Bose ToneMatch T4S Manual de usuario
T4S/T8S ToneMatch®
Mixer
Owner’s Guide
Guía del propietario
Notice d’utilisation
Bedienungsanleitung
Manuale di istruzioni
Gebruikershandleiding
取扱説明書
用户指南
使用者指南
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Introduction
Product Overview
Take control of your music with T4S and T8S ToneMatch® mixers, compact 4 and 8 channel interfaces designed for performers.
Engineered with powerful DSP engines and intuitive user controls, they oer studio-quality EQ, dynamics and eects
processing. Sound great with integrated Bose® ToneMatch® processing and zEQ, especially when connected to a Bose L1 or F1
system for full end-to-end tonal control. Play confidently on stage with these rugged ToneMatch mixers using tactile controls,
easy-to-read LED displays and scene recall. ToneMatch mixers, the ultimate on-stage companions for performing artists.
Product Features
Powerful Audio Processing
• Updated, studio-quality eects with advanced digital
audio processing
• Eects include compressor, limiter, de-esser, noise gate,
chorus, flanger, phaser, tremolo, delay, and reverb
• Bose® ToneMatch® processing for natural-sounding vocals
and instruments
• zEQ focuses the sound of ToneMatch presets for eective
adjustments on the fly
• Independent ToneMatch, EQ, dynamics and eects per
channel
• Dedicated reverb for Aux sends, and a global shared
reverb for use across all channels
• Master output EQ helps compensate for venue acoustics
• Full end-to-end tonal optimization when used with Bose L1
and F1 systems
Seamless Live Control
• Tactile controls and indicators designed for live on-stage
use by musicians and DJs
• Fast-learning user interface
• Built-in tap tempo delay, chromatic tuner, and recallable scenes
• LED display and illuminated controls are easy to read and
use, even on dimly-lit stages
High-Density Connectivity
• Unprecedented connectivity and control in a small digital
stereo mixer
• Four (T4S) or eight (T8S) high-quality audio preamps with
XLR-combo jacks for microphones or instruments, and
switchable phantom power
• Two Aux inputs for additional sources two (T4S) or four
(T8S) Aux sends
• USB-A and -B for USB drive playback or PC/Mac interfacing
• ToneMatch outputs for digital audio and power (T4S only)
• Balanced ¼” TRS and XLR (T8S only) stereo outputs
• Independent headphone output
Convenient Gig-Ready Features
• Rugged enclosure with a protective magnetic cover to
protect controls and connectors
• Includes a ToneMatch cable for connecting to a Bose L1
Model II or L1 Model 1S system for digital audio and power
(T4S), or includes a universal power supply (T8S)
• Bottom insert allows you to use standard camera
mounting accessories to keep your ToneMatch mixer
within reach
T4S ToneMatch mixer and cover ToneMatch Cable
ToneMatch power supplyT8S ToneMatch mixer and cover
For a complete list of optional equipment and accessories, please visit www.Bose.com.
Unpacking
See the following table for what your mixer carton will include:
T4S
T8S
Control and Connection Panels
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T4S ToneMatch® Mixer
Control Panel
Figure 1. T4S Control Panel
qINPUT SIGNAL/CLIP LEDs(1-4) – Displays the input signal status in color:
Green: Indicates the presence of an input signal
Red: Indicates input source clipping
wTRIM CONTROLS (1-4) – Adjusts the input sensitivity for the respective channel.
eDISPLAY – Provides function menus and system information.
rEDITING CONTROLS – These three rotary/push-button controls allow you to select or adjust items/values
appearing on the display.
tCH EDIT BUTTONS (1-4) – Selects the channel you want to modify.
yFX MUTE BUTTONS (1-4) – Bypasses the Mod, Delay, and Reverb eects on the selected channel.
uVOLUME CONTROLS (1-4) – Adjusts the volume level for the respective channel.
iMUTE BUTTONS (1-4) – Silences the audio output for the respective channel.
oMASTER VOLUME CONTROL – Adjusts the overall output level.
aHEADPHONE VOLUME CONTROL – Adjusts the volume level of the headphone output.
sROTARY SELECTOR – Allows access to both global and channel-related parameters, which are adjusted
using the editing controls.
dPHANTOM POWER SWITCH – Applies +48V power to input channels 1-4. A red LED indicates that phantom
power is on.
fHEADPHONE JACK – For use with headphones only, with a minimum impedance of 24Ω.
