
and check the correct installation of ActiveX components.
If you have opened other configuration windows, press the button LIVE IMAGE to return to live mode. If you have opened other configuration windows, press the button LIVE IMAGE to return to live mode. If you have opened other configuration windows, press the button LIVE IMAGE to return to live mode.
Pressing the button TAKE A PICTURE It saves on the PC the frame that you are seeing at the time. The image is automatically saved in Pressing the button TAKE A PICTURE It saves on the PC the frame that you are seeing at the time. The image is automatically saved in Pressing the button TAKE A PICTURE It saves on the PC the frame that you are seeing at the time. The image is automatically saved in
JPG format in the native resolution of the video stream.
When you press the RECORD button you start to save on the PC the movie you are watching in real time. The REC written in red
appears at the top right in the image to indicate the current recording. Press the button again to stop recording and save the file. The
movie is saved in AVI format in the native resolution of the video stream. Note that registration via Internet Explorer is intended for saving
short clips and not
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for continuous recording 24 hours 24 for which you must use an NVR.
By pressing this button you can define the save folder of images and video
If you encounter a malfunction of the capture check that you have not enabled the option ACTIVE MODE 'PROTECTED in the browser's
security settings
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CONFIGURATION
All the camera configuration pages are accessed via the web interface buttons.
Here in this chapter we will analyze one by one all the options that are located in these folders. The options are the same for all cameras
of the RK series, with slight variations according to the facilities and the individual model-specific functions.
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SETTINGS
In this section you will set all the parameters that regulate the camera video stream and determining their heaviness in terms of
bandwidth requirement available. It is a fundamental adjustment in the economy of a CCTV system over IP and is often mistakenly
overlooked with the result of burdening the client and obtain long latencies (delays between action and image).
The cameras fact are delivered with factory settings which require considerable bandwidth consumption in order to show the user the
highest quality video. However, it is not said that these settings are totally exploitable in the context in which it is located. The first factor
to consider is the network transfer capacity. The local networks typically support large transfer bandwidth and allow the use of streams in
full HD, as opposed to connect through the Internet requires the use of a lighter stream low resolution to avoid excessive loss of frames.
The second factor to consider is the device used as a client (PC, cell phone, etc.). More will be fast to its processing capacity, the more
elevated the band that will be able to develop without causing excessive latency (delay) of the reproduction.
The third factor is of course the number of cameras that the client should be able to play.
On a local network typically by adjusting the streaming to engage a maximum of 2000/3000 Kbps per camera you get one FullHD
streaming of good quality and can be connected to many cameras without introducing much latency.
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The parameters on the left relate to the overall operation of the camera
NAME ROOM - E 'can assign a distinctive name of the camera NAME ROOM - E 'can assign a distinctive name of the camera
STREAM TYPE - Each camera can generate up to three different types of video streams that you can choose from the client when making STREAM TYPE - Each camera can generate up to three different types of video streams that you can choose from the client when making STREAM TYPE - Each camera can generate up to three different types of video streams that you can choose from the client when making
the connection. This way you can easily adapt to the bandwidth that you have available. For example, if we have access to the camera
through a mobile connection with low bandwidth availability we will choose to receive a stream with low resolution and frame rate. In this
box you can choose to use one, two or three streams. This choice modifies the underlying field in an automatic way.
CODE - Depending on your previous choice here you will find the combinations of 1,2 or 3 resolutions to be assigned to 1,2,3 stream. CODE - Depending on your previous choice here you will find the combinations of 1,2 or 3 resolutions to be assigned to 1,2,3 stream.
These cameras only use dynamic compression H264, compressions older as MPG4 MJPEG and have been abandoned. As a rule, you
will choose the main stream in maximum FullHD resolution and stream 2 and possibly 3 at 352x288 resolution for use with low bandwidth
available
GUY - Here you set the resolution that will be used by the camera only in the live viewing window of the browser Internet Explorer. GUY - Here you set the resolution that will be used by the camera only in the live viewing window of the browser Internet Explorer.
H264 PROFILE - Allows you to choose the type of compression H264: High-Profile (recommended) or Main-Profile. H264 PROFILE - Allows you to choose the type of compression H264: High-Profile (recommended) or Main-Profile.
SETTINGS OSD - Here you can define your overlays to display the image. E 'can choose to show the time (defining the format) and / or SETTINGS OSD - Here you can define your overlays to display the image. E 'can choose to show the time (defining the format) and / or
the camera name (editable). The OSD POSITION box determines where the overlay. The function
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MIRROR activates the tilting of the image normally used in the second half behind the observer or when the camera is mounted upside
down for installation requirements.
STREAM 1,2,3 - in these folders are set further details about the camera's video stream, the number and resolution we have already seen STREAM 1,2,3 - in these folders are set further details about the camera's video stream, the number and resolution we have already seen
in the previous steps.
FRAME RATE - The number of frames per second that make up the video stream (max. 25/30 - min. 5). Consider that 25/30 f / sec FRAME RATE - The number of frames per second that make up the video stream (max. 25/30 - min. 5). Consider that 25/30 f / sec
corresponds to the so-called real-time ie the television standard in which the human eye does not perceive the individual frames but a
single uninterrupted sequence. Generally you can reduce this parameter up to 10/12 f / sec without perceiving large video fluidity
differences and thus saving a lot of bandwidth.
BITRATE CONTROL - This section gives the possibility to choose between two different bandwidth management mode occupied: BITRATE CONTROL - This section gives the possibility to choose between two different bandwidth management mode occupied: BITRATE CONTROL - This section gives the possibility to choose between two different bandwidth management mode occupied:
CONSTANT BIT RATE (CBR) and VARIABLE BIT RATE (VBR). In the CBR mode, the camera maintains a constant bit rate that can be
set in the box above. In the VBR mode instead of changing the bit rate camera in different operating conditions in order to maintain a
constant video quality.
BITRATE - It represents the maximum bandwidth that the camera deal with its video streaming. As a rule should not exceed the value of BITRATE - It represents the maximum bandwidth that the camera deal with its video streaming. As a rule should not exceed the value of
3000/4000 Kbps
The RANGE FRAME - E 'the interval between 2 consecutive Key-Frame in the H.264 compression and can be set from 1 to 10 seconds. The RANGE FRAME - E 'the interval between 2 consecutive Key-Frame in the H.264 compression and can be set from 1 to 10 seconds. The RANGE FRAME - E 'the interval between 2 consecutive Key-Frame in the H.264 compression and can be set from 1 to 10 seconds.
A shorter interval corresponds greater accuracy in the temporal position of the video but greater use of bandwidth. And 'it recommended
a very low value.
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