Convergent Design Odyssey 7Q Manual de usuario

Updated December 19, 2014 | Firmware Release v4.10.100
PROFESSIONAL MONITOR/RECORDER USER

Updated December 19, 2014 | Firmware Release v4.10.100
USER MANUAL // FIRMWARE V4.10.100
TABLE OF CONTENTS
INTRODUCTION // READ THIS FIRST! 2
PACKAGE CONTENTS 3
OVERVIEW 4
Odyssey7Q Features 4
Odyssey7Q Specicaons 5
RECORDING CAPABILITIES 6
Included Free with Odyssey7Q 6
Recording Opons (available through website) 7
RECORDING OPTION RENTALS 9
Rental Acvaon Keys 9
Parameters for Rentals 9
RECORD TIME CAPACITIES 10
Apple ProRes 422 (HQ) & Uncompressed DPX 10
ODYSSEY SSD MEDIA 11
2.5” Premium SSD Media 11
Odyssey Ulity Drive 11
ANATOMY 12
Mechanical Drawings 14
GETTING STARTED 15
Odyssey7Q Acvaon 15
Inializing 15
Powering Down 16
Seng Up & Using the Odyssey7Q 16
The Odyssey7Q Menu 16
Demo Mode 16
MENU SYSTEM 17
Odyssey Menu 17
SETUP Menu 18
Outputs Menu 20
Upper Tool Bar (Record Mode) 21
Lower Tool Bar (Record Mode) 27
Upper Tool Bar (Play Mode) 31
Lower Tool Bar (Play Mode) 32
WORKING WITH MEDIA 35
Recording to SSD Media 35
Loss of Power During a Record 35
Downloading Media 35
File Storage 36
CD Data Unpacker 37
CD Clip Merger 37
CD Apple ProRes Transfer Ulity 38
POST PRODUCTION 39
Working with Recorded Files 39
Uncompressed Support (DPX sequence) 39
Apple ProRes 422 (HQ) 40
FS700 RAW Support (DNG Sequences) 40
FS700 RAW: Dealing with RAW Files 40
FS700 FCP X Import Sengs 41
Canon C500 4K RAW Support 42
ARRI Alexa ARRIRAW Support 42
ACCESSORIES 43
Convergent Design Accessories 43
Third Party Accessories 47
ODYSSEY7Q RELEASE NOTES 48
Firmware v4.10.100 48
Firmware v3.10.100 48
Firmware v2.20.141 51
Firmware v2.10.141 53
Earlier Versions 57
LIMITED WARRANTY 58
APPENDIX 59
Monitor-->Record Opons 59
WEBSITE LINKS 60
Convergent Design, Inc.
4525 Northpark Drive
Colorado Springs, CO 80918
Tel: ++(720)221-3861
Email: CDSupport@convergent-design.com
Website: Convergent-Design.com
1