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Control and Connection Panels
Figure 2. T4S Connection Panel
Connection Panel
qPOWER SWITCH – Turns the mixer on or o.
wUSB 2.0 TYPE-B – A USB interface that allows you to connect the mixer to your computer.
eUSB 2.0 TYPE-A – A USB interface that allows you to stream audio from your flash drive.
rANALOG L/R OUTPUT – Main analog output. Accepts ¼ TRS balanced or TS unbalanced cables.
tAUX OUTPUT – Two user-definable analog outputs. Can be configured for a pre-fader, post-EQ, and eects,
or post-fader output. Accepts ¼ TRS balanced cables.
yAUX IN – Analog input channels 5/6. Accepts ¼ TRS balanced or TS unbalanced cables for line-level
inputs. Can be used for stereo input signals.
uINPUTS 1-4 – Analog input channels 1-4. Accepts XLR balanced cables for microphones or ¼" TRS balanced
or TS unbalanced cables for high-impedance inputs, such as guitars.
iDIGITAL MAIN OUTPUT L – Connect digitally in stereo to two L1® Model 1S/II systems. Note: Only used in
stereo with Digital Main Output R.
oPOWER PORT/DIGITAL MAIN OUTPUT R – A digital output used by the L1 Model 1S/II system. Delivers
power to the T4S mixer from the L1 Model 1S/II power stand. Can also deliver power from an AC outlet via
a ToneMatch power supply (not included with the T4S). Accepts the included ToneMatch® cable.
CAUTION: Although the ToneMatch port accepts a standard RJ-45 connector, do NOT connect the T4S
to a computer or phone network.
USB AUDIO
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MONO
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Control and Connection Panels
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T8S ToneMatch® Mixer
Control Panel
Figure 3. T8S Control Panel
qINPUT SIGNAL/CLIP LEDs(1-8) – Displays the input signal status in color:
Green: Indicates the presence of an input signal
Red: Indicates input source clipping
wTRIM CONTROLS (1-8) – Adjusts the input sensitivity for the respective channel.
eDISPLAY – Provides function menus and system information.
rEDITING CONTROLS – These three rotary/push-button controls allow you to select or adjust items/values
appearing on the display.
tCH EDIT BUTTONS (1-8) – Selects the channel you want to modify.
yFX MUTE BUTTONS (1-8) – Bypasses the Mod, Delay, and Reverb eects on the selected channel.
uVOLUME CONTROLS (1-8) – Adjusts the volume level for the respective channel.
iMUTE BUTTONS (1-8) – Silences the audio output for the respective channel.
oMASTER VOLUME CONTROL – Adjusts the overall output level.
aHEADPHONE VOLUME CONTROL – Adjust the volume level of the headphone output.
sSTEREO OUTPUT METER – Allows you to visually measure your output level.
dROTARY SELECTOR – Allows access to both global and channel-related parameters, which are adjusted
using the editing controls.
fPHANTOM POWER SWITCH – Applies +48V power to input channels 1-8. A red LED indicates that phantom
power is on.
gHEADPHONE JACK – For use with headphones only, with a minimum impedance of 24Ω.
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Control and Connection Panels
Figure 4. T8S Connection Panel
Connection Panel
qPOWER SWITCH – Turns the mixer on or o.
wUSB 2.0 TYPE-B – A USB interface that allows you to connect the mixer to your computer.
eUSB 2.0 TYPE-A – A USB interface that allows you to stream audio from your flash drive.
rANALOG L/R OUTPUT – Main analog output. Accepts ¼ TRS balanced and TS unbalanced cables.
tAUX OUTPUT – Four user-definable analog outputs. Can be configured for a pre-fader, post-EQ, and
eects, or post-fader output. Accepts ¼" TRS balanced or TS unbalanced cables.
yAUX IN – Analog input channels 9/10. Accepts ¼ TRS balanced or TS unbalanced cables for line-level
inputs. Can be used for stereo input signals.
uINPUTS 1-8 – Analog input channels 1-8. Accepts XLR balanced cables for microphones or ¼ TRS balanced
or TS unbalanced cables for high-impedance inputs, such as guitars.
iXLR STEREO OUTPUT – Stereo analog output. Accepts XLR balanced cables for stereo output.
oDIGITAL POWER PORT – For use w/ ToneMatch power supply (see “Connecting the ToneMatch® Power
Supply” on page 14).
