4 MONO CHANNELS SECTION
1 MIC
2) LINE
3) INS
4) PAD (-20dB)
5) GAIN
6) HIGH-MID-LOW
Neutrik electronically XLR connector
input socket. For connecting low level
signal sources, such as microphones or
other low impedance devices.
Balanced or unbalanced 1/4
(6.35mm)diameter stereo jack input
socket.For connection of high level sound
sources, such as keyboards, electric guitars,
electronic musical instruments or audio
playback units. Mono connectors can also
be used for automatic signal unbalancing.
Stereo jack connector ( 6.3mm) for
connecting the input and output of a
remote device -noisegate, compresor,
equalizers - in series with the channel. The
command is only avaitable in mono
channels.
When push this switch ,attenuates.the
input signal -20dB.
Adjusts pre-amplifiction of signals from
the MIC (1)and LINE (2) inputs, ensuring
optimal performance of channel circuits.
For well-balanced Gain adjustment,
position the volum fader (14) at
approximately 3/4 of the control travel,
then adjust Gain until the PEAKLED (10)
lights up only at signal peaks.
The sound tone controls are positioned
after the GAIN control (5); the boosting of
these controls can cause channel
overloading , in which case the PEAK
LED will illuminate (10); turn the GAIN
control knob (5) in an anticlockwise
direction until PEAK LED(10)goes out.
- controls the high range of signals
( 15dB). When the knob is centrally
positioned (zero point), sound tone
remains unchanged. Turn the knob
anticlockwise to gradually reduce high
frequencies (vocals with less hiss,
reduction of background noise, cymbals
less cutting,etc.); Turn the knob clockwise
to boost high frequencies (sounds are
highlighted, vocals are more intelligible,
signal harmonics are emphasised).
- :controls the mid-range of signals(
12dB). When the knob is centrally positioned
(zero point), sound tone remais unchanged.
Turn the knob anticlockwise to gradually
reduce mid frequencies (reduction of mid part
of sound, tones at extremes of high and low
ranges are emphasised, typical of dance music
When connecting a record rurnable , use
only an external R.I.A.A pre-amplifier.
HIGH:
MID
tones); tum the knob clockwise to boost mid
frepyencies (sound body is highlighted,
greater overall sound power and more nasal
tone).
- : controls the low range of signals (
15dB). When the knob is centrally positioned
(zero point), sound tone remains unchanted.
Turn the knob anticlockwise to Graduatly
reduce low frequencies (boom is neutralised,
excessively low sounds are removed); turn the
knob clockwise to boost low sounds are
removed); tum the knob clockwise to boost
low freuencies (more fullbodied sound,
highlighting of main signal frequencies,
prcussive sound more pronounced).
Use this control to the level of singal from
extemal soure and the main sigral control is
re-controled by MAS-TER or SUB section.
Use this control when you want to get effect
sound by adjustment of input signal, when
you don`t use extemal soure digital will be
working which in stallde inside.
Knob for adjusting signal stereo position, for
constant variation to the stereo image. Turn
the knob to the left (L) or right (R ) to vary the
proportion two signals; turn the knob to far
left or far right to eliminate the opposite
signal. To connect stereo soures, use two
mono channels; position one PAN to the left
(L), the other to the right (R).
Red LEDthat lights up when the signal level at
the tone control output is rear clipping
point.yillow LED is odb,green LED is -20dB.
Used for headphone monitoring of each
channel, regardless of the main mix. The
PFL(Pre-Fader Listen) function allows the
user to listen to the level before fader control;
subsequent adjustment of the fader control (14)
will not modify the level. The control is useful
during channel gain adjustment.
Push the switch, can use sub1-2fader.
13)MAIN L-R
If you want to use master L-R fader, push this
switch.
ALPS 60mm slide control, with dust guard
.The fader adjusts channel signal level to be
sent to the Master MAIN controls L- R (41)
.Set the slider to 0dB for maximum signal
level; slide downwards to lower and
eventuaily eliminate ( ) the signal. For best
results, set the slide control to 3/4 of travel
upwards, then adjust the GAIN control (5) to
desired level.
LOW
7) AUX1-AUX2
8) EFF1.EFF2
9) PAN
10) PEAK.OdB.-10dB
11) PFL
12) SUB1-2
14) FADER
3
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1
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5
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10
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14
