Casio MT-640 Manual de usuario

Tabla de contenidos

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OPERATION

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CASIO.

M

1-640

ELECTRONIC

MUSICAL

INSTRUMENT

Introduction

|

Your

new

MT-640

keyboard

is

a

state-of-the-art

musical

in-

strument

which

incorporates

the

latest

electronics

tech-

nology

to

make

its

operation

as

easy

as

possible.

Exceptional

sound

quality

backed

up

by

a

host

of

sophisti-

cated

features

and

functions

makes

this

keyboard

a

joy

to

play

for

everyone.

In

order

to

enjoy

the

features

and

functions

of

this

unit

to

their

fullest,

be

sure

to

carefully

read

this

manual

and

follow

the

instructions

contained

herein.

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‘1.

General

Guide

.

Heated

Wie

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cite

eee

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2.'

Power

Supply’:

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Witenes

cara

dtd

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tas

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General

Operation..................

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Dynamic.

Bass:System

Resear

ane

it

er

eer:

:

5.

Preset.

Tones

‘I...

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|

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Tone

!Bank

Sound

Combinations.

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Solo

Pads

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Performance

Memory

Function...

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27

General

Guide

1.

General

Guide

[Rear

panel]

:

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|

|

|

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8

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‘vest

eee

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Bot

ee

weet

enese

2.8.9.0

.0

6.0

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w

8

oe

eos

oe

i

Saad

Ca

MRR

Eee

Bang

@

MIDI

terminals

(IN/OUT)

|

TTT

7

@

Headphone

jack

@

AC

adaptor

jack

~

©

®

|

[Bottom

panel]

@

GO00O0G8®

©

G&G

OO

®

@

@

;

f

ilt-i

lume

slider

Built-in

speakers

@

Rhythm

vo

:

Dynamic

bass

level

indicators

@

Chord/MIDI

selector

:

@®

Tuning

control

hro/fill-in

button

Adjusts

the

pitch

of

the

entire

keyboadh

within

+30

cents

and

allows

easy

©

Tone

selectors

@

Synchro

@

Rhythm

selectors

@®

Rhythm

start/stop

button

tuning

with

other

instruments.

ing

button

Tone

select

button

|

@®

Intro/ending

.

°

Rhythm

select

button

@

Tempo

control

buttons

Demonstration

Tune

0

eee

gia

a

©

ea

aie

button

This

unit

features

a

preset

demonstration

tune

which

has

been

eee

.

©

cies

sie

carefully

programmed

to

showcase

all

the

features

and

benefits

Ac

ag

—

lid

>

eee

button

of

this

unit.

Simply

press

the

Demo

button

@,

and

listen

to

the

@

Dynamic

bass

volume

slider

DEMO

|

i

MT-640

plays

itself!

@

Accomp

volume

slider

*

The

demonstration

tune

is

played

in

an

endless

loo

stop

the

tune.

*

The

keyboard

is

inoperable

while

playing

the

demonstration

tune.

p.

Press

the

Demo

button

again

to

2

Power

Supply

e

Dry

batteries

|

This

unit

can

be

powered

by

six

D

size

(SUM-1/R20P)

manganese

dry

cell

bat-

teries.

Weakened

batteries

will

result

in

lower

volume

or

poor

tonal

quality.

The

power

indicator

lamp

will

gradually

lose

its

brightness

when

battery

power

weakens.

At

this

time,

change

batteries

or

shift

to

one

of

the

alter-

nate

power

sources

mentioned

below.

|

Battery

replacement:

|

|

,

4

(@)

Open

the

battery

compartment

cover

on

the

bottom

of

the

unit

and

take

out

used

batteries.

|

|

ee

(2)

Load

new

batteries

taking

care

that

polarity

is

correct.

.

*

It

is

advisable

to

replace

all

six

batteries

at

the

same

time

for

longer

battery

life.

;

*

Standard

battery

life

is

approximately

6

hours.

|

¢

Car

battery

With

the

car

battery

adaptor

(CA-5,

optional),

DC

power

is

supplied

from

a

car

battery

through

the

cigarette

lighter

socket.