INTRODUCTION // READ THIS FIRST!
BEFORE YOU BEGIN USING THE ODYSSEY7Q, WE STRONGLY
SUGGEST YOU REVIEW THE INCLUDED QUICK START GUIDE. WE
ALSO STRONGLY RECOMMEND THE FOLLOWING:
1. Always record to the INTERNAL MEDIA OF THE CAMERA; this is critical for proper
timecode and ideal for dual media / backup.
2. DO NOT REMOVE THE FOUR SCREWS FROM REAR OF CASE. This may result in
damage to the OLED panel. Such damage is not covered by warranty.
3. Power and Cabling: Make sure you have PROPER POWER (6.5-34VDC), plugged in to
the proper power port (left side of recorder), and that 3G-rated SDI cables are used.
4. Power source must be able to provide up to 24 watts at all times to the Odyssey7Q.
5. When powering the Odyssey7Q from an ARRI ALEXA camera, we recommend using
the 24V R/S Fischer-3 output from the ALEXA using the optional Convergent Design
cable.
6. Familiarize yourself with the equipment and test prior to shooting.
7. Before using the SSDs it is IMPERATIVE TO FORMAT them in the Odyssey7Q.
Formatting SSD media is a DESTRUCTIVE PROCESS; any existing data will be lost
during format.
8. Ensure that the camera’s viewnder data is not being recorded; IF YOU SEE
VIEWFINDER DATA ON THE ODYSSEY7Q monitor, then it will be recorded! In a future
update, if your camera can provide both clean and data-overlayed video feeds, it will be
possible to monitor one while recording the other.
9. NEVER DELETE ANY FILES OFF AN SSD FROM A COMPUTER, except when going
through a rmware update procedure.
10. While we recommend that you always maintain the latest rmware on your Odyssey7Q,
WE DO NOT RECOMMEND UPDATING FIRMWARE IF YOU ARE IN THE MIDDLE OF
A SHOOT (unless specically instructed to do so by our Technical Support staff).
11. When ofoading media, ALWAYS MAKE A BACKUP COPY, ideally to a RAID1 drive.
12. Be sure to allow the Odyssey7Q to nish closing a Record le before taking any further
action.
13. Always safely eject SSD Media by pressing the button before removing SSD media
from the Odyssey7Q.
2

Odyssey7Q box contains one (1) Odyssey7Q monitor/recorder and one (1) universal power supply.
PACKAGE CONTENTS
MEDIA AND ACCESSORIES SOLD SEPARATELY!
3

CONTINUED »
ODYSSEY7Q FEATURES
MONITORING
PROFESSIONAL MONITOR: 7.7” 1280x800 OLED panel featuring true blacks, and accurate color with
a full range color gamut for REC709 or DCI-P3 viewing.
IMAGE ANALYSIS TOOLS: Waveform, Vectorscope (in future update), Histogram, False Color exposure
view, Zebra, three-mode Focus Assist, Pixel Zoom (1:1 & 2:1), LUTs, and Frame Guides.
MULTI-STREAM MONITORING: up to four HD video signals can be input and viewed simultaneously
(quad-split) or live-switched (choose between inputs for full screen display). A future paid update will allow
Multi-Stream Recording of up to four simultaneous Apple ProRes 422 (HQ) les and an XML log le of
the live switch.
FLEXIBLE I/O: two dedicated 3G-SDI inputs, two dedicated 3G-SDI outputs, two switchable 3G-SDI
input/outputs, one HDMI input, one HDMI output. Active Cross-Conversion means that all outputs are
always active regardless of which input is used.
RECORDING
HIGH-CAPACITY RECORDING: Two high-speed solid state Drives (SSD), available in 256GB, 512 GB
and 1TB capacities allow for extended recording.
4K / UHD / 2K / HD VIDEO RECORDING: Record 4K (4096x2160), UHD (3840x2160), 2K (2048x1080)
and HD (1920x1080, 1280x720) Video in Apple ProRes 422 (HQ).
The Odyssey7Q can record up to 1080p30 or 1080i60 over HDMI. Convergent Design manufactures the
Odyssey7Q+ to record 4K/UHD 10-bit or 1080p60 10-bit over HDMI.
UNCOMPRESSED 4:4:4 RGB VIDEO RECORDING: Record 2K (2048x1080) and HD (1920x1080)
Video in 12-bit or 10-bit uncompressed DPX les.
RAW RECORD OPTIONS: Optional recording features available at any time for purchase or time-based
rental. Options include:
• ARRIRAW (ALEXA)
• CANON RAW (C500)
• SONY RAW (FS7/FS700)
• POV RAW (Indiecam and IO Industries cameras)
OVERVIEW
4

