BOSSCO RC-600 Manual de usuario

Parameter Guide

Memory Settings (LOOP)............................. 2

TRACK 1–6 .............................................. 2

REC ...................................................... 4

PLAY ..................................................... 4

INPUT FX ................................................ 5

TRACK FX ............................................... 6

RHYTHM ................................................ 7

NAME ................................................... 8

System Settings (MENU) ............................. 9

INPUT ................................................... 9

OUTPUT ................................................. 11

MIXER ................................................... 13

CTL FUNC ............................................... 14

ASSIGN.................................................. 26

USB...................................................... 30

MIDI ..................................................... 31

SETUP ................................................... 32

FACTORY RESET......................................... 35

Input FX/Track FX List ................................ 36

Rhythm Pattern List .................................. 45

Memory Settings (LOOP)

TRACK 1–6

Parameter Value (Bold: default) Explanation

REVERSE OFF, ON

Species conventional playback (OFF) or reverse playback (ON).

* When REVERSE is set to “ON,” you won’t be able to switch to overdubbing after a recording

has been completed.

1SHOT

Species whether the track playback will be one-shot (ON) or not one-shot (OFF; conventional loop playback).

Track 2: ON

Track 1: OFF If 1SHOT is ON, playback will stop

when it reaches the end of the

phrase.

OFF Conventional loop playback.

The phrase will play only once from the beginning to the end of the track, and then stop

automatically (One-Shot Playback).

If you press the [REC/PLAY] switch during playback, playback will begin again from the

beginning of the track (Retrigger Playback). Overdubbing cannot be carried out.

* If you don’t want to use tempo synchronization, set TEMPO SYNC SW (p. 3) “OFF.”

PAN L50–CENTER–R50 Species the stereo position (pan) of the track.

PLAY LEVEL 0–100–200 Adjusts the playback level of the tracks.

START MODE

Species whether playback starts with a fade-in or immediately when the track plays.

IMMEDIATE Playback starts immediately.

FADE Playback starts while fading in.

* You can use “FADE TIME” (p. 4) to specify the length of the fade-in.

STOP MODE

Species how the track will stop when you press the [STOP] switch.

5The [REC/PLAY] switch will blink until playback stops.

5If you press the [STOP] switch once again before playback stops, playback will stop immediately.

* You can’t overdubbing during the time until playback stops.

IMMEDIATE Playback will stop immediately.

FADE Playback will fade out and then stop.

* You can use “FADE TIME” (p. 4) to specify the length of the fade-out.

LOOP Playback will continue to the end of the loop, and then stop.

DUB MODE

Species the overdubbing method.

OVERDUB

The new performance is layered onto the prerecorded tracks.

If overdubbing is repeated, the next performance is layered on top of the previous material,

allowing you to create an ensemble in a single track.

REPLACE1

Tracks with existing recordings are overwritten as new tracks are recorded over them.

Overwriting takes places while the previously recorded tracks are played back, allowing you to

achieve a kind of delay eect similar to that obtained from an eects processor.

REPLACE2 Tracks with existing recordings are overwritten as new tracks are recorded over them.

You can record over a track that has already been recorded, without playing that track.

FX OFF, ON Species whether to apply input/track FX (ON) or not (OFF).

PLAY MODE

Species whether tracks 1 and 2 play back simultaneously.

MULTI: Track 1

Track 2

SINGLE: Track 1

Track 2

Stops when the other track

starts playing.

MULTI

Play back all tracks.

* To ensure that playback always takes place from the beginning of the phrase, you need to

set LOOP SYNC (p. 3) to “OFF.”

SINGLE

Play back only a single track.

The currently-playing track stops when the other track starts playing.

* If SINGL CHNGE is set to “LOOP END,” the track will change at the end of the loop.

Memory Settings (LOOP)

Parameter Value (Bold: default) Explanation

MEASURE

You can specify the number of measures for each track. When recording along with rhythm sounds or other tracks, it’s

convenient to specify the number of measures before you record, so that looping will occur at the specied measure

length, even if you don’t operate the switch when you’ve nished recording.