An

AC

adaptor

(AD-5,

optional)

is

required

when

using

household

current.

Use

only

a

genuine

CASIO

adaptor

with

the

same

voltage

rating

(100,

117,

220,

or

240)

as

the

power

supply

in

your

area

to

prevent

component

damage.

Plug

the

AC

adaptor

into

the

AC

outlet

and

the

cord

into

the

unit.

This

will

automatically

cut

off

the

battery

power

supplly.

°

:

Be

ag

3

|

Sag

AC

adaptor

AD-5

eg

“AC

outlet

-''

AC

adaptor

jack

Cigarette

lighter

socket

Car

battery

adaptor

CA-5

ae

oe

{

i

NORE

ARERR

CR

EO

te

4.

ee

eA

2.

Power

Supply

*

Auto

power

off

function

Power

is

automatically

cut

off

approximately

6

minutes

after

the

last

opera-

tion

of

the

unit.

Power

supply

can

be

restored

by

switching

power

OFF

and

then

ON

again.

co

oe

4

|

7

CAUTION

*

Use

only

genuine

CASIO

adaptors

to

avoid

risk

of

damage.

*

Remove

batteries

from

the

battery

compartment

when

the

unit

is

not

used

for

extended

periods.

(Battery

leakage

can

damage

electrical

parts.)

*

The

adaptor

may

become

warm

when

left

connected

to

an

outlet.

This

is

normal,

but

the

adaptor

should

be

disconnected

when

not

in

use.

“

THE

FOLLOWING

CONDITION

CAN

CAUSE,

BATTERIES

TO

BURST:

1.

Use

of

adaptors

other

than

genuine

CASIO

adaptors.

:

2.

Loading

batteries

with

polarities

reversed.'

=

General

Operation

*

Refer

to

the

general

guide

found

on

page

4-5

for

exact

locations

of

this

keyboard

controls

and

connections.

@)

Turn

the

power

switch

ON.

(2)

Adjust

the

volume

level.

get

sas

r

|

(3)

Select

one

of

20

preset

tones

(see

“Preset

Tones”,

page

9)

or

one

of

210

Tone

Bank

sounds

(see

“Tone

Bank

Sound

Combinations”,

page

12).

(4)

Now,

start

playing.

se

Dynamic

Bass

System

*

Refer

to

the

general

guide

found

on

page

4-5

for

exact

locations

of

this

keyboard

controls

and

connections.

The

MT-640

equipped

with

Casio's

innovative

“Dynamic

Bass

System”

for

rich,

powerful

bass

response.

In

addition

to

full-range

stereo

speakers

on

the

front

panel,

a

“super

woofer”

is

located

on

the

bottom

of

the

MT-640.

And

the

MT-640

body

is

designed

to

act

as

a

speaker

cabinet,

as

bass

sounds

are

channeled

through

internal

sound

ducts

and

output

through

twin

ports

as

well

as

from

the

bottom

of

the

unit.

This

results

in

dynamic,

multi-directional

bass

sounds.

+

¢

Dynamic

Bass

Volume

Slider

You

can

adjust

the

volume

of

the

“Dynamic

Bass”

sound

independently,

to

gain

just

the

right

effect

for

the

type

of

music

you're

playing.

|

¢

Dynamic

Bass

Level

Indicators

The

MT-640

features

a

linear

bar

indicator

located

on

the

front

panel,

which

shows

the

volume

level

of

the

dynamic

bass

sound.

Preset

Tones

"

Refer

to

the

general

guide

found

on

page

4-5

for

exact

locations

of

this

keyboard

controls

and

connections.

¢

To

select

a

preset

tone

@)

Specify

either

the

upper

or

lower

row

of

preset

tones

by

pressing

the

tone

select

button.

The

upper

or

lower

select

indicator

lights

to

show

the

active

row.

ae

ae

:

ae

|

|

(2)

Press

one

of

the

tone

selectors

to

choose

a

preset

tone.