Note: The T8S is NOT designed to connect digitally to the L1® Model 1S/II.
CAUTION: Although the ToneMatch port accepts a standard RJ-45 connector, do NOT connect the T8S
to a computer or phone network.
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USB AUDIO
MONO
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System Setup
Removing/Attaching the Cover
The T4S/T8S ToneMatch® mixer comes out of the carton with a cover installed on the top panel. The cover is
designed to protect the control panel while transporting or storing the mixer.
To remove the cover:
1. Place thumbs on notches on front of cover and slide cover forward.
2. Grab cover by the back and lift to remove it.
To attach the cover:
1. Slide cover over the mixer, from back to front.
2. The magnetized cover will engage on its own and secure itself to the mixer.
Figure 5. Removing and attaching the cover
System Setup
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Figure 6. Securing bracket to T4S Figure 8. Mounting T4S to tripod stand using bracket
Figure 7. Bracket attached to T4S
Mounting Options
The T4S/T8S comes with a ¼ (6 mm) mounting screw insert. This enables it to be mounted onto a number
of available products that include a ¼" (6 mm) mounting screw, including a camera tripod stand.
Mounting the T4S/T8S on a Camera Tripod Stand
1. Extend the camera tripod legs and secure at desired height.
2. Remove the bracket from the top of the camera tripod stand and secure the bracket to the bottom of the
T4S/T8S with the screw. Make sure the small indentation on the T4S/T8S and the bump on the bracket
are aligned. See Figure 6.
3. Secure the bracket with the T4S/T8S back onto the camera tripod stand. See Figure 8.
WARNING: Do not use the ToneMatch® T4S/T8S mixer with a tripod/stand that is unstable. The mixer
is only designed for use on a ¼" screw (6 mm), and the tripod/stand must be capable of supporting
a device with a minimum weight of 1.9 kg (4.1 lbs) and an overall size of 214 x 311 x 83 mm (8.4 x 12.25
x 3.25 inches). Using a tripod/stand that is not designed to support the size and mass of the T4S/T8S
mixer may lead to an unstable and hazardous condition that could result in injury.
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System Setup
Connecting the T4S via Digital Connection
1. Make sure the L1 Model 1S/II and T4S are powered o and the T4S Master volume control is set to
minimum.
2. Plug one end of the ToneMatch® cable into the Power port/Digital Main Output R on the T4S. Plug the
other end of the ToneMatch cable into the ToneMatch port on the power stand.
Note: To connect the T4S to two L1 Model 1S/II power stands, connect a second power stand to the Digital
Main Output L port on the T4S using a ToneMatch cable.
3. Turn on the mixer and then turn on the L1 Model 1S/II power stand.
4. Connect your instruments and adjust levels. Refer to “Optimizing Input Gain and Output Volume” on
page17.
Figure 9. Two L1 model II systems connected to a T4S via digital connection
USB AUDIO
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MONO
Note: The T8S cannot be connected digitally and cannot be powered by the L1 Model 1S/II.
System Setup
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Connecting the T4S/T8S via Analog Connection
1. Make sure the device you are connecting to and the T4S/T8S are powered o and the T4S/T8S Master
volume control is set to minimum.
2. Using XLR balanced cables, connect one or two devices to the XLR Stereo Outputs of your T8S (see
Figure 10).
Note: The T4S/T8S can be connected to a device via the Analog R Output port using a ¼" TRS cable (sold
separately). Plug the other end of the TRS cable into the Analog Input port of the device. To connect the
T4S/T8S to two devices, connect a second device to the Analog L Output port on the T4S/T8S using a ¼"
TRS cable.
3. Connect a ToneMatch® power supply to the Power port of the T4S/T8S and plug it into a live AC outlet.
Refer to “Connecting the ToneMatch® Power Supply” on page14.
4. Turn on the T4S/T8S mixer and then turn on the device.
5. Connect your instruments and adjust levels. Refer to “Optimizing Input Gain and Output Volume” on
page17.
Figure 10. Two F1 systems connected to a T8S via analog connection
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Otros manuales para ToneMatch T4S
2
Tabla de contenidos
Otros manuales de Mezclador de música de Bose