* This parameter is available only if LOOP SYNC is “ON.”

Track 1: One measure

Track 2: Four measures

AUTO

Tracks that are set to AUTO will have the same number of measures. The number of measures

is determined by the rst-recorded track of the tracks that are set to AUTO.

For example, if all tracks are set to AUTO, the value set as the number of measures for the

second and subsequent tracks will be identical to the number of measures in the rst track

that was recorded.

FREE The number of measures will be set automatically, corresponding to the length of the

recording.

˜–1– The number of measures will be set manually.

If you select a note, you can make the length shorter than a single measure.

LOOP SYNC OFF, ON

Species whether the beginning of the track 1–6 phrases are aligned for loop playback (ON),

or whether they loop-play at the length of their respective phrases (OFF).

Track 1

Track 2

Track 1

Track 2

ON:

OFF:

Retriggers at the beginning of the

rst-recorded phrase.

Playback will repeat at the length

of the phrase.

Playback starting location

If you turn LOOP SYNC on, the beginning of the tracks will always be aligned. This means that

if tracks are already playing back, the playback start location of the other tracks will become

“the current location of the phrase being played.”The following illustration is an example of

how playback will occur with track 1–6 that contain the identical melody but have dierent

loop sync settings.

Track 1

Track 2

Track 1

Track 2

ON:

OFF:

Playback starts midway through the phrase (from the current location).

Playback always starts at the beginning of the phrase.

TEMPO SYNC

Species whether each track plays at its original tempo (the tempo during recording) or at the tempo that is

specied in memory.

OFF The track will play at its own original tempo.

ON The track will play at the memory tempo. Tracks 1–6 play at the same tempo.

MODE

When TEMPO SYNC SW is “ON,” this sets whether to change the pitch according to the tempo, or to instead

make the pitch stay the same.

PITCH The pitch changes according to the tempo.

XFADE Adjusts the playback speed to match the tempo without changing the pitch.

SPEED

Sets the playback speed for each track.

* You can change the timing at which the playback speed is switched from the LOOP/PLAY “SPEED CHANGE”

(p. 5) setting.

HALF Plays back at half the speed of the original tempo.

NORMAL Plays back at the original tempo.

DOUBLE Plays back at twice the speed of the original tempo.

BOUNCE IN OFF, ON Sets whether to allow the playback sound from a dierent track as well to be recorded (ON) or

not (OFF) during recording or overdubbing.

Memory Settings (LOOP)

Parameter Value (Bold: default) Explanation

INPUT

MIC 1, 2

OFF, ON

Sets whether the sound from each input jack/connector and the rhythm should be inputted

to the track (ON) or not (OFF) during recording.

Turn the [1] knob to select the input jack/connector or RHYTHM, and press the [1] knob to

switch between ON/OFF.

* When STEREO LINK (p. 9) is “ON,” the MIC 1, 2 and L/R channels are shown as a single

connector.

INST1 L, R

INST2 L, R

RHYTHM

REC

Parameter Value (Bold: default) Explanation

REC ACTION

Species the order in which record/playback/overdubbing are switched when you press the [REC/PLAY] switch.

REC->DUB Operation will switch in the order of Recording 0Overdubbing 0Playback.

REC->PLAY Operation will switch in the order of Recording 0Playback 0Overdubbing.

QUANTIZE

With tracks for which LOOP SYNC (p. 3) is“ON,” under any of the conditions listed below, your timing will be corrected

(Loop Quantize) based on the tempo and time signature of the rhythm, even if the timing at which you press a switch is

slightly inaccurate.

5If the rhythm is on

5If there is an already-recorded track whose LOOP SYNC is turned on

5If the MIDI Sync is on

* The QUANTIZE setting applies only during recording. It is ignored during overdubbing or playback.

* When you stop recording, it is quantized to match the measure length of the previously-recorded track (LOOP SYNC: ON)

or rhythm.

OFF Recording begins the instant you perform the operation.

When you stop recording, it is quantized to match the measure.

MEASURE Quantize to the measure start location for recording.