*

“PIANO”

tone

is

automatically

selected

when

power

is

turned

ON.

¢

Percussion

1

and

Percussion

2

Tones

~

By

selecting

the

percussion

1

or

percussion

2

tones,

you

can

play

a

wide

variety

of

percussion

sounds

using

the

keyboard

keys.

<

Percussion

1

Sounds

>

“

“aa

ae

ee

-

—_

.,

EEe

@

Tom-toms;

1/2/3/4/5

@

Rim

shot

@

Ride

symbals;

1/2

@

Closed

hi-hats;

1/2

©

Synth

tom-toms;

Hi/Mid/Low

@®

Open

hi-hats;

1/2

©

Gongs;

1/2

@

Crash

cymbals;

1/2/3/Mixed

©

Synth

cymbals;

1/2/3

@®

Cow

bells;

Hi/Low

@

Triangle;

Open/Muted

@

Timbales;

Hi

mute/Hi/Low/Mixed

@

Synth

percussion;

1/2/3

@

Claves;

Hi/Low

Bass

drums;

1/2

®

Congas;

Hi

mute/Hi/Middle/Low/Mix

©

Snare

drums;

1/2

©

Agogos;

Hi/Low

@

Gated

snare

drum

5.

Preset

Tones

| ,

|

_

pee

eS

ae

5.

Preset

Tones

<

Percussion

2

Sounds

>

|

©

Wood

Bass/Piano

Tone

By

selecting

the

wood

bass/piano

tone,

you

can

play

a

wood

bass

sound

with

the

left

hand

and

play

piano

with

Hie

Hem

hand.

‘ci

ps

yn”

intima

mm bt

em

egret

FE

Vartey

e

sly

hae

(Section

|—Japanese

Sounds)

e

Flectric

Bass/Slap_

Bass

:

Set,

cand

@

Shouts;

L

Speaker/R

Speaker/Middle

1/Middle

2/Two

people

By

selecting

the

el

ree

@

Wood

blocks;

Left/Middle/Right

g

the

elec

bass/slap

bass

tone,

you

can

play

a

straight

electric

bass

Stand

drums:

Hilow:

* |

.

sound

wi

ie

ac

hand

and

Bey

a

slap

bass

sound

det

the

right

hand.

@

Wood

blocks

(L)/Hand

drum

(R)

|

@

Shout

(L)/Hand

drum

(R)

(Section

Il—Latin

Sounds)

|

*

|

Litt

©

Voices;

1/2/3/4/5

-

|

_

|

@

Quijadas;

Left/Middle/Right

|

©

Wind

chimes;

Lto

R

V/R

to

L1/L

to

R

2RtoL2

|

:

|

,

|}

tre

bass

(€2—

Ba

+

ter

bass

(C4—C

as

(Section

fil

Orcheetia:

Sounds)

4,

©

Orchestra

Hits;

1/2/3/4/5

@

Cymbals;

Left/Middle/Right

=.

°~

.

.

Ses

hy

@

Tympanis;

1/2/3/4

|

|

|

oe

—

.

(Section

IV—Daily

Life)

2.8

.

on

|

7

a

a

ee

eee

@

Telephone;

Left/Right

.

3 |

:

7

7

@®

Car

horns

in

distance;

1/2/3

.

@®

Typewriter;

Low

typing/Hi

iypingyBel

@®

Car

horns;

1/2/3/4/5

<{0=

A

Aes

Tone

Bank

Sound

Combinations

*

Refer

to

the

general

guide

found

on

page

4-5

for

exact

locations

of

this

keyboard

controls

and

connections.

|

é

This

keyboard

features

Casio's

innovative

“Tone

Bank”

feature,

which

lets

you

choose

from

an

amazing

total

of

210

different

sound

combinations.

To

create

these

layered

sounds,

the

Tone

Bank

function

actually

integrates

the

characteristics

of

the

20

preset

tones.

You

can

select

these

sound

combinations

through

the

following

procedure.

——

ae

©

To

select

Tone

Bank

Sound

Combinations.