CONTINUED »
ODYSSEY7Q SPECIFICATIONS
Display 7.7" OLED, 1280x800, RGB 8-bit panel, ~ 16 million colors, wide gamut, 3400:1 contrast, 176°
viewing, true blacks
SDI Video I/O HD-SDI/3G support: Single/Dual link, 2-inputs, 2-outputs, 2 Bi-Direconal (can be inputs or
outputs), Full-size BNCs
HDMI Video I/O HDMI I/O Version 1.4a support, up to 1080p30 422 8-bit
LUT Support ARRI, CANON, SONY S-Log, S-Log 2, S-Log 3 or (FUTURE) custom user-loadable LUTs
Focus Assist Video + Edges (Peaking), Edges Only, Enhanced Edges, user choice of color: Red, Green, or Blue
Zebras Currently one adjustable level, future two levels, one allows for a user specied range, the other
is acve on a specied IRE level and above
False Color False Color with 5 programmable levels
Waveform Luma only, RGB Parade, Red only, Blue only, Green only
Histogram Luma only, RGB Parade, Red only, Blue only, Green only
Vectorscope (FUTURE) Color Vectorscope with zoom
1:1 / 2:1 Pixel Zoom Image Zoom, Automac Vercal Flip (defeatable) , Programmable Aspect Rao Guides
Mul-Stream
Display
Display four independent 1080 or 720 HD streams simultaneously (Quad-split) with live-switch
capability - 4 x SDI or 3 x SDI & 1 HDMI
Digital Audio I/O 8-channel embedded audio (48KHz, 24-bit) (2 channel inially, 8-channel via future rmware
update)
Analog Audio I/O 3.5mm stereo headphone output, 3.5mm stereo unbalanced input up to -10db
Remote** and
Timecode
Timecode: LTC I/O (BNC) or embedded SDI / HDMI, (FUTURE) RS-232 I/O programmable GPIO.
User Interface Capacive Touchscreen, three mechanical keys
DC Power Input 6.5 to 34vdc with built-in reverse polarity protecon; locking power connector, built-in power
switch
Power Draw 8 was (monitor only), 9-19 was (simultaneous monitor/record mode)
Weight and Size 560 grams / 1.3 lbs., 7.9"" x 6.1"" x 1.0"" (200 x 155 x 25 mm), -10 to +40°c
(Operang), -20 to +70°c (storage)
Onion Skinning (FUTURE) Overlay pre-recorded sll frame on live video with opacity slider
View Monitor Out
Record Clean Video
(FUTURE) Display the monitor-out (viewnder data) on the OLED while recording a clean video
signal. Available when using the SONY F3, SONY FS700, CANON C500 and ARRI Alexa cameras.
Record Triggers Touchscreen, SDI record trigger (ARRI, CANON, PANASONIC, RED, SONY), Timecode, Oponal
remote control cable
Recording SSD
Media
Convergent Design SSDs with power-loss protecon, in 256GB, 512GB and 1TB capacies,
420Mb/sec write, 500Mb/sec read speed, compable with USB 3.0 and Thunderbolt Adapters.
SSDs and adapters sold separately.
Recording Formats
(base Odyssey7Q)
Compressed formats:
4K/UHD 10-bit YCC 422 up to 30p
2K 10-bit YCC 4:2:2 up to 60fps
1080p 10-bit YCC 422 up to 60 fps
(FUTURE): 1080p RGB 12-bit 444 up to 60fps
Uncompressed formats:
2K/1080p 10/12-bit 444 up to 30p
1080p RGB 10bit 444 up to 60fps
OVERVIEW
5