AUTO REC

“AUTO REC” (auto record) starts recording when there is audio input from your guitar performance or the mic.

OFF Recording will begin the instant you press the [REC/PLAY] switch.

When you press the [REC/PLAY] switch, the REC/PLAY indicator will blink rapidly, and the

RC-600 will enter recording-standby mode.

When you begin playing, the REC/PLAY indicator will light and recording will start.

SENS 1–50–100

Species the input sensitivity at which auto record starts. Recording will start when the input

from the guitar or mic exceeds the specied sensitivity.

* This is valid when AUTO REC SW is “ON.”

BOUNCE SW OFF, ON Sets whether bounce recording is used (ON) or not (OFF).

BOUNCE TRACK 1–6 OFF, ON Species the track used for input during bounce recording (the track used for bouncing).

PLAY

Parameter Value (Bold: default) Explanation

S.TRK CHANGE

Species how the tracks will be switched when PLAY MODE (p. 2) is “SINGLE.”

IMMEDIATE The change will occur immediately.

LOOP END The change will occur after playback has reached the end of the loop.

CURRENT TRACK TRACK1–6 Sets the target track for operating and editing.

FADE TIME

IN ˜, ˙, ¸, ˇ,

1MEAS–2MEAS–

64MEAS

Species the fade-in time as a number of measures when START MODE (p. 2) is set to “FADE.”

If you select a note, you can make the length shorter than a single measure.

OUT Species the fade-out time as a number of measures when STOP MODE (p. 2) is set to“FADE.”

If you select a note, you can make the length shorter than a single measure.

ALL START TRK 1–6 OFF, ON Set this to“ON” for tracks that should start playing when MIDI start data is received.

Use the [1]–[2] knobs to select the track, and press the [1]–[2] knobs to turn the setting on/o.

ALL STOP TRK 1–6 OFF, ON Set this to“ON” for tracks that should stop playing when MIDI stop data is received.

Use the [3]–[4] knobs to select the track, and press the [3]–[4] knobs to turn the setting on/o.

Memory Settings (LOOP)

Parameter Value (Bold: default) Explanation

LOOP LENGTH

Species the length to which LOOP SYNC (p. 3) aligns the beginnings of the material for loop sync.

AUTO The length of the rst-recorded phrase will be the LOOP LENGTH.

1–25362 Manually species the number of measures that will be looped.

SPEED CHANGE

Species the timing at which the playback speed switches to the speed set in TEMPO SYNC SPEED (p. 3).

IMMEDIATE The change will occur immediately.

LOOP END The change will occur after playback has reached the end of the loop.

SYNC ADJUST

When SPEED CHANGE is set to “IMMEDIATE,”this sets the conditions for synchronizing the start of the tracks.

MEASURE The starting points of the tracks are synchronized if they are out of alignment by one measure

or less.

BEAT The starting points of the tracks are synchronized if they are out of alignment by one beat or

less.

INPUT FX

BANK A–D

Parameter Value (Bold: default) Explanation

FX A–D OFF, ON Species the FX A–D on/o.

* When MODE is set to “SINGLE,” you can turn on only one eect from A–D.

BANK A–D Sets the target FX bank for operating and editing.

SW OFF, ON Species the FX bank on/o.

MODE

This sets whether multiple eects can be activated at once for FX A–D.

SINGLE Only one eect can be turned on.

MULTI Multiple eects can be turned on at the same time.

FX TARGET A–D This sets for which eect out of FX A–D the intensity is controlled using the external

expression pedal.

FX A–D

Parameter Value (Bold: default) Explanation

SW OFF, ON Species the eects on/o.

SW MODE

This congures how the switch works when switching between the onboard switches and external footswitches for FX

A–D.

* The functions for the onboard switches and external footswitches are congured in “CTL FUNC” (p. 14).

TOGGLE The eect toggles between on and o with each press of the switch.

MOMENT The eect turns on only while the switch is pressed.

INSERT

These parameters set the inputs for which eects are applied.

* When STEREO LINK is “ON,” the L/R channels of MIC 1, 2 are shown as a single connector.