@)

Select

any

of

the

20

preset

tones.

When

selecting

Tone

Bank

sound

com-

binations,

the

tone

initially

selected

is

used

as

a

base,

or

“Primary”

sound.

*

When

the

Primary

sound

is

selected,

the

keyboard

features

10-note

polyphdny.

(2)

Press

the

Tone

Bank

button.

This

activates

the

Tone

Bank

function,

allowing

you

to

choose

a

Secondary

3

sound

to

integrate

with

the

Primary

sound

you

just’selected.

*

After

the

Tone

Bank

button

is

pressed,

the

keyboard

changes

to

5-note

polyphony.

(3)

Select

any

other

of

the

20

preset

tones.

The

characteristics

of

this

“Secondary”

sound

is

automatically

integrated

with

those

of

the

“Primary”

sound

already

selected.

po

Le

5

=.

¢

To

select

a

different

secondary

sound

|

The

secondary

sound

can

be

changed

at

any

time,

as

long

as

the

Tone

Bank

function

is

selected.

Simply

select

a

different

preset

tone—the

primary

sound

remains

the

same.

|

‘

¢

To

select

a

different

primary

sound

:

The

primary

sound

can

be

changed

by

first

turning

the

Tone

Bank

function

OFF

(press

Tone

Bank

button

so

that

indicator

goes

out),

selecting

any

other

preset

tone,

and

finally

turning

the

Tone

Bank

function

back

ON.

The

secon-

dary

tone

remains

the

same

in

this

case.

ae

6.

Tone

Bank

Sound

Combinations

<

Example

of

Tone

Bank

Operation

>

(1)

Select

the

preset

ORGAN

tone

by

pressing

the

corresponding

tone

selector.

(This

is

the

“Primary”

sound.)

Initially,

the

ORGAN

tone

can

be

played

with

10-note

polyphony.

.

|

GC

tenie

8

|

(2)

Press

the

Tone

Bank

button.

ae

|

The

ORGAN

tone

can

now

be

played

with

5-note

polyphony.

*

Indicator

above

the

Tone

Bank

button

lights.

.

'

NOTE:

When

power

is

turned

ON,

the

PIANO

tone

is

automatically

selected

in

Tone

Bank

memory.

Because

of

this,

procedure

@)

above

causes

the

ORGAN

tone

to

be

integrated

with

the

PIANO

tone.

(3)

Select

the

preset

CHORUS

tone

by

pressing

the

corresponding

tone

selec-

tor.

(This

is

the

“Secondary”

sound.)

Now,’the

“ORGAN

+

CHORUS”

Integrated

Tone

Bank

combination

sound

can

be

played

with

5-note

polyphony.

Vie

|

(4)

Next,

try

changing

the

secondary

sound

by

selecting

the

preset

FLUTE

tone.

The

“ORGAN

+

FLUTE”

integrated

Tone

Bank

combination

sound

can

be

played

with

5-note

polyphony.

Ey

aa

a

7

ents

&

op

bie

Sn

ties

«Py

(6)

Next,

try

changing

the

Primary

sound

by

first

pressing

the

Tone

Bank

button

once

again

to

turn

the

Tone

Bank

function

OFF

temporarily.

The

preset

ORGAN

tone

can

once

again

be

played

with

10-note

polyphony.

(6)

Select

a

new

Primary

sound—the

STRINGS

tone

for

example,

and

turn

the

Tone

Bank

function

back

ON.

As

the

secondary

sound

(FLUTE)

does

not

change

in

this

case,

you

can

now

play

the;“STRINGS

+

FLUTE”

integrated

Tone

Bank

combination

sound

with

5-note

poly-phony.

=e

ee

Auto-rhythms

*

Refer

to

the

general

guide

found

on

page

4-5

for

exact

locations

of

this

keyboard

controls

and

connections.

¢

Playing

an

auto-rhythm

|

|

(1)

Press

the

rhythm

select

button

to

choose

the

upper

row

or

the

lower

row

of

auto-rhythms.