CONTINUED »
The Odyssey7Q can record a variety of video signals and, with optional recording keys, several RAW
data video formats. With another optional recording key the Odyssey7Q will also be able to record up to
four HD video signals simultaneously.
All recording options are available for demo on the Odyssey7Q, but will appear with a blue or pink line
“watermark” across the recorded image.
Recording options are available to purchase or rent on a time-active (daily) basis from the Convergent
Design website at:
Convergent-Design.com/products/recording-options.html
INCLUDED FREE WITH ODYSSEY7Q
VIDEO 4K/UHD (4096x2160, 3840x2160): Apple ProRes 422 (HQ), 4:2:2 YCC 10-bit, frame rates:
23.98p, 24p, 25p, 29.97p
2K/HD (2048x1080, 1920x1080): Uncompressed video in DPX stacks, 12-bit/10-bit 4:4:4,
frame rates: 23.98p, 24p, 25p, 29.97p, 30p
2K/HD (2048x1080, 1920x1080): Uncompressed video in DPX stacks, 10-bit 4:2:2 (recorded as
4:4:4), frame rates: 23.98p, 24p, 25p, 29.97p, 30p, 50p, 59.94p, 60p
2K/HD (2048x1080, 1920x1080): Apple ProRes 422 (HQ), 4:2:2 YCC 10-bit, frame rates:
23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 60p, 50i, 60i
HD (1280x720): Apple ProRes 422 (HQ), 4:2:2 YCC 10-bit, frame rates: 50p, 60p
4K/UHD video over 4 x SDI feeds or 2 x SDI feeds (source dependent)
2K/HD video over SDI up to 60p
HD (1080) over HDMI up to 30p or 60i; HD (720) over HDMI up to 60p
MULTI-STREAM HD
Video Monitoring SDI and HDMI accepted 1080p/psf frame rates: 23.98, 24, 25, 29.97, 30, 50i, 60i
SDI and HDMI accepted 720p frame rates: 50. 60
Display four independent 1080 or 720 HD streams simultaneously (Quad-split). Includes
capability to mix 1080 & 720 signals.
OLED display divided into quadrants or a single input may be selected for full screen display.
Live-switch between inputs directly.
Inputs are SDI A, SDI B, SDI A I/O, SDI B I/O and HDMI (signals auto-detected; [SDI A] must
always be present).
HD video signals do not need to be Genlocked.
HD video signals do not need to match frame rates or resoluons.
NOTE: this is a monitoring mode only. A future opon will allow recording of up to four HD
video signals.
NOTE: If feeding video from a switcher to Odyssey7Q, the switcher must have internal frame
synchronizers or the cameras input to the switcher must be genlocked.
RECORDING CAPABILITIES
6

CONTINUED »
RECORDING CAPABILITIES (CONT’D)
RECORDING OPTIONS (AVAILABLE THROUGH WEBSITE)
Additional recording options are available for purchase and/or rental through our website.
ARRI ALEXA ARRIRAW
(Available for purchase
and/or daily rental)
The Odyssey7Q supports all ARRIRAW formats and frame rates output by Alexa Classic
cameras.
ARRIRAW data is recorded as .ari les.
ARRIRAW 16:9 frame rates: 23.98, 24, 25, 29.97, 30, 48*, 50*, 59.97*, 60*
ARRIRAW 4:3 frame rates: 23.98, 24, 25, 29.97, 30, 48*
*Future Firmware Update for 4:3 Support
*NOTE: ARRIRAW above 30fps requires two SSDs to simultaneously record. In a future
rmware update only one SSD will be required for all frame rates.
More Info: Convergent-Design.com/products/recording-opons/arri-alexa.html
CANON C500 Cinema
RAW
(Available for purchase
and/or daily rental)
The Odyssey7Q supports CANON C500 4K RAW. Future rmware updates will support “Slow
& Fast” mode, and other C500 formats.
CANON Cinema RAW data is recorded as .RMF les.
4K RAW to 4K Apple ProRes 422(HQ) / 10-Bit / 23.98, 24, 25, 29.97, 30
QHD RAW to UHD Apple ProRes 422(HQ) / 10-Bit / 23.98, 24, 25, 29.97, 30
Supported 4K/QHD RAW frame rates: 23.98, 24, 25, 29.97, 30, 50*, 59.94*, 60 4K Half RAW
50, 59.94, 100*, 120*
2K/1080p 12-bit/10-bit 4:4:4 support 23.98, 24, 25, 29.97
*NOTE: CANON RAW 50-60p and Half RAW 100-120p requires two SSDs to simultaneously
record.
More Info: Convergent-Design.com/products/recording-opons/canon-c500.html
SONY FS7/FS700 RAW
(Available for purchase)
The Odyssey7Q supports SONY FS7/FS700 4K & 2K RAW and high quality video derived from
RAW.
FS 4K RAW frame rates: 23.98, 25, 29.97, 50, 59.94, (FS700 only) 4K 440 frame burst mode:
100, 120
FS RAW 2K frame rates: 23.98, 25, 29.97, 50, 59.94, 100, 120, 200*, 240*
NOTE: FS 4K/2K RAW data is recorded as .DNG les.
FS 4K RAW to 4K Apple ProRes 422 (HQ) / 10-bit / 23.98, 25, 29.97
FS 4K RAW to 2K Apple ProRes 422 (HQ) / 10-bit / 23.98, 25, 29.97
FS 4K RAW to UHD Apple ProRes 422 (HQ) / 10-bit / 23.98, 25, 29.97
FS 4K RAW to HD Apple ProRes 422 (HQ) / 10-bit / 23.98, 25, 29.97
*NOTE: 2K RAW 200fps and 240fps, 4K RAW 50/60 and 100/120 Burst Recording require that
you record to two SSDs simultaneously.
More Info: Convergent-Design.com/products/recording-opons/sony-fs700.html
7