ALL

Applies eects to all inputs.

* Even when this is set to “ALL,” the unit doesn’t record inputs with eects if the LOOP/TRACK

1–6 INPUT (p. 4) for all the tracks hasn’t been set to “ON.”

MIC1, MIC2 Applies eects to the input audio from the MIC 1, 2 connectors.

INST1-L, INST1-R Applies eects to the input audio from the INST 1 L/MONO, R jacks.

INST2-L, INST2-R Applies eects to the input audio from the INST 2 L/MONO, R jacks.

FX TYPE

Select the type of eect to assign to the FX A–D, and set their FX parameters.

* The FX parameters vary depending on the selected eect type.

&“Input FX/Track FX List” (p. 36)

Memory Settings (LOOP)

TRACK FX

BANK A–D

Parameter Value (Bold: default) Explanation

FX A–D OFF, ON Species the FX A–D on/o.

* When MODE is set to “SINGLE,” you can turn on only one eect from A–D.

BANK A–D Sets the target FX bank for operating and editing.

SW OFF, ON Species the FX bank on/o.

MODE

This sets whether multiple eects can be activated at once for FX A–D.

SINGLE Only one eect can be turned on.

MULTI Multiple eects can be turned on at the same time.

FX TARGET A–D This sets for which eect out of FX A–D the intensity is controlled using the external

expression pedal.

FX A–D

Parameter Value (Bold: default) Explanation

SW OFF, ON Species the eects on/o.

SW MODE

This congures how the switch works when switching between the onboard switches and external footswitches for FX

A–D.

* The functions for the onboard switches and external footswitches are congured in “CTL FUNC” (p. 14).

TOGGLE The eect toggles between on and o with each press of the switch.

MOMENT The eect turns on only while the switch is pressed.

INSERT

These parameters set the tracks for which eects are applied.

ALL Applies eects to all tracks.

TRACK1–6 Applies eects to specied tracks.

FX TYPE

Select the type of eect to assign to the FX A–D, and set their FX parameters.

* The FX parameters vary depending on the selected eect type.

&“Input FX/Track FX List” (p. 36)

Memory Settings (LOOP)

RHYTHM

MEMO

By executing the Write operation while in the rhythm play-standby or rhythm play condition, you can save/recall the memory as a “rhythm: on”

memory.

Parameter Value (Bold: default) Explanation

GENRE

Selects the genre of the rhythm pattern.

ACOUSTIC, BALLAD, BLUES, JAZZ, FUSION, R&B, SOUL, FUNK, POP, SOFT ROCK, ROCK, ALT ROCK, PUNK, HEAVY ROCK,

METAL, TRAD, WORLD, BALLRM, ELCTRO, GUIDE, USER

PATTERN

Selects the rhythm pattern.

* The patterns you can select vary, depending on the genre.

&“Rhythm Pattern List” (p. 45)

VARIATION A–D Selects the rhythm pattern variation.

KIT

Selects the drum kit that is used for rhythm playback.

STUDIO, LIVE, LIGHT, HEAVY, ROCK, METAL, JAZZ, BRUSH, CAJON, DRUM&BASS, R&B, DANCE, TECHNO, DANCE BEATS,

HIPHOP, 808+909

BEAT 2/4–4/4–7/4, 5/8–15/8 Selects the rhythm beat.

* You cannot change the beat after the track is recorded. Be sure to set this before recording.

START TRIG

Species how rhythm playback starts.

LOOP START The rhythm plays when loop recording or playback starts.

REC END

The rhythm plays when loop recording ends and switches to playback.

This is useful if you want to perform without specifying a tempo, then start recording, and

then play the loop in time with the rhythm when playback starts.

BEFORE LOOP

The rhythm plays before loop recording or playback.

The rhythm starts playing when you press the switch once, and recording/playback starts in

time with the rhythm when you press the switch once again.

STOP TRIG

Species how rhythm playback stops.

OFF

The rhythm always continues playing.

If you are performing in synchronization with an external MIDI device, you can keep the

rhythm playing continuously to allow synchronized playback.