The

upper

or

lower

select

indicator

lights

to

show

the

active

row.

(2)

Press

one

of

the

rhythm

selectors.

(3)

Press

start/stop

button

to

start

the

rhythm.

—

-

ts

(4)

Adjust

the

tempo

of

the

rhythm

by

using

the

tempo

control

buttons.

Press-

ing

the

<A>

button

will

increase

tempo,

while

pressing

the

<W>

button

will

decrease

tempo.

'

*

Tempo

of

the

auto-rhythm

can

be

adjusted

between

40

and

256

beats

per

min

ute.

Pressing

both

tempo

keys

at

the

same

time

resets

the

tempo

to

132

beats

per

minute.

(S)

You

can

adjust

the

relative

volume

of

the

rhythm

by

using

the

rhythm

volume

slider.

.,

nS

|

|

-

(6)

Press

start/stop

button

once

again

to

stop

auto-rhythm

play.

¢

Using

Synchro/fill-in

button

Press

to

enter

synchro

start

standby.

Rhythm

starts

when

an

accompaniment

.

keyboard

key

(lower

1.5

octave,

C

through

F)

is

pressed.

(See

page

16

to

use

synchro

start

in

the

auto-accompaniment

performance.)

When

pressed

during

auto-rhythm

and

accompaniment

performance,

an

appropriate

fill-

in

is

inserted

in

the

rhythm

pattern.

If

the

button

is

held

down,

the

fill-in

pattern

is

repeated

until

the

end

of

the

measure

during

which

the

button

is

released.

|

a

:

|

ea

Ges

:

“

Using

Intro/ending

button

,

If

you

press

the

intro/ending

button

instead

of

pressing

the

start/stop

button

to

start

an

auto-rhythm,

the

selected

auto-rhythm

begins

after

a

one-measure

intro

pattern.

This

can

be

an

effective

way

to

lead

into

auto-rhythm

perfor-

mance.

If

pressed

during

auto-rhythm

and

accompaniment

performance,

the

rhythm

stops

after

an

appropriate

ending

pattern.

*

Using

synchro

start

with

an

intro

pattern

Press

the

synchro/fill-in

button

to

enter

synchro

start

standby,

and

sub-

sequently

press

the

Intro/ending

button.

Rhythm

starts

when

an

accompani-

ment

keyboard

key

is

pressed,

after

a

one-measure

intro

pattern.

—14—

Auto-accompaniment

*

Refer

to

the

general

guide

found

on

pa

ge

4-5

for

exact

locations

of

this

keyboard

controls

and

connections,

¢

Chord/MIDI

selector

_

Slide

to

select

one

of

the

Casio

Chord

functions

(or

MIDI

function).

—

Of

ee

eae

ee

For

normal

play

without

auto-accompaniment.

FINGERED

1

&

2

...For

auto-accompaniment

pressing

chords

as

usual.

ONG

isan

Sate

See

teoe

For.

auto-accompaniment

using

the

Casio

Chord

system.

Aang

7

MIDI

datas

eh

ites

OF

Set

to

use

the

MIDI

functions

(refer

to

“11.

MIDI”)

¢

Accomp

volume

slider

:

be

st

ai

Adjust

the

volume

of

the

auto-accompaniment.

NOTES:

-

°e

If

the

Chérd/MIDI

selector

is

set

to

“FINGERED.

(1

or

2)”

or

“ON”

the

lower

1.5

octave

of

the

keyboard

become

accompaniment.

keyboard

keys,

and

the

upper

part

of

the

keyboard

becomes

4-note

polyphonic.

i

Accompaniment

keyboard

>}

nto

keyboard

(4-note

Polrhonic)

————

°

During

auto-accompaniment

performance,

chord

played

on

the

accompani-

ment

keyboard

will

continue

to

sound

after

releasing

the

keys.

°

Auto-accompaniment

starts

with

rhythm,

the

moment

the

accompaniment

keyboard

key

is

pressed

if

synchro

start

is

in

standby

status.

2

ag

la

ds

8.