NEXT: RECORDING OPTION RENTALS »
RECORDING CAPABILITIES (CONT’D)
POV RAW
(Available for purchase
and/or daily rental)
Supports several industrial/special use cameras’ RAW outputs:
IO Industries Flare 2KSDI: 2K/HD 10-Bit RAW 23.98-60p
Indiecam indieGS2K: 2K/HD 10-Bit RAW 60-120p
Indiecam indieGS2K: HD 10-Bit RAW 23.98-60p
Indiecam indieGS2K: HD 12-Bit RAW 23.98-60p
NOTE: RAW data is recorded as .DNG les.
NOTE: Video outputs do not require Record Opon.
More Info: Convergent-Design.com/products/recording-opons/pov-raw.html
MULTI-STREAM
(Available for purchase
and/or daily rental
in a future rmware
release)
Supports recording up to four HD streams simultaneously via 3G-SDI and HDMI
Addional specicaons will be made available upon release.
NOTE: Mul-Stream Monitoring is acve with UNIT acvaon and does not require the
purchase of this record opon
8

NEXT: RECORD TIME CAPACITIES »
RECORDING OPTION RENTALS
RENTAL ACTIVATION KEYS
Rental Activation Keys may be purchased though our website for the Canon C500 Cinema RAW, the ARRI
Alexa ARRIRAW and POV RAW recording options. Please visit the links in the Recording Capabilities
section for more information.
PARAMETERS FOR RENTALS
Rentals are based on a 24 hr period, Rentals can be added to the unit in daily (24 hour)increments up to
a maximum of 30 days at a time.
A rental starts the rst time a record is performed in the rental codec, then the 24 hour clock starts.
Note that during a 24 hr rental period you will not be allowed to adjust the clock after the rst
record. Thus users must set a central time, or choose a timezone that will best t all of their
given locations in that 24 hr period.
After 24 hours a user may adjust the clock as needed, till the next record is performed.
Rentals are unit specic, by the unit serial number, and must be purchased via our website. Once a rental
key is input into a unit, there is no way of retrieving or transferring the rental to another unit.
To activate a rental simply enter the 8 character key into the unit’s activation section.
To check the status of an active rental touch the codec box.
When a rental period has two days remaining, the rental text will change to yellow.
When a rental period has one day remaining, the time will display in the form of minutes and will be ash
for the last hour.
When there is one minute remaining, if a record is started, that entire clip will be recorded without a
watermark regardless of length up to a maximum of 80 mins. (In other words, will let you nish your last
take, which can be a maximum of lling up both drives, based on a RAW format.
After the nal clip the time remaining will change back to a white 0 mins.
For more information or to purchase Rental Options please visit our the Recording Options page of our
website at Convergent-Design.com/products/recording-options.
For support with Rental Options visit us online at Convergent-Design.com/support
9
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