LOOP STOP The rhythm stops when the loop stops.

REC END The rhythm stops when loop recording ends.

This is useful when you want to use the rhythm as a guide during recording.

INTRO REC OFF, ON Sets whether to add an intro (ON) or not (OFF) when recording.

* The intro does not play while a track or rhythm is being played back.

INTRO PLAY OFF, ON Species whether the rhythm plays with (ON) or without (OFF) an intro.

ENDING OFF, ON Species whether the rhythm plays with (ON) or without (OFF) an ending.

FILL OFF, ON Species whether the rhythm plays with a ll-in (ON) or without a ll-in (OFF).

VAR.CHANGE

Species the timing at which the rhythm pattern variation is switched.

MEASURE Play to the end of the measure and then switch.

LOOP END Play to the end of the loop and then switch.

Memory Settings (LOOP)

NAME

Parameter Value (Bold: default) Explanation

NAME

Species the memory name.

1. Turn the [4] knob to move the cursor to the position at which you want to enter a character.

2. Turn the [3] knob to select a character.

[1] knob Turn Jumps to the beginning of uppercase/lowercase characters, numbers or symbols

Press Deletes the character at the cursor position

[2] knob Turn Toggles between uppercase/lowercase

Press Inserts a space at the cursor position

System Settings (MENU)

INPUT

SETUP

Parameter Value (Bold: default) Explanation

PHANTOM

MIC1

OFF, ON

Turns phantom power on/o.

* Always turn the phantom power o when connecting any device other than condenser

microphones that require phantom power.

MIC2

INST1 GAIN

INST2 GAIN

These parameters set the gain for INST 1 and 2 to match that of the connected devices.

INST Instruments such as guitars/bass guitars, keyboards, etc.

LINE Line-level equipment such as audio players

STEREO LINK

MIC OFF, ON Turns the stereo link function on/o.

5When MIC is set to “ON,” this collectively uses the same settings for the MIC 1 and 2

connectors.

5When INST 1, 2 is set to “ON,” this collectively uses the same settings for the L and R jacks.

INST1

OFF, ON

INST2

PREFERENCE

MIC

SYSTEM,

MEMORY

Selects whether to switch the MIC 1, 2 and INST 1, 2 settings to either the settings for each

memory or to the system settings.

* When switching to the settings for each memory, use the write operation to save the

settings to memory.

INST1

INST2

9MIC1, MIC2, INST1 L, INST1 R, INST2 L, INST2 R

* When STEREO LINK (p. 9) is“ON,” MIC, INST 1 and INST 2 are shown.

Parameter Value (Bold: default) Explanation

SW OFF, ON Turns equalizer on/o.

LO GAIN -20–0–+20 dB Adjusts the gain for the low frequency range.

HIGH GAIN -20–0–+20 dB Adjusts the gain for the high frequency range.

LO MID

FREQ 20.0–250 Hz–10.0 kHz Species the center of the frequency range that will be adjusted by the LO MID GAIN.

Q0.5–16 Adjusts the width of the area aected by the EQ centered at the LO MID FREQ.

Higher values will narrow the area.

GAIN -20–0–+20 dB Adjusts the gain for the low-middle frequency range.

HI MID

FREQ 20.0–800 Hz–10.0 kHz Species the center of the frequency range that will be adjusted by the HI MID GAIN.

Q0.5–16 Adjusts the width of the area aected by the EQ centered at the HI MID FREQ.

Higher values will narrow the area.

GAIN -20–0–+20 dB Adjusts the gain for the high-middle frequency range.

LEVEL -20–0–+20 dB Adjusts the overall volume level of the equalizer.

LO CUT FLAT, 20–800 Hz Species the frequency at which the low cut lter begins to take eect.

When “FLAT” is selected, the low cut lter will have no eect.

HI CUT 630 Hz–12.5 kHz, FLAT Species the frequency at which the high cut lter begins to take eect.

When “FLAT” is selected, the high cut lter will have no eect.

System Settings (MENU)

DYNAMICS

Parameter Value (Bold: default) Explanation

MIC1

(*1)

COMP OFF, 1–100

Species the depth of the compressor that is applied to the audio input from the MIC 1 during

loop recording.