Auto-accompaniment

|

S

7

n

Casio

Chord

system

The

Casio

Chord

system

has

been

developed

so

you

can

play

the

four

main

types

of

chords

more

easily.

Playing

of

the

chords

is

simplified

as

shown

below:

4,

|

e

Pressing

one

of

the

accompaniment

keyboard

keys

produces

a

major

chord

corresponding

to

that

note.

¢

Simultaneously

pressing

any

key

to

the

right

(two

keys

at

the

same

time)

results

in

a

minor

chord.

¢

Similarly,

pressing

one

more

key

to

the

right

(three

keys

in

all)

produces

a

seventh

chord,

and

pressing

the

fourth

key

to

the

right

(four

keys

in

all)

creates

a

minor

seventh

chord.

<

Examples

>

~C

(C

major

chord)—Press

@.

Cm

(C

minor

chord)—Press

@,

@

together.

C7

(C

seventh

chord)—Press

@,

@,

©

together.

*

|

:

!

f

0000

7

Cm7

(C

minor

seventh

chord)—Press

@,

@,

86,0

Auto-accompaniment

-

|

keyboard

|

together.

|

i

fe

*

Not

only

@,

©,

and

@,

but

any

black

or

white

keys

can

be

used

as

long

as

they

are

to

the

right

of

@.

7

E

:

|

[1]

Auto-accompaniment

using

the

Casio

Chord

system

(One-finger

method)

@)

Set

the

Chord/MIDI

selector

to

“ON”

|

7

(2)

Select

one

of

the

auto-rhythms

and

press

the

synchro/fill-in

button.

*

Tempo

indicator

lights,

meaning

that

the

accompaniment

keyboard

keys

are

ready

for

play.

(3)

Play

on

the

accompaniment

keyboard

keys

according

to

the

Casio

Chord

system.

|

ss.

.

_

*

Adjust

the

tempo

and

accompaniment

volume

using

the

respective

controls.

[2]

Auto-accompaniment

play

using

standard

chord

fingering

(1)

Set

the

Chord/MIDI

selector

to

“FINGERED

1”

or

“FINGERED

2”

(2)

Select

one

of

the

auto-rhythms

and

press

the

synchro/fill-in

button.

*

Tempo

indicator

lights,

meaning

that

the

accompaniment

keyboard

keys

are

ready

for

play.

(3)

Play

a

chord

on

the

accompaniment

keyboard

keys.

*

Adjust

the

tempo

and

accompaniment

volume

using

the

respective

controls.

*

This

unit

is

capable

of

recognizing

the

following

chords;

<M,

m,

—5,

+5,

dim,

sus4,

7,

MZ,

m7,

mMZ

m5,

*Zus4,

9

mI>

51

6=

8.

Auto-accompaniment

a_i

<About

‘Fingered

1”

and

“Fingered

2’">

:

|

This

keyboard

features

two

different

types

of

fingered

accompaniment

patterns.

vou

can

select

which

type

you

want

by

selecting

either

the

Fingered

1

mode,

or

the

Fingered

2

mode.

Respective

accompaniment

patterns

and

characteris-

tics

are

as

listed

below.

(Fingered

1

Accompaniment)

Accompaniment

consists

of

a

single

bass

line

and

two

different

backing

chord

patterns.

The

pattern

does

not

change

until

you

play

a

chord

consisting

of

at

least

3

notes.

(Fingered

2

Accompaniment)

fa

7

|

:

Accompaniment

consists

of

a

single

bass

line

and

a

single

backing

chord

pat-

terns

In

addition,

you

can

add

notes

manually

in

two-note

polyphony

on

the

accompaniment

keyboard”

without

affecting

the

accompaniment

pattern.

The

pattern

doe’

not

change

until

you

play

a

chord

consisting

of

at

least

3

notes

Fingered

2

accompaniment

also

allows

you

to

choose

the

way

the

chord

will

play

rhythmically.

If

you

keep

repeating

your

chord

shape

in

any

rhythmic

pat-

tern

you

choose

(quarter-notes,

eight-note

triplets

or

any

syncopation)

this

key-

board

will

play

that

chord

pattern

rhythm,

allowing

for

more

flexibility

in

your

accompaniment

patterns.

:

*

.

.

Auto-accompaniment

tones

are

preset

in

correspondence

to

each

auto-rhythm

type.

A

list

of

auto-rhythms

and

corresponding

accompaniment

tones

is

provided

on

page

18.

|

8.

Auto-accompaniment

a

EE

LEI

TE

a

et

<

About

the

tones

used

in

the

auto-accompaniment

>

Each

auto-accompaniment

pattern

consists

of

one

bass

line

and

two

types

of

chord

lines

(chord

1

and

chord

2).

The

tones

of

these

elements

are

preset

corresponding

to

each

auto-rhythms

as

shown

below;

_

CHORD

1

TONES

CHORD

2

TONES

BASS

TONES

RHYTHMS

ROCK‘1

|

BRASS

ENS.

.

METALLIC

SOUND

-,

SLAP

BASS

ROCK

2

BRASS

SYNTH.

CLAVI

SLAP

BASS

8

BEAT

1

JAZZ

ORGAN

PIANO

SLAP

BASS

8

BEAT

2

METALLIC

SOUND

BRASS

ENS.

°::

SLAP

BASS

16

BEAT

1_

_

MARIMBA

ELEC.

PIANO

SLAP

BASS

16

BEAT

2.

SYNTH.

CLAVI

BRASS

ENS.

SLAP

BASS

|

DISCO

1

_

SYNTH.

CELESTA

BRASS

ENS.

SLAP

BASS

DISCO

2

HARP”

STRINGS

BRASS

ENS.

,

POPS

1°

JAZZ

ORGAN

PIANO

‘

WOOD

BASS

POPS2.

FLUTE:

BRASS

ENS.

...

SLAP

BASS

-

SLOW

ROCK

1...

PIANO.

;:.

.

VIBRAPHONE

..

WOOD

BASS

|,

SLOW

ROCK

2

PIANO...

HARP

WOOD

BASS

SWING

~~

PIANO)

.

_

BRASS

ENS.

WOOD

BASS

SAMBA

SYNTHE.

CLAVI

JAZZ

ORGAN

SLAP

BASS

BOSSA

NOVA

ELEC.

PIANO

STRINGS

*

WOOD

BASS

WALTZ

STRINGS

ORGAN

WOOD

BASS

REGGAE

JAZZ

ORGAN

FUNKY

CLAVI

SLAP

BASS

TANGO

ACCORDION

PIANO

WOOD

BASS

BEGUINE

PIANO

JAZZ

GUITAR

WOOD

BASS

MARCH

BRASS

ENS.

FLUTE

BRASS

ENS.

4,

tb

aes

Percussion

Solo

Pads:

*

Re

fer

to

the

general

guide

found

on

page

4-5

for

exact

locations

of

t

connections.

his

keyboard

controls

and

The

MT-640

features

a

total

of

10

percussion

solo

pads

that

let

you

add

Ria

das

and

accents

to

your

performance.

Preset

percussion

sounds

sens

eee

y

simply

tapping

the

pads

with

your

finger(s).

In

addition

to

ancard

percussion

pads,

the

MT-640

features

4

unique

“sound

effect”

cussion

pads,

including

Quijada,

Voice,

Wind

Chime,

and

Orchestra

Hit

SOU

aie

nds.

MID

TOM

H!

TOM

™

LOW

TOM

PERCUSSION

PAD

.

CRASH

CYMBAL

LOW

AGOGO

eS

~—

&

Pdi

ony

a

.

ily

'

+

QUIJADA'

''

VOICE

CHING:

shia

al

CH2

CH3

CH4

Pulse

Code

Modulation

NOTE:

=

=

Oe

4

of

the

percussion

ads

perform

Ly

ee

ee

aE

ae

eee

|

formance.

Pads

Perrorm

other

functions

when.

set

for

MIDI

per-

ae

Gs