When this is “OFF,” no compressor eect is applied.

NS 0–40–100 Species the depth of the noise suppressor that is applied to the audio input from the MIC 1

during loop recording.

MIC2

(*1)

COMP OFF, 1–100

Species the depth of the compressor that is applied to the audio input from the MIC 2 during

loop recording.

When this is “OFF,” no compressor eect is applied.

NS 0–40–100 Species the depth of the noise suppressor that is applied to the audio input from the MIC 2

during loop recording.

INST 1 NS 0–40–100 Species the depth of the noise suppressor that is applied to the audio input from the INST 1

during loop recording.

INST 2 NS 0–40–100 Species the depth of the noise suppressor that is applied to the audio input from the INST 2

during loop recording.

(*1) When STEREO LINK (p. 9) is“ON,” MIC is shown.

Otros manuales para RC-600

Tabla de contenidos

Otros manuales de Equipo de grabación de BOSSCO

BOSSCO

BOSSCO RRV-10 Manual de usuario

BOSSCO

BOSSCO UBAC30 Manual de usuario

BOSSCO

BOSSCO ME-6B Manual de usuario

BOSSCO

BOSSCO BR-1600CD Instrucciones de montaje

BOSSCO

BOSSCO G6037008-01 Manual de usuario

BOSSCO

BOSSCO BR-1180CD Manual de instrucciones y seguridad

BOSSCO

BOSSCO EQ-200 Manual de usuario

BOSSCO

BOSSCO BR-1600CD Manual de usuario

BOSSCO

BOSSCO BR-532 Manual de usuario

BOSSCO

BOSSCO ME-90 Manual de usuario

BOSSCO

BOSSCO BR-1600CD Manual de usuario

BOSSCO

BOSSCO ME-20 Manual de usuario

BOSSCO

BOSSCO GT-100 Manual de usuario

BOSSCO

BOSSCO BR-1200CD Manual de usuario

BOSSCO

BOSSCO GT-3 Manual de operación y mantenimiento

BOSSCO

BOSSCO Flanger RBF-10 Manual de usuario

BOSSCO

BOSSCO Digital Delay DE-200 Manual de usuario

BOSSCO

BOSSCO BR-1200CD Manual de usuario

BOSSCO

BOSSCO GT-PRO Manual de usuario

BOSSCO

BOSSCO RDD-20 Manual de operación y mantenimiento

BOSSCO

BOSSCO BR-8 Manual de usuario

BOSSCO

BOSSCO RC-505 Manual de usuario

BOSSCO

BOSSCO Digital Delay DE-200 Manual de operación y mantenimiento

BOSSCO

BOSSCO BR-1600CD Instrucciones de montaje

Manuales populares de Equipo de grabación de otras marcas

KV2 Audio

KV2 Audio 500 Series Manual de usuario

Robotics Technologies

Robotics Technologies microBus-Cam II Manual de usuario

Seca

Seca 460 Manual de usuario

Cognex

Cognex MVS-8000 Series Manual de usuario

Mect

Mect MPNC006 Series Manual de usuario

Bad Caf

Bad Caf THE LEASH Manual de usuario

Strymon

Strymon NIGHTSKY Manual de usuario

Mitsubishi Electric

Mitsubishi Electric 16CH DIGITAL RECORDER DX-TL5000U Manual de usuario

Tews Technologies

Tews Technologies TPMC465 Manual de usuario

Honeywell

Honeywell Excel 50 Manual de usuario

SeaLevel

SeaLevel COMM+8.LPCI Manual de usuario

Arturia

Arturia AUDIOFUSE STUDIO Manual de usuario

Rukra

Rukra RK-1240 Manual de usuario

Samson

Samson SCOM Manual de usuario

Dynacord

Dynacord DPS260 Manual de usuario

Nice

Nice Core Manual de usuario

Pyle Pro

Pyle Pro PSS8 Manual de usuario

RF-System

RF-System TinyGate Manual de uso y cuidado